Mahler - Symphonie N5 Et Kindertotenlieder Extrait

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Review by Geoff Kings

Album Review: Symphonie N5 Et Kindertotenlieder Extrait by Gustav Mahler Gustav Mahler’s Symphonie N5 Et Kindertotenlieder Extrait is a haunting journey through emotion and sound, blending the lush Romanticism of the late 19th century with moments that feel almost Neo-Classical in their restraint. Released in 1990 under Editions Atlas in France, this album brings together two different conductors—Antonio De Almeida and Heinz Wallberg—and orchestras to interpret some of Mahler’s most evocative works. It doesn’t reinvent the wheel but delivers an authentic experience for fans of classical music. Let’s dive into what makes this album stick in your head. First up, the Adagietto (Sehr Langsam) from Symphony No. 5. This track alone could make anyone stop whatever they’re doing and just sit there, letting it wash over them. Conducted by Antonio De Almeida with the Orchestre National De L'Opéra De Monte-Carlo, it’s achingly beautiful—a slow burn of strings and harp that feels like staring out at twilight. You can hear why directors love using this piece in films; it carries so much weight without needing words. Every note seems deliberate, yet it never feels heavy-handed. If you’ve had a tough day, this one might hit too close to home—but in the best way possible. Then there’s Kindertotenlieder (Extrait) In Diesem Wetter, In Dieser Braus, featuring mezzo-soprano Hilde Rössel-Majdan. Man, does she bring it. Her voice cuts right through the stormy instrumentation provided by Heinz Wallberg and the Orchestre Symphonique De Vienne. The lyrics, penned by Friedrich Rückert, are devastatingly raw—it’s about mourning lost children, which hits hard no matter how many times you listen to it. There’s something about the way her voice cracks slightly on certain notes that makes it feel real, not polished or distant. It’s not easy listening, but it’s unforgettable. The rest of the tracks hold their own, especially the bold energy of the Rondo Final (Allegro) and the somber march of Trauermarsch. But honestly, those first two pieces are the ones I keep coming back to. They remind me why Mahler’s work still resonates today—he wasn’t afraid to go deep, even if it hurt. One thing worth mentioning is how this recording captures the balance between chaos and control. Sure, some parts sound dated compared to modern recordings, but that adds character. Listening feels like stepping into another era, where imperfections were part of the charm. If I’m being honest, reviewing this album made me realize something kinda funny: we don’t talk enough about how exhausting great music can be. Like, after hearing these tracks, you need a moment to recover. Maybe grab a coffee or stare blankly into space for five minutes. That’s not a bad thing though—it means the music did its job. So yeah, if you’re into classical stuff or just want something that’ll stir your soul, give this album a shot. Just maybe have tissues handy.

Download Mahler - Symphonie N5 Et Kindertotenlieder Extrait
Artist: Mahler
Album: Symphonie N5 Et Kindertotenlieder Extrait

Table of Contents

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Filename: mahler-symphonie-n5-et-kindertotenlieder-extrait.zip
  • MP3 size: 42 mb
  • FLAC size: 224.7 mb

Tracks

TrackDurationPreview
Trauermarsch11:42
Stürmisch Bewegt, Mit Grösser Vehemenz13:07
Kindertotenlieder (Extrait) In Diesem Wetter, In Dieser Braus5:47
Symphonie N°5 En Ut Dièse Mineur
Rondo Final (Allegro)15:15
Scherzo (Kräftig, Nicht Zu Schnell)17:37
Adagietto (Sehr Langsam)9:57

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Catalog Numbers

CLA-CD 165

Labels

Editions Atlas

Listen online

  • online luisteren
  • écouter en ligne
  • lytte på nettet
  • kuunnella verkossa
  • lyssna på nätet
  • ascolta in linea
  • escuchar en línea
  • online anhören
  • ouvir online

Formats

  • CD
  • Stereo

Companies

RoleCompany
Manufactured ByMPO
Printed ByMPO
Phonographic Copyright (p)Edito-Service S.A. Genève

Credits

RoleCredit
Composed ByGustav Mahler
ConductorAntonio De Almeida (tracks: 1 to 5), Heinz Wallberg (tracks: 6)
Lyrics ByFriedrich Rückert (tracks: 6)
Mezzo-soprano VocalsHilde Rössel-Majdan (tracks: 6)
OrchestraOrchestre National De L'Opéra De Monte-Carlo (tracks: 1 to 5), Orchestre Symphonique De Vienne (tracks: 6)

Notes

  • Companies inverted on cover
  • Different "Editions Atlas" logo

Barcodes

  • Matrix / Runout: CLACD 165 # MPO 02 @@
  • Rights Society: D.P.
  • Other: AAD

About Mahler

Austrian composer and conductor. Born 7 July 1860 in Kalischt, Bohemia (today Kaliště, Czech Republic) and died 18 May 1911 in Vienna, Austria. Gustav Mahler (German pronunciation: ; was a late-Romantic Austrian-Bohemian composer and one of the leading conductors of his generation. As a composer, he acted as a bridge between the 19th century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 the music was discovered and championed by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century. Born in humble circumstances, Mahler showed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising importance in the opera houses of Europe, culminating in his appointment in 1897 as director of the Vienna Court Opera (Hofoper). During his ten years in Vienna, Mahlerwho had converted to Catholicism from Judaism to secure the postexperienced regular opposition and hostility from the anti-Semitic press. Nevertheless, his innovative productions and insistence on the highest performance standards ensured his reputation as one of the greatest of opera conductors, particularly as an interpreter of the stage works of and . Late in his life he was briefly director of New York's and . He wed fellow composer and musician on 9 March 1902. They had two daughters, Maria Anna Mahler (03.11.1902-05.07.1907) & . Mahler's œuvre is relatively smallfor much of his life composing was a part-time activity, secondary to conductingand is confined to the genres of symphony and song, except for one piano quartet. Most of his ten symphonies are very large-scale works, several of which employ soloists and choirs in addition to augmented orchestral forces. These works were often controversial when first performed, and were slow to receive critical and popular approval; an exception was the triumphant premiere of his Eighth Symphony in 1910. Mahler's immediate musical successors were the composers of the Second Viennese School, notably , and . and are among later 20th-century composers who admired and were influenced by Mahler. The International Gustav Mahler Institute was established in 1955, to honour the composer's life and work.

Real Name

    • Gustav Mahler

Name Vars

  • Fauré
  • G. Mahler
  • G. Meler
  • G.Mahler
  • Gustav
  • Gustave Mahler
  • Maher
  • Mahler
  • Mahler G.
  • Mahler Gustav
  • Mahler, Gustav
  • Malher
  • Marhler
  • Μάλερ
  • Г. Малер
  • Г.Малер
  • Густав Малер
  • Малер
  • °¹¿ÕûÞüéü
  • Þüéü

Interesting fact about Album

Did you know? The album *Symphonie N5 Et Kindertotenlieder Extrait* by Gustav Mahler is a fascinating blend of his emotional depth and musical genius. Released in 1990 in France, it features two conductors: Antonio De Almeida for the symphony and Heinz Wallberg for the haunting *Kindertotenlieder*. One standout track, *Adagietto*, is often recognized for its lush, cinematic quality. It’s said to convey both heartbreak and hope, making it a timeless piece that resonates deeply even today.