Album Review: The Afros are Coming by Prescot Grammar School Rock Band
Released in 1972, The Afros are Coming by the Prescot Grammar School Rock Band is one of those hidden gems that doesn’t scream for attention but quietly demands it. This UK jazz album, brought to life under Liverpool Sound (Enterprises) Limited, feels like a time capsule from an era when experimentation and raw talent ruled the music scene. It’s not perfect, but it’s got soul—and sometimes, that’s all you need.
The standout track here is “Tune for Two.” It kicks off with this breezy saxophone riff that just pulls you in. You can almost picture yourself sitting in some smoky club in Liverpool, nursing a pint while nodding along to the rhythm. The interplay between the horns and the piano is tight without being overly polished, which gives it this authentic, lived-in vibe. What makes it memorable? Well, halfway through, there’s this unexpected key change that throws you off balance in the best way possible. It’s like they’re saying, “Hey, we’re having fun here—why don’t you join us?”
Then there’s the title track, “The Afros are Coming.” If I’m honest, the name had me chuckling at first—it sounds more like a quirky protest slogan than a jazz tune. But once the drums kick in, you realize it’s anything but a joke. The percussion work on this track is wild yet controlled, giving it this driving energy that keeps building until the final note. There’s something about the way the band layers their instruments; it’s chaotic in parts but never loses its groove. It’s the kind of song that sticks with you because it feels alive, unpredictable even.
Now, let’s be real—this isn’t your typical jazz record. For starters, it was made by a school rock band, which adds a layer of charm (and maybe a bit of amateurish grit). Some transitions feel rough around the edges, and yeah, the production could’ve used a bigger budget. But none of that really matters. What does matter is how much personality shines through every track. These kids weren’t trying to reinvent jazz—they were just making music they loved, and that sincerity bleeds into every note.
Reflecting on The Afros are Coming, it strikes me how rare albums like this are today. In an age where everything feels calculated and overproduced, stumbling across something so unapologetically human is refreshing. And honestly? Listening to this album makes me wonder what other musical treasures might be hiding in old school archives or forgotten labels. Maybe someone should dig deeper into Liverpool Sound’s catalog—who knows what else is out there?
So yeah, if you’re into jazz or just curious about music history, give The Afros are Coming a spin. Just don’t expect perfection—expect heart.
