Anton Veter’s It’s All About Space – A Breaks Odyssey That Kicks Ass
Let me tell you something straight up—this album isn’t for the faint-hearted. If you’re into electronic music but haven’t heard Anton Veter’s It’s All About Space, then buddy, you’ve been sleeping on some next-level shit. Released in 2011 under NFBmusic (shoutout to Ukraine for bringing the heat), this breaks masterpiece slaps harder than most stuff out today. And yeah, it’s got remixes too, because why stop when you can crank it up another notch?
First off, let’s talk about “It’s All About Space (A’Gun Remix).” Holy crap, this track hits like a freight train. The bassline? Absolutely filthy. It’s one of those tunes that grabs you by the throat and doesn’t let go. You know how sometimes tracks feel repetitive after a while? Not this beast. Every breakbeat drop feels fresh, unpredictable as hell, and dripping with attitude. This remix is what happens when someone takes a good idea and just goes ballistic with it. It sticks in your head—not in a cheesy way, but like an earworm that actually respects your intelligence.
Then there’s the original version of “It’s All About Space.” Man, this thing is pure vibes. It starts slow, teasing you with these atmospheric synths, and then WHAM—it explodes into this cosmic journey that makes you wanna dance till your legs give out. What I love about this track is its raw energy. It doesn’t try too hard; it just is. No overproduced nonsense here, just pure, unfiltered breaks gold. Honestly, if this track played at 3 AM in a club, people would lose their minds.
Now, don’t get me wrong—I ain’t saying every single second of this album is perfect. But damn, when it works, it REALLY works. Tracks like these remind you why breaks still matter in a world obsessed with generic EDM drops and TikTok beats. Anton Veter didn’t just make music here; he crafted weapons of mass destruction for the dancefloor.
Here’s the kicker though: listening to this album feels like stepping into a time machine. Not just because it came out in 2011, but because it captures this raw, untamed spirit that modern producers seem scared to touch. Maybe we need more albums like this to shake things up again. Or maybe… nah, screw it. Just press play and let the chaos take over.
Final thought: If aliens ever invade Earth, blast this album through speakers worldwide. Either they’ll dig it and leave us alone, or they’ll think we’re crazy enough to not bother messing with. Your call, universe.
