Album Review: Metropolis Montreal 26th October 2003 9:00 PM by Zucchero
Zucchero’s Metropolis Montreal 26th October 2003 9:00 PM is a live blues masterpiece that captures the raw energy of one of Italy’s most iconic voices. Released in 2004 under Polydor, this album isn’t just another live recording—it’s an experience. Recorded in Montreal, it blends Zucchero’s signature soulful style with a touch of rock and gospel vibes. If you’re into blues with heart and grit, this one’s for you.
Two tracks stand out immediately: “Baila (Sexy Thing)” and “Rossa Mela Della Sera.” Let’s talk about “Baila” first. This song is pure fire—literally impossible not to move to. The groove hits hard from the first beat, and Zucchero’s raspy vocals pull you right into the moment. It’s got this infectious rhythm that feels like it’s tailor-made for a late-night dance floor or even just vibing alone in your room. You can hear the crowd going wild during the chorus, which adds this electric layer to the whole thing. Honestly, it’s one of those songs that reminds you why live music is unbeatable.
Then there’s “Rossa Mela Della Sera,” which flips the vibe entirely. Where “Baila” is upbeat and punchy, this track slows things down and lets Zucchero’s voice do all the heavy lifting. The melody feels nostalgic, almost cinematic, like something you’d hear while staring out a rainy window. His delivery here is so heartfelt it kinda sneaks up on you. By the second verse, you’re hooked. There’s also this subtle guitar riff running through the background that gives the track a dreamy texture. It’s one of those songs that sticks with you long after the album ends.
The rest of the album holds its own too—tracks like “I Lay Down” and “Dindondio” keep the energy flowing without ever feeling repetitive. But what really makes this record special is how well it showcases Zucchero’s ability to connect with his audience. You can tell he’s not just performing; he’s living every note. And the band? Tight as hell. They make it sound effortless, but anyone who’s ever tried playing live knows how rare that kind of chemistry is.
Here’s the thing though—listening to Metropolis Montreal feels less like hearing an album and more like stepping into a memory. Maybe it’s the way the crowd reacts, or maybe it’s Zucchero’s unfiltered passion, but there’s something deeply human about it. It’s not perfect, and honestly, that’s part of the charm. A few rough edges here and there remind you that this wasn’t made in some sterile studio—it was born in the heat of the moment.
Final thought? This album proves that great music doesn’t need bells and whistles. Sometimes, all it takes is a killer voice, a solid band, and a room full of people ready to feel something real. Oh, and if you’ve never seen Zucchero live, listening to this might just convince you to book a ticket next time he rolls around. Trust me, it’s worth it—even if only to figure out how someone can sound this good live.
