Greg Phillinganes - Significant Gains
Review by Renan Manzano
Table of Contents
Download
Filename: greg-phillinganes-significant-gains.zip- MP3 size: 72 mb
- FLAC size: 867 mb
Tracks
| Track | Duration | Preview |
|---|---|---|
| Do It All for Love | ||
| Forever Now | 5:55 | |
| Takin It Up All Night | 4:25 | |
| I Don't Want to Be the One | ||
| Do It All For Love | 4:27 | |
| The Call | 3:22 | |
| Baby I Do Love You | 4:14 | |
| Maxxed Out | 5:02 | |
| Girl Talk | 4:29 | |
| I Dont Want To Be The One | 4:01 | |
| Baby, I Do Love You | ||
| Takin' It up All Night | ||
| Big Man | 4:34 | |
| I Don't Want To Be The One | ||
| Takin' It Up All Night |
Video
Greg Phillinganes - Forever Now
Greg Phillinganes Baby, I Do Love You
Maxxed Out Greg Philinganes
Images
Catalog Numbers
- P-17
- BVCM-37236, 74321-88241-2
- SICJ 142
- P-11043Q
Labels
- Planet Records
- BMG, Planet
- Sony Records Int'l
- Planet
Listen online
- lyssna på nätet
- online luisteren
- ouvir online
- escuchar en línea
- kuunnella verkossa
- ascolta in linea
- lytte på nettet
- écouter en ligne
- online anhören
Formats
- Vinyl
- LP
- Album
- CD
- Reissue
- Remastered
- Promo
- Limited Edition
Companies
| Role | Company |
|---|---|
| Manufactured By | Warner-Pioneer Corporation |
Credits
| Role | Credit |
|---|---|
| Coordinator | Marylata Kastner |
| Design | Kosh |
| Art Direction | Kosh |
| Drums | Raymond Pounds |
| Engineer | Gabe Veltri |
| Management | Chris Jonz |
| Mastered By | Larry Emerine, Stephen Marcussen |
| Other | James Kennar |
| Photography By | Aaron Rapoport |
| Producer | Greg Phillinganes |
| Lead Vocals | Greg Phillinganes |
| Keyboards | Greg Phillinganes |
| Synthesizer | Greg Phillinganes |
| Recorded By | John Fischbach |
| Vocals | Greg Phillinganes |
Notes
- Printed inner sleeve with artist photo, credits & lyrics.
- Produced for Greg Phillinganes Productions
- Recorded and mixed on location at
- Crystal Sound Studios, L.A.
- Additional overdubs recorded at
- Redwing Studios, Tarzana and
- Salty Dog Studios, Los Angeles
- Mastered at Precision Lacquer, L.A.
- A2 Remixed at Studio 55, Los Angeles
- Management and direction by
- Cieje Enterprises
- ℗ & © 1981 Planet Records
- Distributed by Elektra/Asylum Records
- A Division of Warner Communications Inc.
- Printed in U.S.A.
- A1 ©1981 Consul Music Corporation,
- Bulldog Music - ASCAP
- A2 ©1981 Geffen-Kaye Music, Poopy's Music,
- Jamal Music - ASCAP
- Baby Shoes Music, Ink. Inc.,
- Irving Music, Braintree Music - BMI
- A3 ©1981 Geffen-Kaye Music, Poopy's Music,
- David Batteau Music - ASCAP
- A4 ©1981 Geffen-Kaye Music, Poopy's Music,
- B1 ©1981 Sembello Music, Foghorn Music,
- Deep Canyon Music, Dennis
- Earl Music - ASCAP
- B2 ©1981 Geffen-Kaye Music, Poopy's Music - ASCAP
- B3 ©1981 Geffen-Kaye Music, Poopy's Music - ASCAP
- Hancock Music - BMI
- B4 ©1981 Fire Horse Music - ASCAP,
- Rainbow Horse Music - BMI
- B5 ©1981 Poopy's Music, Geffen-Kaye Music,
- Adrice Music - ASCAP
- George Benson appears courtesy
- of Warner Bros. Records, Inc.
- Paulinho Da Costa appears courtesy
- of Pablo Records, Inc.
- Angela Windbush appears courtesy
- of Rene and Capitol Records.
- Herbie Hancock Sadao Watanabe and
- Cheryl Lynn appears courtesy of
- Columbia Records.
- Original release in 1981
- There is a promo sticker on the back cover. "Loaned for PROMOTION ONLY"
- On the top edge of the back cover, there is a golden text S 088834.
- Originally released 1981.
- ℗&©1981 Planet Records
- Manufactured by Warner-Pioneer Corporation, Japan
- Recorded and mixed oat Crystal Sound Studios, Los Angeles, CA
- Additional overdubs recorded at Redwing Studios, Tarzana and Salty Dog Studios, Los Angeles, CA
- Mastered at Precision Lacquer, Los Angeles, CA
- A2 Remixed at Studio 55, Los Angeles, CA
Barcodes
- Barcode: 4988017604397
- Barcode: 4 547366 259056
- Rights Society: JASRAC
- Matrix / Runout: 〄P-11043Q1 TO L-1 1-A-3 3
- Matrix / Runout: 〄P-11043Q2 TO L-1 1-A-3 3
- Other: Price indication obi-strip & back cover: ¥2,500
- Matrix / Runout (Side One Label): P-17-A
- Matrix / Runout (Side Two Label): P-17-B
About Greg Phillinganes
American keyboard player, singer, arranger, songwriter and music director.
Discovered by in 1976, he worked and toured for, among many others,
, , , and .
Born: May 12, 1956 in Detroit, Michigan.
Real Name
- Gregory Arthur Phillinganes
Name Vars
- C. Philanganes
- Creg Phillinganes
- G, Phillinganes
- G. Philanganes
- G. Philigames
- G. Philiganes
- G. Philinganes
- G. Phillanganes
- G. Phillganes
- G. Philligames
- G. Philliganes
- G. Phillingaines
- G. Phillingales
- G. Phillingames
- G. Phillinganes
- G. Phillinganganes
- G. Pilinganes
- G.Philinganes
- G.Philliganes
- G.Phillinganes
- Greg
- Greg \
- Phillinganes
- Greg Phililganes
- Greg Philingaines
- Greg Philingane
- Greg Philinganes
- Greg Philinganies
- Greg Phillanganes
- Greg Phillengaines
- Greg Phillenganes
- Greg Philligaines
- Greg Philliganes
- Greg Phillingaines
- Greg Phillingains
- Greg Phillingame
- Greg Phillingames
- Greg Phillingates
- Greg Phillinggames
- Greg Phillinghanes
- Gregg Phillingame
- Gregg Phillinganes
- Gregg Phillinghanes
- Gregory Philliganes
- Gregory Phillinganes
- Greig Stillinganes
- Llinganes
- P. Phillinganes
- Philiganes
- Philiganesa
- Philinganes
- Philligames
- Phillinganen
Comments
Miss this kind of music....it's crazzzay!!?
total bobby caldwell sound
I want more songs like that.
Got an edge of stevie Wonder to it..
Yes i know he used to play for Stevies band...
Yes i know he used to play for Stevies band...
This could just as well be a Bobby Caldwell song.. crazy resemblence in the long stretched and high pitched phrasings
This album was ahead of its time. Too bad when it was discovered it was out of print
The critiques are comical...his career and accolades speak for themselves....
I remember when I bought the ALBUM!! That's right I said ALBUM.. Lol Back in the early 80's. That's when music had lyrics, substance and studio musicians. Something missing today with the stuff that's playing today, I don't want to mention any names Lol U know who they R!! Peace
When this song came out, and I do remember when it first hit the airwaves, I lost it, went crazy for this simple sounding tune. This is actually a pefect record, great melodies, great lyrics, great beat, and ofcourse, a soulful voice like greg phillinganes, this man has written songs for some of the greatest artists of our time, including the King of pop himself, Mike Jackson. This song is very special to me, and brings back to life all kinds of ol' school memories. This tune will be treasured forever.
It lacks something... For a musician of his caliber its very flat, plain, I am not impressed. He is a fantastic keyboardist, but it doesn't show he has improved from Stevie Wonder or Michael Jackson. Another act like him who should be given as much credit as Phillinganes is Bill Wolfer they are two who have worked with the greats
@sandrexca Yes: 'Lead vocals, keyboards and synthesizers, including the Fairlight Computer Syntesizer by GREG PHILLINGANES'.
What the song mostly lacks, Chromosom, is your fair and understanding reception of it. In 1981, when this was released, Phillinganes was a young artist in the throes of musical growth. This was his first outing as a solo artist--quite ambitious, considering covers of Rogers and Hammerstein's "I Have Dreamed" from the 1951 musical, "The King And I" and a great introduction of a Donald Fagen song, "Lazy Nina." Growth is a personal thing--doesn't matter that he'd already played with Stevie Wonder and the Jacksons when he recorded thi; it was up to him to push forward, which is what he was attempting to do with this project. The album was not only very good for its time, but the choice of material is still more adventurous than what many acts dare today. And to compare him to Bill Wolfer simply because they both are keyboardists with backgrounds in session work, makes no sense.
Beautiful synth bass lineGreg-keep on teaching us master!
