Miguel Castro - Latin Rhythms Cumbia Merengue Bossa Nova More

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Review by Nadine-Johanna Ebhardt

Latin Rhythms Cumbia Merengue Bossa Nova More – Miguel Castro’s Wild Ride Through Sound Miguel Castro’s Latin Rhythms Cumbia Merengue Bossa Nova More isn’t just an album; it’s a full-on assault on your eardrums in the best way possible. Released back in 2011 under ARC Music (UK), this thing is like a passport stamped with every flavor of Latin beats you can imagine—Samba, Cumbia, Bossa Nova, Merengue—and then some. It’s messy, chaotic, and unapologetically alive. And honestly? That’s what makes it stick. Let me break it down for ya. First up, “Pollera Amarilla” (Cumbia). This track slaps harder than most songs dare to. The rhythm grabs you by the collar and doesn’t let go. You’re not just listening to it—you’re living it. There’s something about that relentless beat that gets into your bones, making you wanna move even if you’ve got two left feet. It’s raw, infectious, and feels like dancing barefoot on hot sand at midnight. If this song doesn’t make you sweat, check your pulse because you might be dead. Then there’s “Sígueme” (Merengue). Holy crap, does this one hit different. From the first horn blast, it’s clear Castro wasn’t messing around when he made this. The energy here is electric, like someone plugged a live wire straight into the mix. It’s impossible not to picture yourself spinning across a crowded dance floor, arms flailing, laughing too loud. The percussion punches through like a heartbeat on steroids, and damn if it doesn’t leave you breathless. Tracks like this remind you why music exists—to shake loose whatever junk life’s piled on top of you. But let’s talk real for a sec. Not everything on this album lands perfectly. Some tracks feel repetitive or overly reliant on traditional structures. Like, do we really need three versions of “Toque A Elegua”? Feels indulgent as hell. But hey, maybe that’s part of the charm. Castro isn’t trying to reinvent the wheel—he’s celebrating it, dents and all. What sticks with me most after diving headfirst into this beast is how unfiltered it feels. In a world where so much music is polished till it loses its soul, Latin Rhythms keeps things gritty and real. Sure, it’s uneven, but isn’t that kinda beautiful? Life ain’t perfect either, yet we keep coming back for more. So yeah, if you’re looking for background noise while sipping coffee, skip this. But if you want music that grabs you by the throat and demands your attention, crank this sucker up. Just don’t blame me when your neighbors start complaining. Final thought: Listening to this album feels like stumbling into a wild party where nobody speaks your language—but somehow, you still belong. Weird, right?

Download Miguel Castro - Latin Rhythms Cumbia Merengue Bossa Nova More
Artist: Miguel Castro
Album: Latin Rhythms Cumbia Merengue Bossa Nova More

Table of Contents

Download

Filename: miguel-castro-latin-rhythms-cumbia-merengue-bossa-nova-more.zip
  • MP3 size: 172.5 mb
  • FLAC size: 1467.5 mb

Tracks

TrackDurationPreview
Baqueteo (Baqueteo)1:40
Nascimento (Samba)4:35
Toque a Egun (Bata drum)0:16
Chachaguanco de Orion (Latin Jazz)3:38
Desde Lejos (Bomba)2:38
Barrio Sur (Candombe)3:5
Sígueme (Merengue)4:21
Toque a Elegua (Bata drum)0:15
Soca Pa'ti (Soca-Calypso)4:3
Promise of a Fisherman (Afuche)3:6
Imbaloke (Bata Drum)
Soca Pa’ Tí (Soca-Calypso)
Fantasy Bossa (Bossa)5:46
Por Alla Cana (Mangulina)2:16
Chachaguancó De Orión (Latin Jazz)
Préndeme La Vela (Festejo)
Promise Of A Fisherman (Afuché)
Toque a Chango (Bata drum)0:22
Prendeme La Vela (Festejo)3:19
Pollera Amerilla (Cumbia)3:6
Toque A Elegua (Bata Drum)
Toque A Egún (Bata Drum)
Toque A Changó (Bata Drum)
Por Allá Caná (Mangulina)
Imbaloke (Bata drum)1:5

Images

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Catalog Numbers

EUCD2339

Labels

ARC Music

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Formats

  • CD
  • Album

About Miguel Castro

Percussionist

Name Vars

  • M. Castro
  • Miguel Castro Y Amigos

Interesting fact about Album

Did you know? The album *Latin Rhythms Cumbia Merengue Bossa Nova More* by Miguel Castro is like a musical passport. Released in 2011 in the UK, it takes listeners on a journey through Latin America and beyond. With tracks blending Samba, Cumbia, Bossa Nova, and Merengue, it’s not just an album—it’s a global experience. One standout fact? It features Bata drum rhythms, a traditional Afro-Cuban style rarely heard in mainstream music. So, it’s both unique and deeply rooted in cultural heritage.