Madlod Discotheque: A Hidden Gem from 1985 That’ll Make You Move
Alright, let’s talk about Madlod Discotheque. Yeah, you heard me right—this is a wild ride of an album that came outta Indonesia back in ‘85. It’s one of those records that just screams “disco fever” but with an electronic twist. Released under the Perina label, it’s got this raw, unpolished charm that feels like stumbling into some underground club where everyone's dancing like nobody’s watching.
First off, the tracklist is stacked. I mean, come on—"Sugar Frosted Lover" and "Dancin’ Dancin’"? These two tracks alone are worth writing home about.
Let’s start with “Sugar Frosted Lover.” Man, this song hits different. The beat kicks in, and suddenly you’re not just listening—you’re feeling it. There’s this sugary sweetness to the synths (yeah, pun intended), but it doesn’t feel overdone. Instead, it wraps around you like a warm hug at a party. And the vocals? Super smooth, kinda dreamy even. It’s the kind of tune that sticks with you long after the needle lifts off the record. Honestly, if this doesn’t make your feet tap, check your pulse.
Then there’s “Dancin’ Dancin’.” Oh man, this one’s pure fire. Like, literal dancefloor domination material. From the opening notes, it’s clear they weren’t messing around when they made this. The bassline is so funky it practically begs you to move. Plus, the energy is infectious—you can almost picture the neon lights flashing as people go nuts on the floor. This track has this weird way of making you feel like the star of your own retro movie. Props to whoever put this together because it WORKS.
The rest of the album keeps the vibe alive too. Tracks like “Hey Look Who’s Dancin’” and “Super Lover” bring more heat, while slower jams like “Will They Miss Me” add a nice breather without killing the mood. Even the random inclusion of “Kaniya Kaniyang Hill” throws you for a loop—it’s got this quirky tropical vibe that reminds you where this album hails from. Indonesia might not be the first place you think of for disco, but dang, they nailed it here.
And hey, shoutout to “Intro” for setting the stage perfectly. Sometimes intros feel like filler, but this one grabs your attention right away. Same goes for “How Do I Survive,” which closes things out on a reflective note. Feels like the comedown after a killer night out.
So yeah, Madlod Discotheque isn’t perfect. Some tracks lean a little cheesy, and sure, the production could’ve been tighter. But honestly? That’s part of its charm. It’s messy, fun, and full of heart—a snapshot of what disco meant to folks in ‘80s Indonesia.
Here’s the kicker though: listening to this album makes you realize how global music really is. Back then, genres traveled far beyond borders, blending cultures in ways most people never noticed. So next time someone says disco died in the ‘70s, slap this album on and prove ‘em wrong. Or better yet, invite ‘em to your living room and watch their faces light up. Trust me, it’s worth it.
Final thought: If aliens ever visit Earth and ask us to explain human joy through music, I’m handing them Madlod Discotheque.
