United Void - Doomsday Clock EP

kirushanth1994

Review by Kirushanth Balabaskaran

Doomsday Clock EP by United Void: A Raw, Unfiltered Dive into Punk and Hardcore Energy Released in 2017, Doomsday Clock EP by United Void is a gritty testament to the raw power of punk and hardcore influences blended with rock sensibilities. Self-released under their own label (or lack thereof), this project feels like a DIY labor of love that doesn’t try too hard to impress but ends up doing just that. Hailing from the US, United Void delivers six tracks—well, technically nine if you count repeats—that pack a punch without overstaying their welcome. The album kicks off strong with its titular track, "Doomsday Clock." It’s not often you hear an opening riff that feels both chaotic and calculated at the same time, but here we are. The song sets the tone for what’s to come: relentless energy, biting lyrics, and a vibe that screams “we’re all doomed anyway, so let’s rage.” What sticks out most isn’t just the instrumentation—it’s how unapologetically pissed off it sounds. You can almost picture lead vocalist spitting these words through gritted teeth while Captain Tripps works his magic behind the board. Repeating this track later on might seem redundant, but hey, sometimes hearing something twice makes it hit harder. Another standout is "Robbed Of Life," which hits different because of its emotional weight. While still firmly rooted in hardcore punk traditions, there’s a sense of vulnerability here that cuts through the noise. Lyrically, it feels personal—like someone airing grievances they’ve been holding onto for years. The chorus lingers long after the song ends, partly because it’s catchy as hell and partly because it taps into universal feelings of frustration and loss. If anything, it proves United Void has more depth than your average shouty-punk band. Artwork by Riley Kerr deserves a nod too—it perfectly complements the abrasive yet thoughtful nature of the music. Think apocalyptic imagery meets underground zine aesthetics. Paired with Captain Tripps’ solid recording work, the production manages to sound polished enough to be listenable but rough around the edges where it counts. What’s wild about Doomsday Clock EP is how much personality shines through despite its short runtime. Sure, some tracks blur together, and yeah, repeating songs might feel lazy to some listeners—but honestly? That kinda adds to the charm. This isn’t meant to be overthought; it’s meant to be felt. In a world full of overly produced albums trying to tick every box, United Void reminds us that imperfection can be powerful. Listening to this record feels like finding a hidden gem in a dusty record store—you didn’t know you needed it until it was already stuck in your head. Who knew self-released punk could feel this alive?

Download United Void - Doomsday Clock EP
Artist: United Void
Album: Doomsday Clock EP
Rating: 5.0

Table of Contents

Download

Filename: united-void-doomsday-clock-ep.zip
  • MP3 size: 46.2 mb
  • FLAC size: 531.3 mb

Tracks

TrackDurationPreview
Doomsday Clock 1:03
Robbed Of Life 1:14
Doomsday Clock01:03
Punished01:06
Social Climbing Leech1:10
Death Grip0:51
Fluoxetine2:02
Punished 1:06
Shadow People0:33
Recovering1:32
Robbed of Life01:14

Images

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Labels

Not On Label (United Void Self-released)

Listen online

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Formats

  • Vinyl
  • 7"
  • 8 × File
  • MP3
  • EP
  • 320 kbps

Companies

RoleCompany
Recorded AtHigh Command

Credits

RoleCredit
ArtworkRiley Kerr
Recorded ByCaptain Tripps

About United Void

American hardcore-punk band from Seattle, Washington.

Members

  • Steven Hagley

Interesting fact about Album

Here’s a fun fact: The album *Doomsday Clock EP* by United Void is like a DIY labor of love. It was self-released under their own label in 2017, which shows how independent artists can still create raw, authentic music without big industry backing. Oh, and get this—two tracks, "Doomsday Clock" and "Robbed of Life," are repeated on the tracklist. Maybe it’s a nod to the themes they wanted to hammer home or just a quirky oversight. Either way, it adds character! Plus, Riley Kerr handled the artwork, while someone nicknamed Captain Tripps took care of recording. Punk and hardcore vibes all around.