Mandalaband - The Eye Of Wendor Prophecies
Review by Norazly Basarian
Table of Contents
Download
Filename: mandalaband-the-eye-of-wendor-prophecies.zip- MP3 size: 162 mb
- FLAC size: 2116.8 mb
Tracks
| Track | Duration | Preview |
|---|---|---|
| The Tempest, Dawn Of A New Day | ||
| Florian's Song, Ride To The City | ||
| Elsethea | 2:48 | |
| Ænord's Lament | 1:52 | |
| The Eye Of The Vendor (Overture) | ||
| Silesandre (Indigo) | ||
| Dawn of a New Day | 4:16 | |
| Witch Of Waldow Wood | 4:35 | |
| Funeral Of The King | 1:27 | |
| The Eye Of Wendor (Indigo) | ||
| Funeral of the King | 1:33 | |
| Florian's Song | 2:52 | |
| Coronation Of Damien | 2:25 | |
| Aenord's Lament | 1:53 | |
| The Witch Of Waldow Wood (Indigo) | ||
| The Witch of Waldow Wood | 4:37 | |
| Like the Wind | 2:42 | |
| Almar's Tower | 1:56 | |
| Florian's Song | 3:10 | |
| The Eye Of Wendor | 4:43 | |
| Departure from Carthilias | 2:57 | |
| Aenord's Lament, Funeral Of The King, Coronation Of Damien | ||
| Like The Wind | 2:41 | |
| Departure From Carthilias | 2:55 | |
| The Witch Of Waldow Wood | ||
| The Eye Of The Vendor | ||
| Dawn Of A New Day | 4:02 | |
| The Tempest | 1:2 | |
| The Eye of the Wendor | 4:47 | |
| Ænord's Lament | 1:53 | |
| Ride To The City | 2:50 | |
| Almar's Tower | 1:54 | |
| Coronation of Damien | 2:23 | |
| Silesandre | 3:29 | |
| Ride to the City | 3:9 | |
| Dawn Of A New Day (Original Mix) | 4:14 |
Video
MANDALABAND The Eye Of Wendor ( Prophecies ) 01,02 ,03,04
Images
Catalog Numbers
- 6307 628
- ECLCD 1004
- 6307628
- ARC-7340, LEGENDCD03-02
- 51-1181, 51 1181
- 51-1181
- 202 670-320
- BELLE 172759
Labels
- Chrysalis
- Eclectic Discs
- Arcàngelo, Legend Records
- Belle Antique
Listen online
- online anhören
- ouvir online
- écouter en ligne
- ascolta in linea
- online luisteren
- lytte på nettet
- escuchar en línea
- lyssna på nätet
- kuunnella verkossa
Formats
- Vinyl
- LP
- Album
- CD
- Reissue
- Remastered
- Stereo
- SHM-CD
Companies
| Role | Company |
|---|---|
| Marketed By | Phonogram GmbH |
| Phonographic Copyright (p) | Chrysalis Records Ltd. |
| Recorded At | Strawberry Studios |
| Mastered At | Utopia Cutting Rooms |
| Copyright (c) | EMI Records Ltd. |
| Licensed From | EMI Records Ltd. |
| Published By | St. Annes Music Ltd. |
| Remastered At | The Audio Archiving Company |
| Designed At | Waldo's Design & Dream Emporium |
| Made By | Sonopress |
| Printed By | Mohndruck Graphische Betriebe GmbH |
Credits
| Role | Credit |
|---|---|
| Arranged By | Phil Chapman, Ritchie Close, Terry Davies |
| Cover | James Cotier |
| Photography | James Cotier |
| Engineer | Chris Nagle |
| Mastered By | Ian Cooper |
| Mixed By | Martin Lawrence |
| Written By | Davy Rohl |
| Producer | Davy Rohl |
| Acoustic Guitar | Kim Turner, Steve Broomhead |
| Artwork | Phil Smee |
| Bagpipes | Gerry Murphy |
| Bass | Alf Tramontin, Graham Gouldman, Les Holroyd, Noel Redding, Pete Glennon |
| Choir | Gerald Brown Singers |
| Chorus Master | Gerry Brown |
| Concept By | Davy Rohl, Gilly Rohl, Graham Garside |
| Coordinator | Mark Powell |
| Drums | Kim Turner, Mel Pritchard |
| Electric Guitar | Jimmy McDonnell , John Lees, Steve Broomhead |
| Electric Piano | Ritchie Close |
| Clavinet | Ritchie Close |
| French Horn | Micky Purton, Paul Bryan Farr, Russell Hayward |
| Guitar | Norman Barratt |
| Illustration | Gilly Rohl, Graham Garside |
| Leader | Michael Davis |
| Liner Notes | Mark Powell |
| Mellotron | Woolly Wolstenholme |
| Oboe | Tony Spath |
| Organ | Jon Turner |
| Percussion | David Hassle, Kim Turner, Martin Lawrence, Mel Pritchard |
| Photography By | James Cotier |
| Piano | Davy Rohl |
| Recorder | Richard Scott |
| Remastered By | Paschal Byrne |
| Saxophone | Phil Chapman |
| Flute | Phil Chapman |
| Strings | Members Of The Hallé Orchestra |
| Synth | John Gilston |
| Synthesizer | Woolly Wolstenholme |
| Text By | Gilly Rohl |
| Trombone | Andy Crompton, Dave Gorton, Mike Carlton |
| Trumpet | Andy Wardaugh, Mark Gilbanks |
| Vocals | Davy Rohl, Eric Stewart, Fiona Parker, Friday Brown, Gilly Rohl, Graham Gouldman, Ian Wilson , Justin Hayward, Kevin Godley, Kim Turner, Lol Creme, Maddy Prior, Martin Lawrence, Paul Young , Steve Broomhead |
| Written-By | David Rohl |
| Backing Vocals | David Rohl, Fiona Parker, Friday Brown, Gilly Rohl, Ian Wilson , Kim Turner, Lol Creme, Martin Lawrence , Steve Broomhead, Woolly Wolstenholme |
| Bass Guitar | Alf Tramontin, Les Holroyd, Noel Redding, Pete Glennon |
| Composed By | Phil Chapman , Ritchie Close, Terry Davies |
| Design | John Sims |
| Layout | John Sims |
| Fife | Phil Chapman |
| Keyboards | David Rohl, Jon Turner, Ritchie Close, Woolly Wolstenholme |
| Lead Vocals | Eric Stewart, Graham Gouldman, Justin Hayward, Kevin Godley, Maddy Prior, Paul Young |
| Cor Anglais | Tony Spath |
| Uilleann Pipes | Gerry Murphy |
| Arranged By [String | Phil Chapman , Ritchie Close, Terry Davis |
| Brass and Choir] | Phil Chapman , Ritchie Close, Terry Davis |
| Northumbrian Pipes | Gerry Murphy |
| Other | Steve C. Smith |
| Brass | Phil Chapman , Ritchie Close, Terry Davies |
| Choir] | Phil Chapman , Ritchie Close, Terry Davies |
| Directed By | Gerry Brown |
| Synthesizer [Moog | Woolly Wolstenholme |
| String Synthesizers | Woolly Wolstenholme |
| A.R.P.] | Woolly Wolstenholme |
| Sting Synthesizer] | Davy Rohl |
Notes
- Trifolded coloured innersleeve with the story "The Eye Of Wendor: Prophecies"
- HIGH QUALITY PRESSING MADE IN GERMANY
- Initially German version.
- Recorded at Strawberry Studios, Stockport, England between 1976 and 1978.
- The copyright in this sound recording is owned by EMI Records Ltd.
- Licensed by EMI Records Ltd.
- ℗ 1978 Chrysalis Records
- This reissue © 2003 Eclectic Discs
- recorded at Strawberry Studios, Stockport, England, between 1976 and 1978
- Comes in a CD-sized papersleeve album replica, with obi-strip and three inserts of notes etc.
- Chrysalis Records Limited, 12 Stratford Place, London W1N 9AF
- First published in U.K. by Chrysalis Records Limited 1978
- Ariola Benelux B.V.
- Made in Holland
- ℗ 1978 Chrysalis Records Ltd.
- © 1978 Chrysalis
- Released with an insert.
- On Label B5.a is spelled: Aenord's Lament
- Released with an insert, tri-fold illustrated story.
- Mastered at Utopia Cutting Room, London.
- Im Ariola-Vertrieb
- Printed in Western Germany by Mohndruck Graphische Betriebe GmbH, Gutersloh
- Comes in a mini LP sleeve with obi, 6 page booklet and Japanese liner notes.
Barcodes
- Label Code: LC 1626
- Rights Society: GEMA
- Matrix / Runout (Side A label): AA 6307 628.1 Y
- Matrix / Runout (Side B label): AA 6307 628.2 Y
- Matrix / Runout (Side A runout, stamped): 10 AA 6307628 1 Y 320 X D
- Matrix / Runout (Side B runout, stamped): 10 AA 6307628 2 Y 320 1 B
- Barcode (Scanned): 5060071300428
- Barcode (Text): 5 060071 300428
- Barcode: SONOPRESS ECLCD1004 49091 4010915
- Mastering SID Code: IFPI L055
- Mould SID Code: IFPI KA03
- Barcode: 4988044373402
- Rights Society: BIEM / n© b
- Matrix / Runout (Side 1): 51-1181-A1136331-1-4
- Matrix / Runout: 511181B1136132-1-4
- Matrix / Runout (Side 1): 202670 A-1/80S
- Matrix / Runout (Side 2): 202670 B-1/80S
- Barcode: 5 060071 300428
- Matrix / Runout: SONOPRESS Arvato 51828288/304432 21
- Mastering SID Code: IFPI LB46
- Mould SID Code: IFPI 0723
- Barcode: 4527516603205
About Mandalaband
Mandalaband is a progressive rock band formed in England in 1974. The band is led by David Rohl who writes, arranges, mixes and produces their material. Rohl is also a somewhat controversial Egyptologist, once featured on the London Sunday Times front page with the caption "the real Indiana Jones".
Real Name
- Mandalaband
Name Vars
- Mandala Band
Members
- David Rohl
- Vic Emerson
- Ian Wilson
- John Stimpson
- Ashley Mulford
- Woolly Wolstenholme
- Tony Cresswell
- Simon Waggott
- David Clements
- Jose Manuel Medina
- Kim Turner
Comments
Why was the animated film never made?
Elsker Brødrene Dal. Det er en fin melodi det her, og en veldig gammel en! Takk for at du kunne legge den ut. Det er jo nesten ingen flere videoer enn denne som har lagt ut denne
Breathtaking music.... I bought this album on a second hand fair in Ghent, Belgium by the end of the 70's not knowing the music. Mind blowing stuff to say the least. And look at the names of the musicians.... WAAAUUWW. In the meantime I managed to get hold of all the other albums
I think this was written by David Rohl (not Kohl).
מדהים ונפלא ! אחד מעשרת האלבומים הטובים ביותר מאז ומעולם ! שיתוף חברי להקת 10CC באלבום נותן את מירב האיכות והענין !!!!!!
with Graham on bass vocals
very`good,
Symphonic Progressive Rock of the highest order. Breath taking.
Tracy
38年前に毎日聞いていた。中野サンプラザ・吉祥寺・自転車・ｅｔｃ・ジャンピュータ
ータ等・・・
ータ等・・・
Herlig musikk. Er vel ikke fra "Brødrene Dahl, men ble brukt i den serien.
Sluttvignett-musikken, "The Eye of Wendor" av Mandalaband ble funnet av Lars Mjøen ved en tilfeldighet.
Lars Mjøen var mannen bak alle «kreative» lydeffekter til de tre første Brødrene Dal-seriene. Han sto også for musikkvalget til seriene, med unntak av den siste.
Lars Mjøen var mannen bak alle «kreative» lydeffekter til de tre første Brødrene Dal-seriene. Han sto også for musikkvalget til seriene, med unntak av den siste.
Fucking fantastic! It awakens lots of great childmemories
Så vidt jeg kan se er Eye of Wendor en slags Ringenes Herre-aktig historie i en Fantasy-verden som handler om en ung gutt som prøver å få tak i en magisk krystall fra en ond heks. Brødrene Dal og Spektralsteinene handler om tre brødre som reiser i tid for å kurere forkjølelse.
Jeg tror ikke de rappet historien.
Jeg tror ikke de rappet historien.
Brødrene Dahl stjal denne låta fra Mandalaband og prøvde å gjøre den til "sin".
Hele historien rappa de samtidig.
Den er gjengitt på innercoveret....!
Hele historien rappa de samtidig.
Den er gjengitt på innercoveret....!
今から３４年の曲とは思えない。いろんなエッセンスがありますね。３２年前、マンダラバンドは伝説だった。
@turbogurrab
Ja, där hörde man allt denna låt först...
Ja, där hörde man allt denna låt först...
Einfach großartig die Mischung genialer Musiker samt ihrer Musik.
Thank you so very much for uploading this fantastic music! I bought this lp more than 30 years ago, and then a few years later a 'friend' borrowed it and never took the trouble to return it. After all those years I still remember every chord, every word, every beat.
