Cult Of Audio by Celtarabia: A Little Gem from the UK’s World Music Scene
If you're into music that feels like a warm hug from another century, Cult Of Audio by Celtarabia might just be your new favorite album. Released in 2000 on Grinnigogs International (how cool is that name?), this folk/world/country hybrid takes listeners on a journey that's both earthy and otherworldly. It’s not perfect—it’s got its quirks—but maybe that’s why it sticks with you.
Quentin Budworth and Amanda Lowe are the creative forces behind this project, handling everything from hurdy-gurdy to harp, vocals to programming. Quentin seems to have his hands full with about ten instruments, while Amanda adds soulful vocals and delicate touches like hammer dulcimer. The result? An album that feels handmade—not mass-produced—and kind of magical.
Let me tell ya about two tracks that really stood out for me. First up, “Anam Cara.” This one hits different. With haunting pipes and Amanda’s soft but powerful voice, it feels like stepping into an ancient ritual or some misty forest clearing. You don’t need to know what "Anam Cara" means (it’s Gaelic for "soul friend") to feel the connection. There’s something raw and honest here—a vibe that says, “Hey, we’re all human, and life can be beautiful even when it hurts.”
Then there’s “21st Century Bouree,” which is basically my jam. If medieval tunes had a baby with modern beats, this would be it. Quentin’s programming gives it a groove that sneaks up on you, while the flemish pipes keep things rooted in tradition. I found myself humming this long after the record ended, probably annoying anyone within earshot. It’s catchy without being cheesy, which is harder than it sounds.
Other tracks like “Piping It In” and “Love Will Come Again” also bring their own flavors to the mix, but those first two are the ones I keep coming back to. They’re memorable—not because they’re flashy, but because they feel real. Like someone sat down and poured their heart into these songs without worrying too much about impressing critics or climbing charts.
What’s wild about Cult Of Audio is how timeless it feels. Even though it came out over 20 years ago, it doesn’t sound dated. Maybe that’s because folk and world music aren’t tied to trends—they’re more about storytelling and emotion. And boy, does this album tell stories.
So yeah, if you’re hunting for something off the beaten path, give Cult Of Audio a spin. Just don’t blame me if you start craving a hurdy-gurdy of your own afterward. Who knew such an odd little instrument could steal your heart?
Here’s a fun fact: The album *Cult Of Audio* by Celtarabia is like a one-man orchestra with Quentin Budworth playing a whopping six different instruments! From the hurdy-gurdy to Flemish pipes, he really did it all. And let’s not forget Amanda Lowe, who added her magic with vocals, harp, and more. It’s wild how two people can create such a rich, worldly sound. Released in 2000 in the UK, this folk gem still feels timeless.
