Dara Puspita - Ali Baba

auradinar

Review by aura dinar

Album Review: Ali Baba by Dara Puspita – A Beat Rock Gem from 1967 Singapore Dara Puspita’s Ali Baba isn’t just another relic from the '60s rock scene—it’s a punchy, raw testament to how music can transcend borders and eras. Released in 1967 under Orchid Record in Singapore, this album brings together the infectious energy of beat-style rock with an unpolished charm that feels refreshingly real. It’s not perfect, but maybe that’s why it sticks with you. Let’s talk tracks. “Pantai Pataja” hits hard right outta the gate. The guitar riffs are sharp yet loose, like they’re trying to break free but stay tethered just enough to keep things tight. You can almost picture the band jamming late into the night, sweat dripping as they hammer out those chords. There’s something about the rhythm here—it doesn’t demand your attention; it commands it. And when the vocals kick in, there’s this cool mix of attitude and vulnerability that makes you wanna hit repeat. Then there’s “Ali Baba,” the title track. This one’s got swagger for days. It’s catchy without being cloying, groovy without overdoing it. The lyrics might not be groundbreaking poetry, but who cares? Sometimes all you need is a good hook and some killer pacing—and boy, does this song deliver. If I had to pick one track off the album that’d make me want to grab my air guitar and go wild, it’d probably be this one. It’s fun, unpretentious, and oddly empowering. The rest of the album—like “Pusdi” and “Aku Pergi”—keeps the vibe alive, though nothing else quite matches the standout moments of those two tracks. Still, what’s impressive is how cohesive everything feels despite its scrappy production values. These ladies weren’t chasing perfection—they were chasing passion, and man, does it show. What strikes me most about Ali Baba is how ahead of its time it feels. Sure, it came out in ’67, but listening to it now, it could easily fit into today’s garage rock revival playlists. Maybe that’s why albums like this never truly fade—they remind us that great music doesn’t have to follow trends or rules. It just has to feel alive. And hey, here’s a thought: if Dara Puspita dropped this record today, would anyone bat an eye? Probably not at first glance. But once people heard those gritty guitars and fearless vocals, they’d sit up straight real quick. Sometimes, the best stuff sneaks up on ya when you least expect it.

Download Dara Puspita - Ali Baba
Artist: Dara Puspita
Album: Ali Baba

Table of Contents

Download

Filename: dara-puspita-ali-baba.zip
  • MP3 size: 30.8 mb
  • FLAC size: 159.6 mb

Tracks

TrackDurationPreview
Pusdi
Pantai Pataja
Aku Pergi
Ali Baba

Video

Dara Puspita - Ali Baba

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Catalog Numbers

OREP 102

Labels

Orchid Record

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Formats

  • Vinyl
  • 7"
  • EP

Notes

Singapore release from the 60s.

About Dara Puspita

Dara Puspita (Flower Girls) was Indonesias most successful girl band of the 1960s. While there were many popular female vocalists in Indonesia at that time, they nearly all relied on the services of a backing band. Dara Puspita was one of the few girl groups who actually played all their own music as well. Dara Puspita hailed from the city of Surabaya in East Java and first formed in 1964 with the line-up of sisters Titiek Adji Rachman ) on guitar and Lies Soetisnowati Adji Rachman () on bass, along with on drums and Ani Kusuma on rhythm guitar. In April 1965 Lies left the band for a month to finish school and was replaced on bass by Titiek Hamzah. When Lies returned she took the place of Ani on rhythm guitar and Titiek Hamzah stayed on as bass player. It was with this line-up that the band set out to conquer the world. In 1965 the band relocated to Indonesias capital, Jakarta, and soon gained a reputation as a sensational live act The bands stage act and the songs they played were clearly influenced by contemporary British bands such as the Beatles and the Rolling Stones, whose music at the time was banned in Indonesia. In late 1965 the political situation in Indonesia swung 180 degrees and rock and roll could be played again with impunity, so when Dara Pupitas first album, Jang Pertama (The First), was released in 1966 they had little to fear. Dara Puspita followed up their first album with the self-titled Dara Puspita later in the year and in 1967 put out two albums, Green Green Grass and A Go Go. The title track from the latter album, and the song Believe Me, are good examples of the bands beat credentials. In 1968 they took the almost unprecedented move for an Indonesian band of trying their luck in Europe and spent the next few years touring in England, Holland, France, Belgium, Spain, Germany and Hungary. They even played in Turkey and Iran. While in England they recorded two singles for CBS and recorded another for Philips in Holland. In late 1971 the band returned to Indonesia and played a number of concerts, but enthusiasm was starting to wane and in April 1972 they played their last show. Susy was keen to keep going and together with Titiek Hamzah recorded a number of albums using the Dara Puspita name, but it was really the end. Today only Titiek Hamzah continues in the Indonesian music industry, where she has had great success as a song-writer.

Aliases

  • Tikki, Takki, Suzy & Lies

Members

  • Susy Nander
  • Lies A. R.
  • Titiek Hamzah
  • Titiek A. R.

Interesting fact about Album

Did you know? In 1967, an all-female rock band from Singapore called Dara Puspita released their album *Ali Baba*. It was a bold move at the time, especially in Southeast Asia. The album, full of energy and raw talent, featured tracks like "Pusdi" and "Ali Baba." They blended rock with a beat style that stood out. Not many know this, but they were pioneers in the regional rock scene, breaking barriers with their music. Pretty cool, right?

Comments

ashrafabang
2025-03-10
Dalam album yg pertama ada 1 lagu yg masih saya cari dan belum di upload judulnya ibu pada waktu itu cuma band Dara puspita yg saya anggap terbaik diantara band2 wanita yg ada di indonesia.....