Album Review: Movin Groovin by Tom Leeland Featuring Vivian Tate
Released in 2007 under Deepah Recordings, Movin Groovin is a solid entry in the house music scene. It’s one of those albums that doesn’t try to reinvent the wheel but still manages to keep your feet tapping and your head nodding. With its German roots and electronic vibe, it’s got that polished yet slightly raw edge you’d expect from the era.
The star of the show here is Vivian Tate’s vocals. She brings this sultry, hypnotic energy that just glues everything together. You can tell she wasn’t just phoning it in—her voice feels alive, like she’s right there with you on the dance floor. Let’s dive into two tracks that really stuck with me.
First up, the Leeland Mix of “Movin Groovin.” This is the kind of track that grabs you by the shoulders and says, “Hey, pay attention!” The beat builds slowly, teasing you before dropping into this lush groove that’s impossible not to move to. What makes it memorable? Probably how seamless it feels. There’s no overthinking here—just pure, unadulterated house goodness. And Vivian’s vocals? They float over the track like silk. Honestly, if I hear this at a club, I’m staying for at least three more songs.
Then there’s the Alex Botar Remix, which takes things in a slightly darker direction. It’s grittier, edgier, almost like it’s telling a different story compared to the original mix. The bassline hits harder, and the synths have this brooding quality that sneaks up on you. It’s the type of remix that could easily work as the soundtrack to some late-night drive through empty city streets. If the Leeland Mix is sunshine, this one’s moonlight.
Of course, we can’t skip mentioning the other versions—the daMix and Radio Edit both have their moments too. But they don’t quite leave the same impression as the first two. Still, kudos to Tom Leeland for giving listeners options depending on their mood or setting.
Looking back, Movin Groovin might not be groundbreaking, but it’s reliable in all the best ways. It reminds me of why house music became such a global phenomenon in the first place—it’s about connection, rhythm, and losing yourself for a little while. Plus, it’s kinda wild to think this came out over 15 years ago. Feels like yesterday!
Unexpectedly enough, listening to this album made me crave a plate of schnitzel. Go figure.
