Nexus Earle Birney Album II: A Weird, Wonderful Trip Through Words and Sounds
Let’s get one thing straight—this isn’t your typical “put it on repeat while you’re folding laundry” kind of album. Nexus Earle Birney Album II is a heady mix of spoken word poetry, free improvisation, and enough classical-jazz fusion to make your brain do somersaults. Released in 1982 by Canadian label Nexus (yep, they named the band after themselves), this record feels like someone threw a poetry reading, a jazz jam session, and an avant-garde art exhibit into a blender and hit puree.
The genres listed here are hilariously broad: Non-Music? Classical? Jazz? It’s like they couldn’t decide either. But honestly, that’s what makes this album so oddly compelling. You don’t listen to it—you experience it. And if you’re not careful, you might start questioning reality halfway through.
Standout Tracks That Stick With You
Take “Museum Of Man,” for example. This track hits you with Earle Birney’s gravelly voice delivering lines that feel both ancient and futuristic at the same time. The instrumentation behind him? Let’s just say it’s less “background music” and more “chaotic soundscape.” There’s something about the way the piano stumbles over itself while percussion rattles around like loose change in a dryer. I kept waiting for a melody to emerge, but nope—it stays gloriously messy. By the end, I wasn’t sure whether I loved it or hated it, which probably means it succeeded.
Then there’s “Takkakaw Falls.” Oh man, this one’s wild. Imagine standing under a waterfall as someone recites a poem about existential dread—or maybe hope? Hard to tell. The chimes and bells swirling around sound like wind chimes possessed by ghosts. At first, I thought my speakers were broken. Then I realized: nope, that’s just Nexus being Nexus. Somehow, though, it works. It’s haunting, beautiful, and utterly unforgettable.
Why This Album Is Worth Your Time
What sets Nexus Earle Birney Album II apart is its refusal to play nice. It doesn’t care if you find it accessible or even enjoyable. Instead, it demands your attention, poking and prodding until you give in. Sure, some tracks drag a bit (looking at you, “El Greco: Espolio”), but others are so vivid they’ll stick in your mind for days.
And let’s talk about the vibe for a second. Listening to this album feels like wandering through a museum where every room has a different theme—but half the exhibits are unfinished. One moment you’re marveling at intricate sculptures; the next, you’re staring at a pile of scrap metal wondering why it’s there. Confusing? Absolutely. Boring? Never.
Final Thoughts
By the time you reach the closing track, “To Swindon From London By Britrail Aloud/Bagatelle,” you’ll either be completely hooked or ready to toss the record out the window. Either reaction is valid. But here’s the kicker: even if you hate it, you won’t forget it.
So, who should dive into this auditory rabbit hole? If you’re into experimental art, quirky poetry, or just want to confuse your Spotify algorithm, this is your jam. Just don’t expect sing-along choruses or TikTok-friendly beats.
In conclusion, Nexus Earle Birney Album II is like that eccentric uncle who shows up uninvited to family dinners—he talks too much, wears mismatched socks, and somehow steals the show anyway.
