Clyde McPhatter - Come What May

Review by Humberto Guedes

Come What May by Clyde McPhatter: A Soulful Time Capsule You Didn’t Know You Needed Let’s get one thing straight—1958 wasn’t exactly known for its chill vibes. The Cold War was heating up, people were losing their minds over Sputnik, and somehow, amidst all that chaos, Clyde McPhatter dropped Come What May. This album is like a warm hug from the past, blending Funk/Soul, Rock, and Pop with enough Rhythm & Blues swagger to make your grandparents blush. Released across Canada, the UK, and the US under Atlantic and London Records, it’s an underrated gem that deserves more than just a dusty spot in your parents’ record collection. Now, let’s talk tracks. While the entire album has that vintage charm, two songs stuck to my brain like gum on a summer sidewalk: “Let Me Know” and the title track, “Come What May.” “Let Me Know” hits you right in the feels. It’s soulful without being sappy, smooth without trying too hard. McPhatter’s voice? Butter. Seriously, if this song doesn’t give you goosebumps, check your pulse—you might be part robot. What makes it memorable isn’t just the melody but how raw it feels. Like he’s singing directly to you, asking, “Hey, are we good?” And honestly, who hasn’t been there? That universal vibe of longing mixed with hope keeps me coming back for repeat listens. Then there’s “Come What May,” which sounds like the musical equivalent of leaning back in a leather chair with a glass of whiskey (or soda pop, if you’re boring). The rhythm is infectious, and McPhatter delivers each line like he invented coolness itself. There’s something about the way he belts out those high notes—it’s not flashy, just effortlessly powerful. You can almost picture him recording this late at night, cigarette smoke curling around the mic stand, totally owning the room. If confidence had a soundtrack, this would be it. Here’s the kicker: listening to Come What May feels like eavesdropping on history. In 1958, music was evolving faster than anyone could keep up with, yet McPhatter managed to straddle genres like a boss. Sure, some production choices scream “vintage,” but the heart behind these songs still resonates today. Plus, knowing this came out before humans even landed on the moon gives it an extra layer of wow-factor. So yeah, while most folks probably remember Clyde McPhatter as the guy who paved the way for countless soul singers, Come What May proves he wasn’t just influential—he was ahead of his time. Listening to this album now feels like rediscovering an old friend who somehow got cooler with age. Final thought? If aliens ever invade Earth and demand we hand over our greatest cultural achievements, I’d sneak this album onto the list. Not because it’s perfect, but because it’s real. And sometimes, that’s all you need.

Download Clyde McPhatter - Come What May

Artist: Clyde McPhatter
Album: Come What May

1958

Rating: 4.0

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Filename: clyde-mcphatter-come-what-may.zip

MP3 size: 11.4 mb
FLAC size: 62.2 mb

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Tracks

Track	Duration	Preview
Let Me Know	2:40
Come What May	1:43

Video

Clyde McPhatter - Come What May

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Catalog Numbers

AT-45. 1185
45-1185
45-HL-E 8707

Labels

Atlantic
London Records

Listen online

écouter en ligne
kuunnella verkossa
lyssna på nätet
lytte på nettet
ouvir online
online luisteren
ascolta in linea
online anhören
escuchar en línea

Formats

Vinyl
7"
45 RPM
Single

Companies

Role	Company
Published By	Tiger

Barcodes

Matrix / Runout (A-Side label): A-2981
Matrix / Runout (B-Side label): A-2984
Matrix / Runout (A-Side stamped runout): 45A-2981
Matrix / Runout (B-Side stamped runout): 45A-2984
Rights Society: BMI
Matrix / Runout (A side label): A-2981
Matrix / Runout (B side label): A-2984
Matrix / Runout (A side etched, except C stamped): 45-A-2984-1 AT C
Matrix / Runout (Bside etched, except D stamped): 45-A-2981-1 AT D

About Clyde McPhatter

American singer, perhaps the most widely imitated R&B singer of the 1950s and 1960s, making him a key figure in the shaping of doo-wop and R&B. McPhatter was lead tenor for & largely responsible for the success they initially enjoyed. After his tenure with the Dominoes, McPhatter formed his own group, , before going solo. Only 39 at the time of his death, Clyde McPhatter left a legacy of over 22 years of recording history. He was the first artist in music history to become a double inductee into the Rock and Roll Hall of Fame, first as a member of The Drifters, and later as a solo artist. as a result, all subsequent multiple inductees into the Rock and Roll Hall of Fame are said to be members of "The Clyde McPhatter Club." Born: November 15, 1932, Durham, North Carolina, U.S.A. Died: June 13, 1972, New York City, New York, U.S.A. Inducted into Rock And Roll Hall of Fame in 1987 (Performer).

Real Name

Clyde Lensley McPhatter

en.wikipedia.org

Interesting fact about Album

Did you know Clyde McPhatter's album *Come What May* was released in 1958 and blended genres like Funk, Soul, Rock, and Pop? It featured tracks like "Let Me Know" and the title song "Come What May." The album made waves in Canada, the UK, and the US under labels Atlantic and London Records. A true mix of Soul and Rhythm & Blues that stood the test of time!

Comments

mattheusic

2025-03-14

Written By F.J. Tableporter

Released by:

Al Casey (Apr 1957)
Etta James (Jun 1957)
Clyde Mcphatter (Apr 1958) recorded on 26 Feb 1958 released in April #43 Pop #20 R&B.
Jerry Lee Lewis (May 1958, Rel-Jul 1974)
Joe Barry (1965)
Elvis Presley recorded the song on 28 May 1966, released on 8 June 1966, it did not chart but reached #109 Bubbling Under and #94 Cash Box Top 100.