The Good Old Days EP by Dario D'Attis: A Retro-Vibed Dance Floor Journey
Released in 2014 under the Swiss-based label Hive Audio, The Good Old Days EP by Dario D'Attis is a tight-knit collection of tracks that blend tech house, ghetto house, and deep house into an irresistible sonic package. It’s not just another dance record—it’s one of those EPs you stumble upon at 3 AM when everything else feels repetitive. Hailing from Switzerland, D’Attis brings his knack for crafting beats that feel like they’re straight out of both the past and future.
Let’s dive into two standout tracks to see why this EP has stuck with me over time.
First up, “Life’s a B.” If there was ever a track designed to make your shoulders bounce uncontrollably, it’s this one. The bassline hits hard but doesn’t overwhelm; instead, it grooves along effortlessly, while chopped-up vocal snippets echo throughout the mix. There’s something about how raw and stripped-back it feels—like it could’ve been made in someone’s basement back in the '90s yet still sounds fresh today. You don’t listen to “Life’s a B”; you experience it. It reminds me of sweaty underground clubs where everyone forgets their problems because the music takes over completely. That vibe? Priceless.
Then we have the title track, “The Good Old Days.” This one leans more toward deep house territory, with lush pads and a hypnotic rhythm that builds gradually. What stays etched in my mind is its ability to evoke nostalgia without being cheesy or obvious. It’s as if D’Attis tapped into some collective memory of joyous nights spent dancing freely. Around the three-minute mark, a shimmering synth line emerges, adding a touch of euphoria that feels earned rather than forced. Tracks like this prove why electronic music can be so damn emotional—it connects on levels words often can’t reach.
One thing worth noting is how cohesive the EP feels despite spanning different subgenres. Whether it’s the grittier edges of ghetto house or the smoother textures of deep house, Dario D’Attis manages to weave them together seamlessly. And let’s give props to Hive Audio for putting out such quality work—they clearly know what they’re doing.
Reflecting on The Good Old Days EP, I’m struck by how timeless it feels even nearly a decade after its release. Maybe it’s because good dance music never really ages—or maybe it’s because D’Attis nailed the balance between innovation and familiarity. Either way, listening to this EP feels like revisiting a place you didn’t realize you missed until now.
Unexpectedly enough, though, what hit me hardest wasn’t the beats or melodies—it was the realization that sometimes life is kinda like these tracks: messy yet beautiful, layered yet straightforward. Weird thought, huh? But hey, isn’t that what great art does? Makes ya think weird stuff.
