Album Review: Das Promo by Pierre Morgan (1996)
Alright, let’s talk about Das Promo. It’s this kinda hidden gem from the mid-90s electronic scene, dropped by Pierre Morgan under the Overdrive label in Germany. If you’re into Acid, Progressive House, or Techno, this one might just slap for you. The whole thing feels raw and unpolished, like it was made in some dimly lit studio with a couple of synths and a lot of caffeine. And honestly? That’s what makes it stick.
The album has two tracks—both untitled, which is either super pretentious or kinda genius. I haven’t decided yet. But hey, when the music hits, who cares about names, right? Let me break down why these tunes stuck in my head.
First up, there’s Untitled (the first one). This track kicks off with this gnarly acid bassline that just worms its way into your brain. Like, you can practically hear the squelchy 303 doing its thing, all wobbly and wild. It’s hypnotic as hell, man. There’s no big drop or anything flashy—it’s more about the vibe. You put this on at 2 AM, and suddenly you’re vibing harder than you thought possible. It’s simple but effective, y’know? Feels like a late-night drive through neon-lit streets, even if you’re just sitting on your couch.
Then there’s the second Untitled. This one goes full-on progressive house mode, with this slow-build energy that sneaks up on you. Around the three-minute mark, something clicks, and BAM—you’re locked in. The beat gets tighter, the layers start stacking up, and before you know it, you’re nodding along like a bobblehead. What I love about this track is how it doesn’t rush itself. It takes its sweet time to unfold, and when it does, it’s pure payoff. It’s the kind of song that makes you wanna close your eyes and zone out, even if you’re stuck in the middle of a crowded room.
Now, here’s the thing about Das Promo: it’s not perfect. Some parts feel a little rough around the edges, like maybe Pierre was still figuring stuff out. But that’s also what gives it charm. It’s not trying too hard to impress anyone—it just exists, doing its own thing. And honestly, I respect that.
Reflecting on this album, it’s wild to think it came out in ’96. Back then, the electronic scene was blowing up, but Das Promo feels like it’s operating in its own little bubble. No big-name collabs, no flashy marketing—just Pierre Morgan doing his thing. It’s almost like he didn’t care if anyone listened, which makes me want to listen even more.
Oh, and here’s a random thought: if this album had a smell, I reckon it’d be stale cigarettes mixed with cheap cologne. Not saying that’s a bad thing—it just fits.
So yeah, check out Das Promo if you’re into moody, stripped-back electronic vibes. Just don’t expect any answers or explanations. Sometimes music doesn’t need ‘em.
