สธรรม เพชรภญโญ, นวลจนทร จงเจรญ - ไปขายเรอบนนอย

bobstein

Review by Bob Stein

Album Review: ไปขายเรอบนนอย by สธรรม เพชรภญโญ & นวลจนทร จงเจรญ If you’re into raw, heartfelt folk music with a distinctly Thai twist, ไปขายเรอบนนอย is an album that’ll grab your attention. Released under the label ตราแคนคู่, this collection of tracks dives deep into the Mo Lam style—a traditional genre rooted in storytelling and rural life. With its mix of humor, emotion, and cultural vibes, it’s not just music; it’s like flipping through a photo album of Thai countryside stories. The album features twelve tracks, each one packed with flavor. But two songs stood out to me for different reasons. First up is "พ่อฮ้างกล่อมลูก" (The Widower Soothes His Child). This track hits hard because it’s so relatable—anyone who’s ever felt the weight of responsibility can connect with it. The lyrics are simple yet powerful, painting a picture of a father trying to comfort his child while dealing with his own grief. It’s stripped-down, no fancy production, just pure emotion carried by the singers’ voices. You don’t need to understand every word to feel the ache in this song. Another standout is "ผัวมึนเมียเมา" (The Husband’s Dizzy, The Wife’s Drunk). Now, this one’s a wild ride! It’s got that playful edge Mo Lam is known for, mixing humor with a touch of social commentary. The back-and-forth between the vocalists feels like eavesdropping on a chaotic but loving household. There’s something oddly comforting about how messy and real it sounds—it reminds you that relationships aren’t always perfect, and that’s okay. What makes this album special isn’t just the music itself but the way it captures everyday life in Thailand. Tracks like "หนุ่มลาวสาวเขมร" (Lao Boy, Khmer Girl) and "ไปขายเรือบินน้อย" (Selling Little Boats) bring local tales to life, blending romance, hardship, and tradition seamlessly. It’s like sitting around a campfire listening to elders share their stories, except here, they’ve been set to melody. One thing worth noting is how unpolished everything feels—and I mean that as a compliment. In a world where most music is overproduced, ไปขายเรอบนนอย keeps things authentic. Sure, some tracks might sound rough around the edges, but that’s part of the charm. It’s music made for people, not playlists. Reflecting on this album, I realized something unexpected: it’s not just entertainment; it’s therapy. Listening to these songs felt like reconnecting with parts of myself I didn’t know were missing. And honestly, if you’ve never heard of Mo Lam before, this could be your gateway drug. Just don’t blame me when you find yourself humming along to lines you barely understand! Rating: 8/10 Final Thought: If you want music that feels alive, ไปขายเรอบนนอย delivers. Plus, who wouldn’t love a title track about selling tiny boats?

Table of Contents

Download

Filename: .zip
  • MP3 size: 92.4 mb
  • FLAC size: 688.8 mb

Tracks

TrackDurationPreview
ผูกเสี่ยวกับเหล้า
หนุ่มข้าวจ้าวสาวข้าวเหนียว
หนุ่มเขมรหนาวใจ
ร้อยห้องหัวใจ
พ่อฮ้างกล่อมลูก
มักเมียเขา
ไปขายเรือบินน้อย
ซังอีเกิ้ง
ตู๋อยู่ไหน
หนุ่มลาวสาวเขมร
ปลงตก
ผัวมึนเมียเมา

Images

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Album herunterladen สธรรม เพชรภญโญ, นวลจนทร จงเจรญ - ไปขายเรอบนนอย

Labels

ตราแคนคู่

Listen online

  • ascolta in linea
  • écouter en ligne
  • escuchar en línea
  • kuunnella verkossa
  • lytte på nettet
  • online luisteren
  • online anhören
  • ouvir online
  • lyssna på nätet

Formats

  • Vinyl
  • LP
  • Album

Notes

Track A1 had been banned by Thai Censorship at that time because it depicts the story of a Thai upcountry girl who's willing to become a prostitute abroad.

Interesting fact about Album

Here’s a fun fact: The album *ไปขายเรือบนนอย* by สธรรม เพชรภญโญ and นวลจนทร จงเจรญ is a gem of Thai folk music. It blends the traditional style of Mo Lam with storytelling that feels like a heartfelt chat with an old friend. One standout track, *หนุ่มลาวสาวเขมร*, dives into cultural connections through love and life. It’s like a musical bridge between Laos and Cambodia, served with a side of humor and raw emotion. And how cool is it that this was released under the label *ตราแคนคู่*—a name that nods to the iconic traditional instrument, the khaen? This album isn’t just music; it’s a slice of life from rural Thailand.