Album Review: Flash Bang Grenada’s 10 Haters
Flash Bang Grenada’s 10 Haters isn’t just an album; it’s a chaotic love letter to anyone who’s ever felt like the oddball at the party. Released in 2011 via Hellfyre Club and Grimm Image Records, this genre-blurring beast straddles electronic, hip-hop, and rap with all the grace of a drunk gymnast. And honestly? That’s what makes it so damn fun.
Let’s talk tracks, because this is where things get wild. First up, “Hyperbolic.” If you’ve ever wanted to hear a beat that sounds like your brain melting while someone raps about existential dread, congratulations—you’re welcome here. Produced by Nosaj Thing, this track feels like stepping into a neon-lit fever dream. It’s glitchy, unpredictable, and kinda genius. The lyrics are sharp enough to cut glass, and Busdriver’s flow? Chef’s kiss. This one sticks with you because it’s not just music—it’s an experience. Like, imagine if your favorite sci-fi movie had a soundtrack made entirely out of broken keyboards and existential angst. Yeah, that’s “Hyperbolic.”
Then there’s “In A Perfect World,” which flips the vibe completely. E. Super takes the reins on production here, crafting something smooth and almost hypnotic. But don’t let the chill exterior fool you—this track sneaks up on you with its clever wordplay and layered metaphors. It’s the kind of song that grows on you after multiple listens, like mold on forgotten bread. By the third spin, you’ll realize it’s secretly brilliant.
The rest of the album follows suit, bouncing between frenetic energy (“Good Cop, Bad Cop”) and introspective vibes (“Aphrodite”). With beats handled by heavy hitters like Shlohmo, Free The Robots, and Mexicans With Guns, 10 Haters never settles into one groove for too long. And thank god for that—predictability would ruin the magic.
Mixing duties fall mostly to Deskee and Kenny Segal, who keep the chaos sounding cohesive, while Jim "The Cleaner" Rubin polishes everything just enough to make it radio-friendly (well, as friendly as experimental hip-hop gets).
So, why does 10 Haters stick around in your head? Maybe it’s the audacity of blending genres like they’re cheap paint. Or maybe it’s how every track feels like a tiny rebellion against boring music norms. Whatever it is, this album doesn’t beg for attention—it demands it, loud and unapologetic.
Final thought: Listening to 10 Haters feels like eating Pop Rocks and soda at the same time. It’s fizzy, explosive, and might leave you questioning your life choices—but hey, at least it’s memorable.
