Beethoven, Orchestre Symphonique Du Brabant, Hein Jordans - Symphonie N3 Héroïque

leonhardw

Review by Leonhard Weese

Album Review: Symphonie N3 Héroïque by Beethoven – A Timeless French Take on a Classical Giant Alright, let’s dive into this gem of an album. Symphonie N3 Héroïque by Beethoven, performed by the Orchestre Symphonique Du Brabant under Hein Jordans, is one of those recordings that grabs your attention and doesn’t let go. Released under the Fontana label in France, it’s got all the hallmarks of classical greatness but with its own unique flair. If you’re new to classical music or just wanna hear how this orchestra brings Beethoven to life, this one’s worth a spin. First off, let me say I was blown away by the 2e Mouvement: Marcia Funebre (Adagio Assai). Yeah, yeah, I know “funeral march” doesn’t exactly scream “party time,” but trust me—this track hits different. It starts slow and somber, like someone tiptoeing through a foggy graveyard at dawn. But then, about halfway through, the strings swell up and BAM—it’s like the sky opens up and you feel every ounce of emotion Beethoven poured into it. It’s heavy, man. Like, you might need a moment to sit down after hearing it. The way the brass section comes in? Chills. Absolute chills. Another standout for me was the 1er Mouvement: Allegro Con Brio. This one kicks things off with energy so electric you’d think the orchestra had drunk five espressos before recording. The pacing is tight, and there’s this sense of urgency that makes you want to grab your cape and run around saving the world. Okay, maybe not literally, but it’s hard not to get swept up in the drama. There’s something about the interplay between the violins and the timpani here that feels almost... alive. Like they’re having a conversation right in front of you. Now, don’t get me wrong—I enjoyed the whole album. Tracks like the Scherzo and Finale keep the momentum going strong. But honestly? Those two movements stuck with me because they didn’t just play the notes—they told a story. You can tell the Orchestre Symphonique Du Brabant really connected with the material, and Hein Jordans clearly knew how to guide them. Here’s the thing though: listening to this record made me realize how timeless Beethoven’s work is. Sure, it’s from centuries ago, but it still feels fresh today. Almost like he wrote it knowing we’d be sitting here in 2023 nodding along. And isn’t that wild? A guy who lived without electricity or Spotify managed to create something people are still vibing to hundreds of years later. Makes you wonder what kind of art we’re leaving behind, huh? So yeah, if you’re looking for a solid version of Beethoven’s Third Symphony, give this one a shot. It’s classy, emotional, and packed with moments that’ll stick in your head long after the final note fades. Oh, and pro tip: crank up the volume when that funeral march hits—you won’t regret it.

Table of Contents

Download

Filename: beethoven-orchestre-symphonique-du-brabant-hein-jordans.zip
  • MP3 size: 39.5 mb
  • FLAC size: 179 mb

Tracks

TrackDurationPreview
2e Mouvement: Marcia Funebre (Adagio Assai)
4e Mouvement: Finale (Allegro Molto)
2e Mouvement: Marcia Funebre (Adagio Assai) (Fin)
3e Mouvement: Scherzo (Allegro Vivace)
1er Mouvement: Allegro Con Brio

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Catalog Numbers

700.026 WGY

Labels

Fontana

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Formats

  • Vinyl
  • LP
  • Album

About Beethoven, Orchestre Symphonique Du Brabant, Hein Jordans

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German composer and pianist, born in 1770 (baptized 17 December 1770) in Bonn, Germany and died 26 March 1827 in Vienna, Austria. A crucial figure in the transition between the Classical and Romantic eras in classical music. Beethoven led Viennese Classicism to its highest development and paved the way for Romantic music. Beethoven was the eldest son of a singer in the Kapelle of the Archbishop-Elector of Cologne and grandson of the Archbishop's Kapellmeister. He moved in 1792 to Vienna, where he had some lessons from Haydn and others, quickly establishing himself as a remarkable keyboard-player and original composer. By 1815 increasing deafness made public performance impossible and accentuated existing eccentricities of character, patiently tolerated by a series of rich patrons and his royal pupil the Archduke Rudolph. Beethoven did much to enlarge the possibilities of music and widen the horizons of later generations of composers. To his contemporaries he was sometimes a controversial figure, making heavy demands on listeners both by the length and by the complexity of his writing, as he explored new fields of music.

Real Name

    • Ludwig van Beethoven

Name Vars

  • BEETHOVEN
  • Beeshoven
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  • Beethove
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  • Beethoven L. Van
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  • Beethoven, L. van
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  • Beethoven, Ludvig Van
  • Beethoven, Ludwig Van
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  • Beethoviana
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  • I.Ivan B
  • L Beethoven
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  • В. Бетховен
  • Л. Бетговен
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  • Л. Бетховен - Anatoly Nikitin - Felicia Fondaminskaya
  • Л. В. Бетховен
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  • Лудвиг Ван Бетовен
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  • بتهوفن
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  • ÙüÈô§ó
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Interesting fact about Album

Did you know? Beethoven's *Symphonie N3 Héroïque* is often seen as a game-changer in classical music. It was one of the first symphonies to break traditional boundaries, both in length and emotional depth. The second movement, *Marcia Funebre (Adagio Assai)*, is especially powerful. It’s like a musical funeral march, capturing raw human emotion. This version by the Orchestre Symphonique Du Brabant, conducted by Hein Jordans, brings out every detail. Recorded in France under the Fontana label, it’s a testament to how timeless Beethoven’s work truly is.