Let’s Go Out With Electrocasbah: A Raw, Punchy Ride Through Tech House Chaos
Alright, buckle up. Let’s Go Out With Electrocasbah by Glitches + Bruno Pronsato isn’t your polished, shiny EDM banger—it’s gritty, raw, and hits like a kick drum to the chest. Released back in 2007 on Casbah Rec! outta Italy, this album is pure tech house and minimal vibes with just enough weirdness to keep you hooked. The artwork? Blackink nailed it—dark, edgy, and kinda trippy. Perfect for what’s inside.
Now, let’s talk tracks. First up, “10-8-46 De-Glitched (Bruno Pronsato Remix)”. Holy crap, this thing slaps. It starts off all stripped-down, teasing you with these glitchy little stabs that sound like someone took a screwdriver to an old synth. Then BAM—it drops into this relentless groove that feels like running through neon-lit streets at 3 AM. Bruno Pronsato doesn’t mess around here; he flips the original into something darker, heavier, almost industrial. You can tell this guy knows how to make beats that slap harder than most producers’ dreams. This remix sticks in my head not because it’s “pretty” but because it’s relentless. Like, I dare you to sit still while this plays. Spoiler: you won’t.
Then there’s “Walking Through The Market.” Man, this one’s sneaky as hell. At first, it’s all mellow, kinda lo-fi, like background noise from some underground flea market. But then those basslines creep in, slow and menacing, building tension until you’re practically leaning forward waiting for the drop. And when it finally comes? Damn. It’s understated compared to the remix, sure, but that’s the genius of it. It’s hypnotic without trying too hard, pulling you deeper into its weird little world. By the time it fades out, you realize ten minutes have passed, and you’ve been zoning out like a total space cadet.
The rest of the album follows suit—raw, unapologetic, and full of personality. Glitches wrote these tunes, and honestly, it shows. There’s a DIY vibe here that screams authenticity. No overproduced nonsense, no pandering to trends. Just straight-up tech house grit.
Here’s the kicker though: why does an album like this even exist anymore? In 2023, where everything’s either hyper-polished pop or soulless algorithmic beats, Let’s Go Out With Electrocasbah feels like a relic. But maybe that’s exactly why we need it. Maybe we need albums that don’t care if they’re liked, that refuse to play nice. Albums that punch you in the gut and leave you breathless.
So yeah, check this out if you’re tired of boring-ass playlists. Or don’t. Your loss.
