Album Review: Something Is Not Right by JeanPaul Bondy
Alright, let’s talk about Something Is Not Right, the 2006 release from JeanPaul Bondy that’s been sitting in my playlist for way too long now. Released under Germany’s Compost Records, this album dives deep into the electronic scene with a mix of techno, minimal, broken beat, and electro vibes. It’s not your typical dancefloor banger—this one’s got layers, and it makes you think while you nod your head.
First off, gotta shout out The Blood Of Abraham, who handled the vocals and lyrics. Their contribution gives the tracks this raw edge, like they’re telling a story but leaving some parts to your imagination. And honestly? That works so well here.
Now, if I had to pick two tracks that really stuck with me, it’d be the title track, Something Is Not Right, and its remix by Robag Wruhme (Fukkeldibobb Remake). Let’s break ‘em down real quick.
The original version of Something Is Not Right hits different. It starts slow, almost hesitant, like it’s easing you into something bigger. Then BAM—the beat drops, and suddenly you’re caught in this hypnotic loop of synths and basslines. The vocals float over everything, kinda haunting but also smooth as hell. You can tell Bondy wasn’t trying to rush anything; he lets the track breathe, which is rare these days. By the time it fades out, you’re left wondering what just happened—and wanting more.
Then there’s Robag Wruhme’s remix. Dude flipped the script completely. His version takes the original and twists it into this glitchy, chopped-up masterpiece. It’s chaotic in the best way possible, with little clicks and pops adding texture to the groove. If the original feels like a late-night drive through empty streets, this remix is more like wandering through a neon-lit maze. Every listen reveals something new—a drum hit here, a warped vocal snippet there. Honestly, it’s the kind of track that makes you wanna DJ at 3 AM in some underground club where no one talks because everyone’s too busy losing themselves in the music.
Oh, and props to Si Begg’s remix too—it’s solid—but the other two were the ones that grabbed me by the collar and didn’t let go.
Reflecting on this album, it’s wild how much depth Bondy packed into it. On paper, it sounds like another techno record, but once you press play, it becomes clear this isn’t background noise. This is the kind of stuff that sticks with you, even years later. Like, I remember hearing this back in the day and thinking, “Yeah, this is cool,” but revisiting it now? Damn, it’s aged like fine wine.
Unexpected remark? Okay, here goes: listening to this album feels like walking into a dark room only to realize someone left a disco ball spinning in the corner. Weird metaphor? Maybe. But hey, that’s Something Is Not Right for ya.
