Angelo Francesco Lavagnino - Historia De Una Chica Sola La Cena Original Soundtrack

lord5ky

Review by Bruno Conde

Historia De Una Chica Sola La Cena Original Soundtrack: A Hidden Gem from 2010 Released in 2010 under Quartet Records, Historia De Una Chica Sola La Cena Original Soundtrack by Angelo Francesco Lavagnino is one of those albums that sneaks up on you. It’s not just a soundtrack—it’s a journey through emotions, blending classical, pop, and stage & screen influences into something timeless. The album feels like an intimate dinner party where every track has its own story to tell, but two tracks in particular stand out for me. First off, there’s “Ne Me Quitte Pas.” If you’ve ever heard Jacques Brel’s iconic version, this rendition might catch you off guard—but in the best way possible. Lavagnino takes the chanson classic and gives it a neo-romantic twist, layering soft piano with strings that swell at just the right moments. You can almost picture the scene—a dimly lit room, someone sitting alone at a table, lost in thought. The orchestration doesn’t try too hard; instead, it lets the melody breathe. It’s haunting yet comforting, and I found myself replaying it more times than I’d care to admit. Then there’s “Ana’s Waltz,” which feels like stepping into a dreamy Barcelona evening (fitting, since the album hails from Spain). This piece leans heavily into the neo-classical style, with Armando Trovaioli’s delicate piano work stealing the show. There’s a playful elegance here—like watching couples twirl across a ballroom floor while the world outside fades away. What makes it unforgettable is how simple it is. No over-the-top crescendos or flashy solos, just pure, understated beauty. Honestly, it’s the kind of track that sticks with you long after the music stops. The rest of the album follows suit, mixing ballads, contemporary pieces, and even some easy listening vibes. Standout production credits go to Jose M. Benitez and Federico Savina, who handled recording and mixing duties with finesse. And let’s not forget Nacho B. Govantes’ art direction, which perfectly complements the mood of the music—clean, evocative, and slightly nostalgic. What strikes me most about this album is how effortlessly it bridges genres. One moment you’re floating through a romantic ballad, and the next you’re knee-deep in a dramatic orchestral number. Styles like neo-romanticism and chanson aren’t exactly mainstream these days, so hearing them woven together feels refreshingly bold. But here’s the thing—I didn’t expect to feel so connected to an album tied to a Spanish film I haven’t even seen. Isn’t that wild? Sometimes music transcends its origins, becoming something bigger than its parts. That’s what Historia De Una Chica Sola La Cena does. It’s not perfect, sure, but maybe that’s why it works. It’s human. Flawed. Real. So if you’re looking for an album that’ll make your afternoon coffee taste better or turn your commute into a mini escape, give this one a spin. Just don’t blame me if “Ne Me Quitte Pas” gets stuck in your head for days.

Table of Contents

Download

Filename: angelo-francesco-lavagnino-historia-de-una-chica-sola-la-cena.zip
  • MP3 size: 83.6 mb
  • FLAC size: 746.7 mb

Tracks

TrackDurationPreview
Piano Source 51:29
A Girl Alone1:49
Barcelona Kaleidoscope8:23
Ne Me Quitte Pas3:45
Oysters And White Wine1:13
Carrousel1:21
Piano Source 44:50
The Tragedy Of A Lover Who Loves3:27
Shake4:33
Several Possibilities1:22
Piano Source 21:05
Piano Source 33:24
The Breaking2:19
The Red Rolls-Royce1:39
Piano Source 11:24
Ana's Waltz3:36
Story Of A Lonely Girl4:55
The Loneliness2:23
Stan & Olie1:18

Images

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Catalog Numbers

QRSCE008

Labels

Quartet Records

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Formats

  • CD
  • Album
  • Remastered
  • Limited Edition

Credits

RoleCredit
Art DirectionNacho B. Govantes
Composed ByAngelo Francesco Lavagnino
Orchestrated ByAngelo Francesco Lavagnino
ConductorCarlo Savina
Edited ByJose M. Rosillo
Mastered ByJose M. Rosillo
Liner NotesJordi Grau , Miguel A. Barroso
PianoArmando Trovaioli
ProducerJose M. Benitez
Recorded ByFederico Savina
Mixed ByFederico Savina

Notes

  • Taken from the 1969 movie directed by Jorge Grau as Jordi Grau.
  • Recorded and mixed at Fono-Studio, Rome, 1969.
  • Edited and mastered at Audiomatic Studio, Madrid.
  • Publisher: Neapolis Edizione Musicale S.p.A. - Rome
  • Track 3 courtesy of Sony BMG Spain.
  • Track 12 Neapolis Edizione Musicale S.p.A.
  • (P) (C) 1969, 2010 Estela Films. Manufactured by Quartet Records,
  • a trademark of Quatenus Ediciones, under license.
  • Limited edition 500 copies.

Barcodes

  • Barcode: 8 436035 001538
  • ASIN: B0072FEW3M

About Angelo Francesco Lavagnino

Italian composer, arranger, conductor and violinist. Born: February 22nd, 1909 in Genoa, Italy. Died: August 21st, 1987 in Gavi, Italy. Angelo Francesco Lavagnino was born into a family with musicians on both sides in 1909, and, attracted to the sight and sounds of a live theater orchestra, he first discovered film music as a boy during the silent era. He later attended the Giuseppe Verdi Conservatory of Music in Milan, where he studied composition under Renzo Bossi. He graduated in the early '30s and, in the years that followed, he composed several symphonies, a large body of chamber music, a small group of symphonic poems, and one opera. He was also a teacher at the Accademia Musicale Chigiana in Siena between the ages of 32-53. Lavagnino began composing music for films in the early '50s, and by the time he'd retired two decades later, had amassed credits for some 300 movies, including Orson Welles' Othello and Chimes at Midnight, the science fiction thriller Gorgo, the fantasy film Lost Continent, the adventure yarn Legend of the Lost, and costume epics such as The Last Days of Pompeii (1960). Lavagnino had a special gift for melody and a talent for orchestration that manifested themselves in the best of those scores, particularly Gorgo -- whose folk-based soundtrack is often referred to as the prettiest score ever to grace a dinosaur movie -- and Legend of the Lost. Lavagnino was very nearly the choice of Sergio Leone to score A Fistful of Dollars -- having composed the music for the director's The Last Days of Pompeii and The Colossus of Rhodes. Leone was favorably disposed toward him, but the insistence of Leone's distributor that he meet with Ennio Morricone led to the revelation that they had attended grammar school together, so the director gave the assignment to Morricone. Despite losing that job, Lavagnino remained one of the busiest screen composers in England, and continued working until the mid-'70s on films that included his share of spaghetti Westerns. He died August 21, 1987.

Name Vars

  • A F Lavagunino
  • A. F. Lavagnino
  • A. Francesco Lavagnino
  • A. Lavagnino
  • A. Lavagrimo
  • A.-F. Lavagnino
  • A.F. Lavagnino
  • A.F.Lavagnino
  • A: F. Lavagnino
  • Angelo F Lavagnino
  • Angelo F. Lavagnino
  • Angelo Francesco
  • Angelo Lavagnino
  • F. A. Angelo Lavagnino
  • F. A. Lavagnino
  • F. A. Lavignino
  • F. Lavagnino
  • F.A. Lavagnino
  • F.A.Lavagnino
  • Francesco A. Lavagnino
  • Francesco Lavagnino
  • Lavagne
  • Lavagnigno
  • Lavagnin
  • Lavagnini
  • Lavagnino
  • Lavininio
  • لافانينو

Interesting fact about Album

Did you know? The album *Historia De Una Chica Sola La Cena Original Soundtrack* by Angelo Francesco Lavagnino is like a musical time capsule. Released in 2010 in Spain, it blends classical vibes with modern twists, featuring styles like ballads, neo-romantic tunes, and even a touch of easy listening. One fun detail? It includes a track called *Ne Me Quitte Pas*, a nod to the timeless chanson style. The album was meticulously crafted, with Jose M. Rosillo handling both editing and mastering. And get this—Armando Trovaioli tickled the ivories for those dreamy piano pieces. It’s a soundtrack that feels like flipping through an old photo album, each track telling its own little story.