Move Podcast 17 1992 by Merino: A Colombian Time Capsule of Electro Chaos
Alright, so let’s talk about Move Podcast 17 1992 by Merino. Released in 2017 under the Colombian label Move, this album feels like a love letter to all things electronic—Electro, Techno, Industrial, you name it. It’s got that gritty energy you’d expect from these genres but with a twist that screams Colombia. Designed by Santiago Merino (who also happens to be the DJ mixer here), and illustrated by Juliana Cuervo, the whole thing has this raw, homemade vibe that just works.
Now, I gotta say, with 30+ tracks on this beast, there’s no shortage of bangers and head-scratchers. But two tracks stood out for me in particular: "We Have Arrived (Aphex Twin TTQ Mix)" and "Soulenoid (Scream At The Right Time)."
First up, “We Have Arrived.” If you’re into Aphex Twin-style chaos, this remix nails it. The track starts off deceptively calm, almost like it's luring you into a false sense of security. Then BAM—it hits you with layers of distorted synths and beats that feel both mechanical and alive at the same time. You can tell Merino wasn’t just throwing stuff together; he was crafting an experience. This one stuck with me because it’s not your typical dancefloor filler—it makes you think while you move. Like, what exactly are we arriving at? And why does it feel so unsettling?
Then there’s “Soulenoid (Scream At The Right Time).” Man, this track is wild. It’s got this eerie, pulsating rhythm that builds tension like crazy. There’s a moment around the halfway mark where everything drops out except for this haunting vocal sample, and honestly? It gave me chills. Not scary chills, though—more like, “Wow, this guy knows how to mess with my brain” chills. The title says it all: screaming at the right time is an art form, and Merino masters it here.
One thing I really appreciate is how unpolished some parts feel. Don’t get me wrong—there’s plenty of technical skill involved, but it doesn’t come off as overly produced or trying too hard to impress. It’s imperfect in the best way possible, which makes it feel human despite all the robotic tones.
Fun fact: Did you know this came out in 2017? Yeah, it’s kinda funny how something rooted in '90s vibes still feels fresh today. Maybe that’s the magic of Electro and Techno—they never really go out of style. Or maybe it’s just Merino being ahead of his game. Either way, hats off to him.
You know what’s wild though? Listening to this album made me realize how much music can transport you—not just mentally, but emotionally and even geographically. Even though it’s dripping with industrial coldness, there’s something warm about knowing it hails from Colombia. Like, who would’ve thought such a tropical country could spit out tunes this frosty?
Anyway, if you’re into experimental electronic sounds that challenge your ears and make your feet tap without permission, give Move Podcast 17 1992 a spin. Just don’t blame me if you end up zoning out for hours. Oh, and props to whoever decided to include a track called “Drugs Work.” Bold move, Merino. Bold move.
