Album Review: The Joneses by Kelleigh Bannen
Kelleigh Bannen’s 2018 album The Joneses is a heartfelt dive into the raw, storytelling essence of country music. With its roots firmly planted in the US scene and released under Whiskey Rain Records, this record doesn’t try to reinvent the wheel—but it sure spins it well. The genres blend seamlessly across Country, Folk, and World influences, though it’s her signature country style that shines brightest throughout.
Two standout tracks from the album are "John Who" and "Happy Birthday." In "John Who," Bannen's voice carries a mix of curiosity and nostalgia, painting vivid imagery about identity and mystery. You can almost picture the small-town diner where everyone’s whispering about this enigmatic figure. It’s one of those songs that sticks with you—not because it’s flashy, but because it feels real. Meanwhile, "Happy Birthday" flips the script on what could’ve been just another sappy tune. Instead, Bannen delivers an emotional gut punch with lyrics that explore missed connections and bittersweet memories. Producer Jaren Johnston nails the tone here, giving the track a stripped-down yet powerful vibe that lets the words breathe.
One thing worth noting is how Todd Clark steps in for “The Joneses,” bringing a slightly different energy to the mix. While his touch works fine, it’s clear that Bannen thrives most when paired with Johnston’s production instincts. His ability to balance simplicity and depth makes the first two tracks unforgettable.
What makes The Joneses linger isn’t just the music itself—it’s the way Bannen taps into universal themes without over-polishing them. Sure, there are moments where the pacing dips, but overall, it’s refreshingly honest. This ain’t your cookie-cutter Nashville hit factory stuff; it’s more like sitting on a porch swapping stories with someone who gets life.
Here’s the kicker: listening to this album feels like catching up with an old friend who tells great tales but occasionally forgets their punchlines. And honestly? That’s kinda perfect.
