Georg Philipp Telemann Concentus Musicus Wien Conducted By Nikolaus Harnoncourt, Concerto Amsterdam Conducted By Frans Brüggen - Orchesterwerke
Album: Orchesterwerke
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Tracks
Track | Duration | Preview |
---|---|---|
Konzert Es-dur Für Zwei Hörner, Streicher, Und B. C. | (16:15) | |
Passepied - Air, Un Peu Vivement - Gigue | 10:35 | |
Mit Suite | (9:00) | |
Largo - Allegro - Gratioso - Allegro | ||
Largo - Vivace | 8:10 | |
Menuet I/II - Alternativement | ||
Menuet I/II, Alternativement | ||
Gavotte | ||
Gigue | ||
Harlequinade | ||
Rondeau - Gayement | ||
Rondeau | ||
Boureè En Trompette | ||
Sommeille | ||
Allegro | 5:40 | |
Air (Tempo Giusto) - Air (Vivace) - Air (Presto) - Air (Allegro) | 18:00 | |
Ouverture â 3 Hautbois; 2 Dessus Pour Violons; 1 Taille; Basson Et Basse Pour Le Clavission (g-moll), TWV 55:g 4 | (18:49) | |
Lentement - Vite - Lentement | 6:55 | |
Ouverture â 7. 3 Hautbois; 2 Dessus Pour Les Violons; Taille Et Basse (C-dur), TWV 55:C 6 | (23:31) | |
Menuet I/II | ||
Rejouissance | ||
Hornepipe | ||
Alternativement | ||
Courante | ||
Les Capricieux | ||
Espagniol | ||
Konzert F-dur Für Drei Violinen, Streicher (dreistimmig) Und B. C. | ||
Konzert A-dur Für Querflöte Solo, Violine Solo, Streicher Und B.C. | (20:10) | |
Ouverture B-Dur Für Zwei Oboen, Streicher Und B. C. | (13:00) | |
Gasconnade | ||
Bergerie (Un Peu Vivement) - Allegresse (Vite) - Postillons - Flaterie - Badinage (Très Vite) - Menuet | ||
Canaries | ||
Ouvertüre D-dur Für Oboe, Trompete In D, Streicher Und B. C. | ||
Air | ||
Ouverture â 3 Hautbois; 2 Violons; Taille Et Basse (D-dur), TWV 55:D 15 | (22:18) | |
Prelude - Très Vite | ||
Ouverture (Grave - Allegro - Grave) | ||
Loure | ||
Ouvertüre E-moll Für Zwei Querflöten, Streicher Und B. C. | ||
Ouverture â 8. 3 Hautbois; 2 Dessus Pour Les Violons; Taille; Basson Et Basse (d-moll), TWV 55:d 3 | (28:58) | |
Lentement-Presto-Lentement | ||
Les Irresoluts - à Discretion | ||
Maestoso - Allegro - Grave - Vivace | ||
Lentement - Vite - Lentement - Réjouissance - Rondeau - Loure | 15:40 |
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Catalog Numbers
6.35554 FKLabels
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Formats
- 5 × Vinyl
- LP
- Stereo Box Set
Credits
Role | Credit |
---|---|
Bassoon | Brian Pollard (tracks: E1-J2), Milan Turkovic (tracks: A1-D1) |
Cello | Anner Bylsma (tracks: E1-J2) |
Clavichord | Gustav Leonhardt (tracks: E1-J2) |
Composed By | Georg Philipp Telemann |
Concertmaster | Jaap Schröder (tracks: E1-J2) |
Conductor | Frans Brüggen (tracks: E1-J2), Nikolaus Harnoncourt (tracks: A1-D1) |
Cover | S. Furek |
Cymbal | Herbert Tachezi (tracks: A1-D1) |
Flute | Frans Vester (tracks: E1-J2), Joost Tromp (tracks: E1-J2) |
Horn | Adriaan van Woudenberg (tracks: E1-J2), Hermann Baumann (tracks: E1-J2) |
Oboe | Ad Mater (tracks: E1-J2), David Reichenberg (tracks: A1-D1), Jürg Schaeftlein (tracks: A1-D1), Lilian Lagaay (tracks: E1-J2), Paul Hailperin (tracks: A1-D1) |
Orchestra | Concentus Musicus Wien (tracks: A1-D1), Concerto Amsterdam (tracks: E1-J2) |
Organ | Johann Sonnleitner (tracks: A1-D1) |
Trumpet | Maurice André (tracks: E1-J2) |
Viol | Josef De Sordi (tracks: A1-D1) |
Viola | Joke Vermeulen (tracks: E1-J2), Kurt Theiner (tracks: A1-D1) |
Violin | Alice Harnoncourt (tracks: A1-D1), Anita Mitterer (tracks: A1-D1), Jaap Schröder (tracks: E1-J2), Jacques Holtman (tracks: E1-J2), Peter Schoberwalter (tracks: A1-D1), Walter Pfeiffer (tracks: A1-D1), Wilhelm Mergl (tracks: A1-D1) |
Violoncello | Nikolaus Harnoncourt (tracks: A1-D1) |
Violone | Eduard Hruza (tracks: A1-D1) |
Notes
- Disc 1-2: ℗ 1980
- Disc 3-4: ℗ 1970
- Disc 5: ℗ 1965
Barcodes
- Label Code: LC 0366
- Matrix / Runout (Runout, Side A-D, etched): A-B-III
- Matrix / Runout (A-side runout, stamped): 6.35554-01-1/1
- Matrix / Runout (B-side runout, stamped): 6.35554-01-2
- Matrix / Runout (C-side runout, stamped): 6.35554-02-1
- Matrix / Runout (D-side runout, stamped): 6.35554-02-2
- Matrix / Runout (Runout, Side E-F, etched): S-III
- Matrix / Runout (E-side runout, stamped): 090317
- Matrix / Runout (F-side runout, stamped): 090318
- Matrix / Runout (G-side runout, stamped): 090319
- Matrix / Runout (H-side runout, etched): III
- Matrix / Runout (H-side runout, stamped): 090320
- Matrix / Runout (Runout, Side I-J, etched): H-I-III
- Matrix / Runout (I-side runout, stamped): K LP-Ste-071721-II
- Matrix / Runout (J-side runout, stamped): K LP-Ste-071722-I
About Georg Philipp Telemann Concentus Musicus Wien Conducted By Nikolaus Harnoncourt, Concerto Amsterdam Conducted By Frans Brüggen
German Baroque composer and multi-instrumentalist (14 March 1681, Magdeburg, Germany - 25 June 1767, Hamburg, Germany).
Telemann was one of the most prolific composers in history and was considered by his contemporaries to be one of the leading German composers of the time. He was compared favorably both to his friend , who made him the Godfather and namesake of his son , and to , whom Telemann also knew personally. Telemann's music incorporates several national styles: French, Italian, and Polish. He remained at the forefront of all new musical tendencies and his music is an important link between the late Baroque and early Classical styles.
As a child he showed considerable musical talent, mastering the violin, flute, zither and keyboard by the age of ten and composing an opera (Sigismundus, on a text by Postel). His family did not approve of his involvement in music, and upon his mother's insistence, he entered the University of Leipzig to study law in 1701.
Within a year of his arrival in Leipzig he founded the student Collegium Musicum with which he gave public concerts (and which Bach was later to direct), wrote operatic works for the Leipzig Theater, and in 1703 became musical director of the Leipzig Opera and was appointed organist at the Neue Kirche in 1704. Needless to say, he dropped the study of law and pursued his career in music.
Telemann held important positions in Leipzig, Żary, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of the city's five main churches. Throughout his life he composed a year's worth of cantatas for regular church services and 78 services for special occasions totaling 1,043 cantatas, 40 operas, 600-700 orchestral suites, 44 passions, along with numerous concerti, sonatas and chamber music for various instrumental combinations.
Real Name
- Georg Philipp Telemann
Name Vars
- C. P. Telemann
- C.-Ph. Telemann
- Friedrich Telemann
- G Ph Telemann
- G. F. Teleman
- G. F. Telemanas
- G. F. Telemann
- G. P. Teleman
- G. P. Telemann
- G. P.Telemann
- G. PH. Telemann
- G. Ph. Teleman
- G. Ph. Telemann
- G. Ph.Telemann
- G. Ph: Telemann
- G. Phil. Telemann
- G. Philipp Telemann
- G. Telemann
- G. Th. Telemann
- G.-P. Telemann
- G.-Ph. Telemann
- G.F. Teleman
- G.F. Telemann
- G.F. Theleman
- G.P Telemann
- G.P. Teleman
- G.P. Telemann
- G.P. Telleman
- G.P.H. Telemann
- G.P.Telemann
- G.P.ÆìÞó
- G.PH. Telemann
- G.Ph. Telemann
- G.Ph.Telemann
- G.Ph.njۼ
- Georg Fhilipp Telemann
- Georg Friedrich Telemann
- Georg P. Telemann
- Georg PH. Telemann
- Georg Ph. Teleman
- Georg Ph. Telemann
- Georg Philip Telemann
- Georg Philipp Telemann (1681-1767)
- Georg Philippe Telemann
- Georg Phillip Teleman
- Georg Phillip Telemann
- Georg Phillipe Telemann
- Georg Phillipp Telemann
- Georg Telemann
- Georg-Ph. Telemann
- Georg-Philip Telemann
- Georg-Philipp Telemann
- Georg. Philipp Telemann
- George P. Telemann
- George Ph. Telemann
- George Philip Telemann
- George Philipp Telemann
- George Philippe Telemann
- George Phillip Telemann
- George Phillipp Telemann
- Georges Philippe Telemann
- Georges-Philippe Telemann
- Gg. Ph. Telemann
- Gg. Phil. Telemann
- Giorgio Filippo Telemann
- J. PH. Teleman
- J. Ph. Telemann
- J.-Phi. Telemann
- J.Ph. Telemann
- P. Telemann
- Ph Telemann
- Philipp Telemann
- TELEMANN
- Teleman
- Telemann
- Telemann G. P.
- Telemann G.F.
- Telemann G.P.
- Telemann Georg Philipp
- Telemann,
- Telemann, G. Ph.
- Telemann, Georg Philipp
- Telemann:
- Tellemann
- Télémann
- Τέλεμαν
- Г. Телеман
- Г. Ф. Гендель
- Г. Ф. Телеман
- Г. Ф. Телемана
- Г.Ф. Телеман
- Г.Ф.Телеман
- Георг Филипп Телеман
- Георг Фрідріх Телеман
- Телеман
- Ф. Телеман
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- ÆìÞó