Orbital - The Saint

Review by Kamil Strauss

Orbital’s The Saint: A Sonic Punch to the Gut Let’s cut the crap. Orbital didn’t just drop an album in 1997—they unleashed a beast called The Saint. This isn’t your run-of-the-mill electronic record; it’s a genre-bending, brain-melting masterpiece that refuses to sit still. With its roots tangled deep in ambient, techno, trance, and breakbeat vibes, this thing hits like a freight train on steroids. And yeah, it’s got enough leftfield twists to keep even the snobbiest IDM nerds glued to their headphones. Now, let me get one thing straight: I don’t remember every track here, but when something sticks, it sticks. Take “The Sinner (Industry Standard),” for instance. Holy hell, this tune is pure chaos wrapped in melody. It starts off all moody and brooding, like someone sneaking through shadows, then BAM—it explodes into this relentless techno assault. You can practically feel the sweat dripping off the walls of some dingy club where this would’ve been blasting back in the day. It’s not just music; it’s a full-body experience. If you’re not moving by the halfway mark, check your pulse—you might be dead. Then there’s “Satan (Live In NYC).” Jesus Christ, what a wild ride. This version takes the original track and cranks it up to eleven, injecting raw energy that feels alive. The pounding beats are relentless, the synths scream like banshees, and the whole thing builds into this apocalyptic crescendo that leaves you breathless. Listening to it feels like being chased through a neon-lit labyrinth by something you can’t see. It’s messy, chaotic, and absolutely brilliant. That’s the kind of madness only Orbital could pull off without sounding pretentious. Credit goes to P&P Hartnoll, who produced and arranged this monster. These dudes clearly weren’t messing around—they crafted each track with surgical precision while leaving room for that organic, human touch. Props also to whoever mastered this beast (RCE, if you’re wondering), because the sound quality slaps harder than most albums from that era. Even the artwork, handled by Fultano Mauder, fits perfectly—a stark, minimalist design that mirrors the cold intensity of the music inside. What makes The Saint stand out isn’t just its technical brilliance or genre-hopping insanity—it’s how unapologetically aggressive it feels. There’s no pandering here, no attempts to soften the edges for mainstream appeal. Orbital went full throttle, creating something that punches you in the face and dares you to hit play again. And trust me, you will. So yeah, this album dropped over two decades ago, but it still hits harder than half the stuff coming out today. Maybe that says more about modern music than we’d like to admit. Or maybe Orbital were just ahead of their time, crafting a timeless piece of art that refuses to fade into obscurity. Either way, The Saint deserves a spot in any self-respecting music lover’s collection. Oh, and one last thing—don’t listen to this sober. Just saying.

Artist: Orbital
Album: The Saint

1997

Rating: 3.73

Review
About Album
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Tracks
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Catalog Numbers
Labels
Listen online
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Credits
Notes
Barcodes
About Artist
Interesting fact
Related albums

Download

Filename: orbital-the-saint.zip

MP3 size: 35 mb
FLAC size: 382.9 mb

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Tracks

Track	Duration	Preview
The Box (Edit)	4:12
Satan (Industry Standard)	3:42
The Sinner (Industry Standard)	4:01
Satan (Live In NYC)	7:09
The Saint	4:30
The Sinner	9:59
The Box	4:12

Images

Catalog Numbers

Labels

FFRR
Something Special
Internal
FFRR, PolyGram Records
FFRR, London Records
London Records
FFRR, Internal
London Records, FFRR

Listen online

escuchar en línea
lytte på nettet
online anhören
online luisteren
écouter en ligne
kuunnella verkossa
ascolta in linea
lyssna på nätet
ouvir online

Formats

CD
Single
Mini
Unofficial Release
Vinyl
12"
33 ⅓ RPM
Cassette
Test Pressing
Promo
Maxi-Single
CDr
Alternate artwork

Companies

Role	Company
Phonographic Copyright (p)	Internal Records
Copyright (c)	Internal Records
Published By	EMI Robbins Music Corp.
Manufactured By	I.L.S.
Marketed By	I.L.S.
Made By	PMDC, USA
Pressed By	SNA
Lacquer Cut At	The Exchange
Mastered At	Frankford/Wayne Recording Labs
Distributed By	PolyGram K.K.

Credits

Role	Credit
Producer	P&P Hartnoll
Design	Fultano Mauder '97
Lacquer Cut By	NiLZ
Mastered By	RCE
Arranged By	P&P Hartnoll

Notes

Issued in a cardstock sleeve.
Track 1, 'The Saint': (EMI Glenwood Music Corp. O/B/O EMI Robbins Music Corp. (ASCAP)).
Track 2, 'The Box': (Sony/ATV Tunes LLC (ASCAP)/Sony/ATV Music Publishing UK Ltd.).
Track 3, 'The Sinner': Copyright Control.
Original versions from the FFRR CD Orbital "In Sides" (697-124-129-2).
℗© 1997 Internal Records. Manufactured and marketed by LL.S, 825 Eighth Avenue, New York, New York, 10019.
Printed in the U.S.A.
Wooden tray with a cork cd-spider. Tray covered with coloured 2 panel cardboard case.
Also includes a sticker (sticker repeating front cover).
'The Saint' published by Robbins Music Corp Ltd. ℗ 1997 FFRR.
'The Sinner' published by Copyright Control. © 1997 FFRR.
The copyright in this sound recording is owned by London Records 90 Ltd.
"The Saint" motion picture artwork, photos, TM & copyright © 1997 Paramount Pictures.
The record sleeve incorrectly lists track A as 'The Saint' and track B as 'The Sinner'.
No track durations printed on release.
Inlay & disc:
The Saint published by Robbins Music Corp Ltd. ℗ 1997 FFRR.
The Sinner published by Copyright Control. © 1997 FFRR.
Inlay:
'The Saint' motion picture artwork, photos, TM & copyright © 1997 Paramount Pictures.
Design: Fultano Mauder '97.
_
Packaging: J-card case with a Orbital information request post card. Some of these cards were full colour, other cards were grey, black and white.
Track durations are not printed on the release.
Matrix etchings match those found on The Saint (US Retail Version) and The Saint (US Promo Version). Both on 'FFRR'.
3" CD. Obi strip has reference to Japanese version of "In Sides" (POCD-1252/3)
℗ 1997 FFRR Records Ltd
© 1997 Paramount Pictures
Tracks repeat both sides.
A2 & B2 is an edited version that appears on the CD single.
The Saint published by Robbins Music Corp Ltd.
The Sinner published by Copyright Control.
℗ 1997 FFRR
© 1997 FFRR
Issued without any insert.
℗© 1997 Internal Records
Back insert: "Original versions from the FFRR/Internal CD Orbital "In Sides" (422 828 886-2)".
Track 1, theme song of the 1997 movie "The Saint", is based on the theme for the 60s British TV show of the same name, and is also featured on the various artists compilation The Saint (Music From The Motion Picture Soundtrack).
Track 2 is the unnamed radio edit featured as first track on the EP The Box, also known as "Single Version" on the compilation Work 1989-2002. This happens to be an edit of the second part of the two part album version featured on In Sides.
Track 3 is not a remix of track 1, but an original composition developing elements of Orbital's arrangement from track 1. Unlike for tracks 1 and 2, there is no writing credit given for this track on the release.
Two track master test pressing, mastered at "The Exchange", London.
B1: (EMI Glenwood Music Corp. o/b/o EMI Robbins Music (ASCAP)).
B2: (Sony/ATV Tunes LLC (ASCAP)/Sony/ATV Music Publishing UK Ltd.)
℗ 1997 Internal Records.
Issued in a card slip case.
℗©1997 Internal Records
3" CD with 'SAMPLE' printed around disc center. Obi strip has reference to Japanese version of "In Sides" (POCD-1252/3)
A: Copyright Control
B1: EMI Glenwood Music Corp. o/b/o EMI Robbins Music (ASCAP)
B2: Sony/ATV Tunes LLC (ASCAP)/Sony/ATV Music Publishing UK Ltd.
℗ 1997 Internal Records
Made in U.S.A.
Issued in a slimline jewel case with j-card insert.
Sticker on front: "As featured in the movie The Saint"
[From insert:]
The Saint [...] Published By Robbins Music Corp Ltd. [...] ℗ 1997 FFRR.
The Sinner [...] Published By Copyright Control. © 1997 FFRR.
The Copyright In This Sound Recording Is Owned By London Records 90 Ltd.
"The Saint" Motion Picture Artwork, Photos, TM & Copyright © 1997 Paramount Pictures.
Marketed In France By Barclay & In Germany By Motor Music GmbH.
Alternate and possibly withdrawn inlay to regular issue (it has a shadow).

Barcodes

Barcode (Text): 0 162-531102-2 9
Barcode (String): 016253110229
Rights Society: ASCAP
Matrix / Runout: 162 531 102-2 01% A
Mastering SID Code: IFPI L007
Mould SID Code: IFPI 0312
Other (Mould Text): MADE IN USA BY PMDC
Other: 0501
Barcode (Text): 0 42285 08291 3
Barcode (String): 042285082913
Rights Society: BIEM/MCPS
Label Code: LC 7654
Price Code: PY 122
Matrix / Runout (Etched, side A): FX 296 A- (SNA Logo) THE EXCHANGE - NiLZ
Matrix / Runout (Etched, side B): FX 296 B-1 (SNA Logo) THE EXCHANGE - NiLZ.
Barcode (Text): 0 42285 08292 0
Barcode (Scanned): 042285082920
Price Code: PY 940
Matrix / Runout (Variant 1 & 2): FCD296 10456881 01 & MADE IN U.K. BY PMDC
Matrix / Runout (Mould text variant 1 & 2): MADE IN THE UK BY PMDC
Mastering SID Code (Variant 1 & 2): IFPI L134
Mould SID Code (Variant 1): IFPI 0451
Mould SID Code (Variant 2): IFPI 0454
Matrix / Runout (Etched, Side A): 162-531-101-1 A F/W RCE
Matrix / Runout (Etched, Side B): 162-531-101 1 B
Barcode: 4 988005 200068
Matrix / Runout: PODD-2001- 2R 0 0 V
Rights Society: JASRAC
Rights Society: SACEM SACD SDRM SGDL
Matrix / Runout (Stamped, Side A): D FI-97 3 2773 A
Matrix / Runout (Stamped, Side B): D FI-97 3 2 77 3 B
Barcode (Text): 0 42285 08284 5
Barcode (String): 042285082845
Price Code: PY 540
Matrix / Runout: PRC D74 532 RE1 01% A
Mould SID Code: IFPI 0309
Barcode (Text): 0 42285 08732 1
Barcode (String): 042285087321
Matrix / Runout (Variant 1, 2): #970305MM 4228508732 L382 MFG BY CINRAM
Mastering SID Code (Variant 1, 2): L382
Mould SID Code (Variant 1, 2): IFPI 6000
Other (Mould Text, Variant 1): 2
Other (Mould Text, Variant 2): 19
Other (Glass Mastered date, Variant 1, 2): 1997 March 5th
Matrix / Runout (Etched, Side B): 162-531-101-1 B
Barcode (Text): 0 162-351102-4 3
Barcode (String): 016235110243
Matrix / Runout: PODD-2001- 2R-0 0 V
Mastering SID Code: IFPI L235
Mould SID Code: IFPI4021
Other (Printed Mould Text): SAMPLE
Barcode (Text): 0 162-531101-1 3
Barcode (String): 016253110113
Matrix / Runout: 850 829-2 01 +
Mastering SID Code (Variant 1, 2, 3, 4): IFPI L002
Mould SID Code (Variant 1): IFPI 01A8
Mould SID Code (Variant 2): IFPI 01R7
Mould SID Code (Variant 3): IFPI 01R6
Mould SID Code (Variant 4): IFPI 01R5
Other (Mould text, variant 1, 4): MADE IN GERMANY BY PMDC A
Other (Mould text, variant 2, 3): MADE IN GERMANY BY PMDC D
Rights Society (Sleeve): BIEM/MCPS
Rights Society (Disc): BIEM / MCPS
Label Code (Sleeve): LC 7654
Label Code (Disc): LC7654
Price Code (Sleeve): PY 940
Price Code (Disc): PY940
Matrix / Runout: SAINT1 10459981 01 %
Matrix / Runout (Mould Text): MADE IN THE UK BY PMDC
Mastering SID Code: IFPI L132
Mould SID Code: IFPI 0454
Barcode (String): 042285082920
Matrix / Runout: FCD296 10456881 01 & MADE IN U.K. BY PMDC
Mastering SID Code: IFPI L134
Other (Mould Text): MADE IN THE UK BY PMDC
Barcode (Text): 9 398603 189224
Barcode (String): 9398603189224
Matrix / Runout: FCD296 –555– REGENCY RECORDINGS 22014

About Orbital

Techno outfit founded in the late 80s by the brothers Paul and Phil Hartnoll.

Real Name

Paul & Phil Hartnoll

Name Vars

Orbitol
Oribital

Aliases

Industry Standard
P&P Hartnoll

Members

Paul Hartnoll
Phil Hartnoll

Interesting fact about Album

Did you know? The album *The Saint* by Orbital, released in 1997, is a wild mix of genres and styles, from ambient to techno and even breakbeat. It’s like a musical chameleon, shifting vibes with every track. Fun fact: the album was released across multiple countries and labels, making it a global hit. Oh, and here’s the kicker—those iconic tracks? They were all arranged and produced by the Hartnoll brothers, aka P&P Hartnoll. Props to them for creating such a versatile masterpiece!