Album Review: Darkend by ENoid
Released in 2008 under the Dutch label DNA Tracks, Darkend by ENoid is a relentless journey into the depths of hardcore and gabber electronic music. Composed by Erik Ypma, this album captures the raw energy and industrial grit that fans of the genre crave. If you’re into pounding beats, distorted synths, and an unapologetic sonic assault, Darkend has something for you.
One track that stands out immediately is "Elastic Industrial." It’s got this elastic-y bassline (hence the name, right?) that bounces around your skull like it owns the place. The rhythm shifts unpredictably, keeping listeners on edge while still being oddly danceable. You can tell Ypma put thought into making it chaotic but not overwhelming—like controlled chaos with a twist of madness. This one sticks because it feels alive, almost as if the machines themselves are having a freak-out party.
Then there’s “Order Chaos,” which flips the script entirely. Where “Elastic Industrial” plays with flexibility, this track slams down hard with militaristic precision. The kick drums hit like sledgehammers, leaving no room for hesitation. Yet, amidst all the aggression, there's a strange sense of clarity—a structure within the storm. It’s hypnotic in its brutality, and honestly? It makes me wanna smash stuff… but also organize my sock drawer at the same time. Weird combo, I know.
The Netherlands has always been a breeding ground for hardcore and gabber, and Darkend fits snugly into that tradition. But what sets it apart isn’t just technical skill—it’s how Ypma manages to balance fury with nuance. Sure, some tracks like “Stringent” feel repetitive after a while, but hey, maybe that’s the point. Repetition breeds obsession, doesn’t it?
Reflecting on Darkend, I realize it’s not perfect. Some parts are too loud, others too abrasive, and yeah, it might give you a headache if you're not in the mood. But isn’t that kinda the charm? In a world full of polished, overproduced albums, Darkend reminds us that sometimes music should be ugly, messy, and real. And honestly? That last synth stab in “Darkened” gave me chills—but maybe that’s just ‘cause my headphones are old.
Final thought: Listening to this album feels like getting punched in the face by someone who really cares about alignment. Go figure.
