Belgian Acid New Beat Ist Geil: A Wild Ride Through 1989’s Underground Vibes
Alright, let’s dive into this gem of an album—Belgian Acid New Beat Ist Geil. Yeah, you heard that right. It’s not just Geile; it’s geil with a capital G. Released in ‘89 by Open Records outta Spain, this thing is dripping with gritty electronic energy and raw New Beat vibes. Produced and arranged by Takis Gritzelis (props to the man for pulling off some serious wizardry), it’s one of those records that feels like it came straight from a neon-lit basement party where everyone was way too cool to care about anything but the beat.
Now, here’s the deal: this isn’t your polished, overproduced EDM banger. Nope. It’s rough around the edges, kinda like someone spilled beer on the mixing desk—but hey, that’s what makes it so damn memorable. Two tracks really stuck with me after spinning this bad boy a few times: “New Beat Ist Geil” and “Acid Kiosk.”
First up, “New Beat Ist Geil.” I mean… come on. The title says it all, doesn’t it? This track slaps harder than a slap bass solo at a jazz festival. From the moment those robotic vocals kick in, shouting “NEW BEAT IST GEIL!” like they’re announcing the apocalypse, you’re hooked. The rhythm is hypnotic—it’s got this relentless pulse that makes you wanna stomp around like a cyborg learning how to dance. And honestly, who doesn’t love a good repetitive chant when you're trying to lose yourself in the music?
Then there’s “Acid Kiosk,” which is basically my new favorite thing ever. Imagine walking through a sketchy arcade late at night, surrounded by broken machines spitting out glitchy sounds while a mysterious vendor sells you questionable snacks. That’s this song. It’s chaotic, acidic, and somehow still groovy as hell. There’s something about the squelchy synths and wonky beats that just clicks. You can tell Takis had fun messing around with this one—it’s messy, but in the best possible way.
The rest of the album keeps the vibe alive with tracks like “Climax” and “Myconos,” both of which bring their own brand of weirdness to the table. But honestly, if I tried to describe every single song, we’d be here all day, and I’ve already spent too much time pretending I know big words.
Here’s the kicker though: listening to Belgian Acid New Beat Ist Geil feels like stepping into a time machine that only goes to places you didn’t even realize existed back then. Like, imagine sweaty clubs filled with people wearing leather jackets and neon leg warmers, losing their minds to these strange, pulsating beats. It’s wild, unapologetic, and utterly unique.
And maybe that’s why it sticks with you. Not because it’s perfect or groundbreaking, but because it’s real. It’s human. Well, okay, mostly robotic, but you get the point.
So yeah, do yourself a favor and give this album a spin. Just don’t blame me if you find yourself muttering “New Beat Ist Geil” under your breath for the next week. Oh, and uh… maybe clear your schedule beforehand. Once this stuff gets in your head, it doesn’t leave easily. Trust me—I haven’t stopped tapping my foot since yesterday.
