Antheil, Cowell, Casella, Honegger Daniele Lombardi - Primitivismo E Mito Della Macchina

chandnihemdev

Review by Chandini Hemdev

Primitivismo E Mito Della Macchina: A Wild Ride Through Avant-Garde Classical If you’re into classical music but also dig the weird, wild edges of sound, Primitivismo E Mito Della Macchina is one of those albums that’ll make your ears perk up. Released in 1986 by Edipan in Italy, this record dives deep into avant-garde, modern, and contemporary styles. It’s like someone took a time machine to the early 20th century and brought back these experimental nuggets from composers like Antheil, Cowell, Casella, and Honegger. And let’s not forget Daniele Lombardi—he’s not just playing piano here (on tracks A1-A7), he’s basically channeling some kind of musical séance. The album kicks off with some real standouts. Take “Tides Of Manaunaun” by Henry Cowell—it’s unforgettable for how it messes with your head. You know when you think piano music has rules? Yeah, Cowell throws them all out the window. He uses clusters of notes played with fists or palms instead of delicate fingerwork. It feels primal yet strangely meditative, like waves crashing over rocks but somehow calming too. I kept replaying it because it sounded both ancient and futuristic at the same time—a vibe most albums can only dream of pulling off. Then there’s “Pacific 231” by Arthur Honegger. This piece is pure energy. Named after a locomotive, it doesn’t just mimic train sounds—it becomes the train. The driving rhythms and heavy chords build tension until you feel like you’re hurtling down tracks yourself. Honestly, it’s impossible not to imagine an old-school steam engine barreling through misty countryside while listening to this. It’s cinematic without needing visuals, which makes it even cooler. What ties everything together is the care put into production. The liner notes by Antonio Latanza and Daniele Lombardi give context without being boring history lessons. Plus, the artwork by Giacomo Balla—yeah, THAT Giacomo Balla—isn’t just slapped on; it feels alive, almost vibrating with the same chaotic energy as the music itself. This album isn’t background noise—it demands attention. Some parts might feel jarring if you're used to more traditional classical stuff, but that's kinda the point. It reminds me why music matters: it pushes boundaries, asks questions, and sometimes leaves you scratching your head in the best way possible. Oh, and here’s something random—I bet Giacomo Balla would’ve loved memes. Can’t explain why, just roll with it. Anyway, check out Primitivismo E Mito Della Macchina. Even if avant-garde isn’t usually your jam, it’s worth a spin. Trust me, your playlist needs a little chaos now and then.

Table of Contents

Download

Filename: antheil-cowell-casella-honegger-daniele-lombardi-primitivismo.zip
  • MP3 size: 118.4 mb
  • FLAC size: 524.8 mb

Tracks

TrackDurationPreview
The Banshee 3:45
Nigger
Prèlude
Aeolian Harp 2:03
Ivory
Serenata
Polka
Tides Of Manaunaun (1911-12)3:02
Marcetta
Snakes
Pacific 231 8:27
Sinister Resonance 3:00
Berceuse
Valse
Notturno
Ragtime

Images

Album herunterladen Antheil, Cowell, Casella, Honegger Daniele Lombardi - Primitivismo E Mito Della Macchina

Catalog Numbers

PAN PRC S20.34

Labels

Edipan

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Formats

  • Vinyl
  • LP
  • Compilation

Credits

RoleCredit
ArtworkGiacomo Balla
Liner NotesAntonio Latanza, Daniele Lombardi
PianoDaniele Lombardi (tracks: A1-A7)

Notes

  • Side B brings original recordings from the original rolls made in the 20s. Only "Pupazzetti" was previously released on record.
  • Comes in gatefold laminated cover with the Giacomo Balla "Aerorumore" painting picture; photos of the original Honegger and Casella's "Musique Perforée" labels (cartoons for rolls) and 2 articles.

About Antheil, Cowell, Casella, Honegger Daniele Lombardi

George Antheil (July 8, 1900, Trenton, New Jersey - February 12, 1959, New York City) was an American avant-garde composer, pianist, author and inventor. In 1923 Antheil moved to Paris, where he had the support of many influential friends, among them his idol , , and . His inventions included a patented torpedo guidance system and a broad-spectrum signal transmission system which then was called frequency skipping, co-authored with actress . He wrote his autobiography Bad Boy of Music in 1944, issued the following year by Doubleday.

Real Name

    • Georg Johann Carl Antheil

Name Vars

  • Antheil
  • George Carl Johann Antheil

Interesting fact about Album

Here’s an interesting fact: The album *Primitivismo E Mito Della Macchina* brings together a wild mix of avant-garde and modern classical styles, featuring works by composers like George Antheil and Henry Cowell. What makes it even cooler is the artwork by Giacomo Balla, a famous Italian futurist artist. It’s like a collision of music and art history in one package. Oh, and fun tidbit—Daniele Lombardi not only played piano on most tracks but also wrote liner notes for the album. Kind of like wearing multiple hats, right? Released in 1986 in Italy, this record feels like a time capsule of experimentation and bold ideas.