Mozart - Sinfonie Nr 40 g moll KV 550

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Review by Алексей Лободин

Album Review: Mozart’s Sinfonie Nr. 40 g moll KV 550 – A Timeless Masterpiece That Feels Like Home If you’ve ever wondered what genius sounds like, just hit play on Mozart’s Sinfonie Nr. 40 g moll KV 550. This classical gem, brought to life by conductor Otto Klemperer and the Philharmonia Orchestra, is one of those albums that doesn’t just sit in the background—it grabs your soul and takes it for a ride. Released under Columbia (Germany), this record feels like stepping into a grand ballroom where everyone's dancing but no one’s showing off. It’s classy without being snobby, emotional without being over-the-top. Let me break it down for ya—there are four tracks here, each with its own vibe, but I’ll zoom in on two because, honestly, my brain can only hold so much perfection at once. First up is 1. Satz: Molto Allegro, which punches you right in the feels from the first note. No fancy intro, no messing around—it just dives straight into this restless, almost anxious energy. The violins sound like they’re having a heated argument while the bassline keeps everything grounded, like the friend who says, “Calm down, we got this.” What sticks with me most is how raw it feels. You’d think something written centuries ago would feel outdated, but nah, this track could easily soundtrack your chaotic morning commute or that moment when you realize you forgot to reply to an important email. Mozart gets it. Then there’s 4. Satz: Finale (Allegro Assai), which closes the album with a bang—or more like a sprint. This movement has all the drama of a season finale, where every instrument seems to be racing toward some big reveal. The strings go wild, the woodwinds add these sneaky little flourishes, and somehow it all comes together without falling apart. Listening to it makes me wanna grab a cape and run through a field dramatically, even though I’m just sitting on my couch eating chips. It’s exhilarating, unpredictable, and leaves you breathless—not unlike trying to catch a bus that’s already pulling away. Now, don’t get me wrong, the other two tracks (Andante and Menuett) are beautiful too, but these two really stuck with me. Maybe it’s because they both feel alive, like they’re telling stories without needing words. Or maybe it’s just that I have the attention span of a goldfish. Who knows? Reflecting on this album, I’m struck by how timeless it feels. Mozart wasn’t just writing music; he was bottling up human emotions and slapping a label on them. And Otto Klemperer? Dude knew how to bring out the best in these notes, making sure the orchestra didn’t just play the symphony—they lived it. Here’s the unexpected bit: listening to this made me wonder if Mozart ever stopped mid-composition to think, “Man, I hope people still dig this in 2023.” Spoiler alert, Wolfie—we do. Thanks for the earworms and existential crises.

Download Mozart - Sinfonie Nr 40 g moll KV 550
Artist: Mozart
Album: Sinfonie Nr 40 g moll KV 550

Table of Contents

Download

Filename: mozart-sinfonie-nr-40-g-moll-kv-550.zip
  • MP3 size: 19.6 mb
  • FLAC size: 231.6 mb

Tracks

TrackDurationPreview
2. Satz: Andante
1. Satz: Molto Allegro
4. Satz: Finale (Allegro Assai)
3. Satz: Menuett (Allegretto)

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Catalog Numbers

C 70 376

Labels

Columbia

Listen online

  • ascolta in linea
  • écouter en ligne
  • ouvir online
  • online anhören
  • kuunnella verkossa
  • lyssna på nätet
  • lytte på nettet
  • online luisteren
  • escuchar en línea

Formats

  • Vinyl
  • LP
  • 10"
  • Mono

Credits

RoleCredit
Composed ByMozart
ConductorOtto Klemperer
OrchestraPhilharmonia Orchestra

Barcodes

Matrix / Runout: XR 50031-1

Interesting fact about Album

Did you know? Mozart’s *Symphony No. 40 in G minor (KV 550)* is one of the most iconic pieces in classical music. It was composed in just a few weeks, yet it feels timeless. The version conducted by Otto Klemperer with the Philharmonia Orchestra, released under Columbia, is a standout recording. What’s fascinating is how this symphony blends raw emotion with intricate structure. The fourth movement, *Finale (Allegro Assai)*, is especially intense—Mozart at his dramatic best. People often say it feels like he poured his soul into this piece, and it’s easy to hear why.