Album Review: Musika Remixes by Yolanda Be Cool Feat Kwanzaa Posse
Released in 2018 under the Australian label Sweat It Out!, Musika Remixes is a vibrant dive into the electronic music scene, blending House and Tech House styles with infectious energy. This remix EP by Yolanda Be Cool, featuring Kwanzaa Posse, brings together four reimagined versions of "Musika," each offering its own unique twist. It’s not groundbreaking, but it’s got that vibe—something you’d play at peak hour or when you’re trying to set the mood just right.
The standout track for me has to be "Musika (GotSome Remix)." GotSome takes the original and gives it this gritty, bass-heavy edge that feels raw yet polished enough to keep your feet moving. The drop? Absolutely killer. It’s one of those moments where you can’t help but nod your head or maybe even shout “yeah!” if no one’s around. What sticks with me most is how they layer the percussion—it’s tight, punchy, and kinda sneaky, like it builds up without you realizing until BAM, you’re hooked.
Another gem is "Musika (Babert Remix)." Babert leans more into the Tech House side of things, stripping back some elements while adding these hypnotic synths that feel like they’re swirling around your brain. There’s a certain groove here that’s hard to shake off; it’s minimalistic but still packs a punch. You could easily lose yourself in this on a dimly lit dancefloor—or heck, even while folding laundry. Sometimes simplicity works wonders, y’know?
What’s cool about this EP is how each remix carves out its own space within the same source material. Whether it’s Flash 89’s bouncy take or Dateless’ dreamier approach, there’s variety without losing sight of the core vibe. Sure, it might not reinvent the wheel, but it doesn’t need to. It’s functional, fun, and does exactly what good dance music should do: make you move.
Reflecting on Musika Remixes, I’m reminded of how remix culture keeps music alive. These tracks aren’t just reinterpretations—they’re conversations between artists, genres, and listeners. And honestly? If someone told me this was made in 2023 instead of 2018, I wouldn’t bat an eye. Timeless? Maybe. Or maybe it’s just really good at faking it. Either way, it’s worth a spin.
Final thought: Who knew Aussies could make such banging beats? Guess we all did.
