Carmen Cavallaro, Jack Pleis - Song Without End The Franz Liszt Story

vahidturke

Review by Vahid Turke

Album Review: Song Without End - The Franz Liszt Story So, here’s the deal—Carmen Cavallaro and Jack Pleis dropped this gem of an album in 1960 under Brunswick Records. It’s called Song Without End - The Franz Liszt Story, and if you’re into classical music with some serious flair, this one might just knock your socks off. Released in the UK, it’s got all the big hitters from Liszt’s catalog, but what makes it special is how Cavallaro and Pleis bring their own vibe to these timeless pieces. Let’s talk tracks for a sec. First up, we’ve got Hungarian Rhapsody No. 2. If you’ve ever seen cartoons where someone’s playing piano like they’re trying to summon lightning bolts, this is probably the tune stuck in your head. Cavallaro nails it—he’s got that delicate touch mixed with raw power, like he could shatter glass or soothe a crying baby depending on his mood. You can almost picture him hunched over the keys, fingers flying like he’s late for something important. This track sticks with me because it’s got drama, fire, and enough twists to keep you hooked till the last note fades out. Then there’s La Campanella. Oh man, this one feels like a sugar rush wrapped in silk. Those playful little bell-like notes? They’re not just notes—they’re characters dancing around in your ears. Cavallaro gives it this light, almost mischievous energy, like he’s daring you to try and sit still while listening. Spoiler alert: you won’t. I remember this track vividly because it’s impossible not to smile when it comes on. It’s cheeky, clever, and kinda makes you wish you were at some fancy ball twirling around in a dress that costs more than your rent. The rest of the album doesn’t disappoint either. Tracks like Les Préludes and Liebesträum show off Liszt’s range, going from epic orchestral vibes to dreamy, heart-melty moments. And let’s give props to conductor Jack Pleis—he ties everything together so smoothly, it feels like you’re floating through a cloud of pure musical genius. Here’s the thing about Song Without End: it’s not just another classical record. It’s a love letter to Liszt, sure, but it’s also proof that even back in 1960, people were finding fresh ways to honor the old masters. Listening to it feels like stepping into a time machine—one minute you’re sipping tea in modern-day chaos, the next you’re waltzing through 19th-century Europe. Final thought? Albums like this remind us why classical music never really goes out of style. But honestly, who knew a guy born in 1811 could still make us feel things centuries later? Maybe Franz Liszt was onto something—or maybe Carmen Cavallaro and Jack Pleis are just wizards disguised as musicians. Either way, grab yourself a copy (if you can find one) and let those melodies sweep you away. Just don’t blame me if you start randomly humming Hungarian Rhapsody No. 2 during grocery runs.

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Artist: Carmen Cavallaro, Jack Pleis
Album: Song Without End The Franz Liszt Story

Table of Contents

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Tracks

TrackDurationPreview
Spanish Rhapsody
Hungarian Rhapsody No. 1
Liebstraum
Hungarian Rhapsody No. 13
Hungarian Rhapsody No. 6
Les Preludes
Hungarian Rhapsody No. 2
La Campanella
Concerto
Hungarian Rhapsody No. 12

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Catalog Numbers

STA 3029

Labels

Brunswick

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Formats

  • Vinyl
  • LP
  • Stereo

Credits

RoleCredit
ConductorJack Pleis

About Carmen Cavallaro, Jack Pleis

American pianist and orchestra leader, born 6 May 1913 in NewYork City, USA, died 12 October 1989 in Columbus, Ohio, USA.

Name Vars

  • C. Cavallaro
  • Carman Cavallaro
  • Carmen Cavallaro And His Muted Strings
  • Carmen Cavallaro At The Piano
  • Carmen Cavallaro Seu Piano E Ritmo
  • Carmen Cavallaro With Rhythm Accompaniment
  • Carmen Cavallero
  • Carmen Cavellero
  • Cavallaro
  • Cavallero
  • The Columbia Pictures Orchestra
  • «üáóû­ãÐìí
  • «üáóû­ãô¡ìí

Interesting fact about Album

Here’s something cool: In 1960, a classical album called *Song Without End: The Franz Liszt Story* was released in the UK. It features pianist Carmen Cavallaro and conductor Jack Pleis. The album dives into some of Liszt’s most famous works, like *Hungarian Rhapsody No. 2* and *La Campanella*. Fun fact—Liszt’s music was so popular that his concerts often caused "Lisztomania," with fans going wild, almost like Beatlemania a century later. This album feels like a time capsule of his genius.