Album Review: Grandes Del Cante Flamenco by Perlita De Huelva
If you’re a fan of raw, soul-stirring flamenco with just the right mix of grit and grace, Grandes Del Cante Flamenco by Perlita De Huelva is going to hit all the right notes. Released under Divucsa, this album dives deep into the roots of Spanish folk traditions, blending Flamenco and Rumba styles with an authenticity that feels like sitting in a dimly lit tablao in Andalusia.
Perlita De Huelva brings her A-game here, showcasing not only technical mastery but also emotional depth. The album spans multiple palos (styles) of flamenco—seguidillas, bulerías, fandangos, guajiras, and more—each track offering something distinct yet connected by the unmistakable essence of flamenco storytelling.
Two tracks stood out for me personally, and they’ve been stuck in my head ever since I first heard them. First up is “Les Quito El Rocío (Seguiriyas)”. This one grabs you from the opening compás and doesn’t let go. It’s haunting, almost like a conversation between the singer and the guitar where every note carries centuries of pain and resilience. Seguiriyas are supposed to be heavy, and Perlita nails it without overdoing it. She lets the emotion breathe, and that makes it unforgettable.
Then there’s “Qué Bonita Es Mi Niña (Trigales Verdes)”, a canción rumba that feels lighter but no less impactful. It’s got this playful rhythm that sneaks up on you, making it impossible not to tap your feet or hum along. There’s a warmth to it, as if Perlita is sharing a private joke with the listener. It’s the kind of song you’d play at a summer barbecue and suddenly everyone starts dancing—even the people who claim they can’t dance.
What strikes me most about this album is how diverse it is while staying true to its core identity. You’ve got fiery bulerías, reflective granainas, and even some rumbas with social commentary woven into their grooves. Tracks like “Obrero Emigrante” tackle themes of migration and labor struggles, adding layers of meaning beyond the music itself.
But honestly? Listening to this album feels like flipping through a photo album of Spain’s cultural history. Each track tells a story, whether it’s about love, loss, celebration, or protest. And yeah, sure, some parts might feel a bit repetitive if you’re new to flamenco—but isn’t repetition kind of the point? Life keeps circling back to the same emotions, right?
Final thought: If you listen closely enough, you’ll swear you can hear the dust of Andalusian streets swirling in the background. Oh, and fun fact—I kept expecting a guest appearance from a rooster during “Cumpleaños.” Maybe next time, Perlita!
Qué Bonita Es Mi Niña (Trigales Verdes) "Canción Rumba"
Como Estoy Queriendo "Bulerías A Orquesta"
Prisionera De Tus Ojos "Fandangos Sta. Eulalia Por Bulerías"
Llanto Por Un Clavel "Media Granaina"
Desafío Torero "Pasodoble"
Cuando Manda El Corazón "Fandangos De Huelva"
Manuel De España "Bulerías"
No Eres Hombre Para Mí "Fandangos Por Bulerías"
Tú Estás De Más "Fandangos De Alosno"
Amigo Conductor "Rumba Con Fandangos"
Que Tú Salías Con Otra "Soleá"
Quejíos Moros "Pasodoble"
Fieros Enemigos "Fandangos De Gloria"
En Las Minas Trabajando "Tarantos"
Obrero Emigrante "Rumba Con Fandango"
Amargo Sufrimiento "Rumba"
Quererte Hasta La Ceguera "Pasodoble"
El Candil "Rumba"
Mi Piropo A Granada "Media Granaina"
Sólo Hablas De Tu Madre "Fandangos Del Sevillano"
Cómo Está La Humanidad "Fandangos Del Sevillano"
El Divorcio
Tengo Un Te Quiero "Pasodoble"
Les Quito El Rocío "Seguiriyas"
Images
Catalog Numbers
30162
Labels
Divucsa
Listen online
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Formats
2 × CD
Compilation
Companies
Role
Company
Phonographic Copyright (p)
Divucsa Music, S.A.
Copyright (c)
Divucsa Music, S.A.
Barcodes
Barcode (Printed): 8 423646 301621
Barcode (Scanned): 8423646301621
About Perlita De Huelva
Spanish singer, born Febrary 27, 1939 in Huelva.
Very popular flamenco icon. She won a Gold Disc Award with the composition of her couple "Amigo conductor" in 1975 and a Platinum Disc Award in 1990.
Did you know? The album *Grandes Del Cante Flamenco* by Perlita De Huelva is like a journey through the soul of Flamenco. It’s packed with styles like Seguiriyas, Fandangos, and Bulerías, each track telling its own story of love, struggle, or pride. The song "El Candil" blends Rumba vibes, while "A Ti Cádiz" brings the joy of Alegrías. What’s wild is how this one album captures so many traditional Spanish sounds, almost like a musical map of the country’s heart and history. Pretty cool, right?
