Piero Cotto - Tanti Auguri A Te

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Review by Garrett Gibbons

Album Review: Tanti Auguri A Te by Piero Cotto Alright, let’s talk about Tanti Auguri A Te, the 1982 Italian pop gem from Piero Cotto. Released under the Eleven label, this album feels like a warm slice of nostalgia wrapped in early '80s charm. With Angelo Arienti handling the arrangements and direction, and Aldo Pagani producing, it’s got that polished yet heartfelt vibe that just sticks with you. Now, if I had to pick two tracks that stand out, it’d be the title track “Tanti Auguri A Te” and “Ninna Nanna A Un Posto Vuoto.” The first one—oh man, it’s hard not to love it. It’s got this celebratory feel, but there’s also something bittersweet lurking underneath. Like, yeah, it’s happy on the surface, but you can tell there’s more going on. Maybe it’s the melody or the way Piero sings it—it feels personal, like he’s singing directly to someone who isn’t there anymore. You know those songs that make you smile but also kinda ache a little? That’s this one. Then there’s “Ninna Nanna A Un Posto Vuoto,” which is basically a lullaby for emptiness. Sounds heavy, right? But it’s so beautiful. The lyrics are poetic, almost like a whispered confession. It’s one of those tracks where you don’t even need to understand every word to get the emotion—it’s all in the delivery. The soft instrumentation lets Piero’s voice take center stage, and honestly, it gives me chills every time. What’s wild about this album is how timeless it feels. Even though it came out in the ‘80s, it doesn’t scream “dated.” Instead, it feels like a quiet little treasure waiting for listeners to stumble upon it. And hey, maybe that’s why I remember these tracks—they’re not trying too hard to impress. They just exist, honest and unpretentious, like an old friend who still knows how to surprise you. You know what’s funny? Listening to this album makes me think about how birthdays and lullabies are kinda opposites. One’s loud and full of life, while the other’s soft and meant to bring peace. Yet here they are, side by side on this record, coexisting perfectly. Maybe that’s why Tanti Auguri A Te works—it’s a celebration of contrasts, and honestly, we could all use a bit more of that. So yeah, if you’re into Italian pop or just want something different to vibe to, give this one a shot. It’s low-key unforgettable.

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Artist: Piero Cotto
Album: Tanti Auguri A Te

Table of Contents

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Filename: piero-cotto-tanti-auguri-a-te.zip
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Tracks

TrackDurationPreview
Tanti Auguri A Te
Ninna Nanna A Un Posto Vuoto

Images

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Catalog Numbers

EL 103

Labels

Eleven

Listen online

  • ouvir online
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  • écouter en ligne
  • lyssna på nätet
  • lytte på nettet
  • kuunnella verkossa
  • escuchar en línea
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  • online anhören

Formats

  • Vinyl
  • 7"
  • 45 RPM

Companies

RoleCompany
Produced ForEleven Music Company S.r.l.
Pressed ByPanarecord S.p.A.
Distributed ByPanarecord S.p.A.

Credits

RoleCredit
Arranged ByAngelo Arienti
Directed ByAngelo Arienti
ProducerAldo Pagani

Barcodes

Rights Society: S.I.A.E.

About Piero Cotto

Italian singer and guitarist (born in Asti 14 July, 1944). In the 60s makes a big musical experience in the U.S. as a guitarist of , using the name of . In first 70s, back to Italy, forms , a prog rock band. The song Due Delfini Bianchi was a great hit. Two more singles and one album and in 1974 the band split. In 1978 the first solo album sung in English. in 1987 he is the singer the jazz-rock band from Turin Gialma 3 with the lp Gialma Planet. In 1988 was awarded as Best Italian Jazz Singer in Los Angeles by and by . In 1989 his last album D'Ora In Poi.

Name Vars

  • Big Pierre
  • Cotto
  • P. Cotto
  • Pierro Cotto

Aliases

  • Big Pierre
  • Peter Cook
  • Morales

Interesting fact about Album

Here’s a fun fact: The 1982 Italian pop album *Tanti Auguri A Te* by Piero Cotto has a quirky charm. It features just two tracks, including one titled *Ninna Nanna A Un Posto Vuoto*, which translates to "Lullaby for an Empty Place." Imagine that—singing a lullaby to something that isn’t even there. The whole project was steered by Angelo Arienti, who both arranged and directed the music. Talk about wearing multiple hats!