Manfred Schulze Bläserquintett - Konzertino

stevenrcarini

Review by Steven R. Carini

Konzertino by Manfred Schulze Bläserquintett – A Wild Ride Through Jazz and Classical Chaos Alright, buckle up. This ain’t your grandma’s smooth jazz record or some overblown classical snoozefest. Konzertino, released in 1995 on FMP (Germany’s underground haven for experimental sounds), is a raw, untamed beast that smashes together jazz, classical, and avant-garde like it’s got something to prove. And let me tell you—it does. First off, the lineup? Insane. You’ve got Manfred Hering pulling triple duty on alto sax, soprano sax, and clarinet, while Gert Anklam growls away on baritone saxophone. Johannes Bauer’s trombone slides around like it owns the place, and Paul Schwingenschlögl’s trumpet cuts through everything like a knife. The compositions are all by Manfred Schulze himself, who also handled the artwork because apparently he wasn’t busy enough being a mad genius. Now, onto the tracks. Let’s talk about “Hymne” first. Holy crap, this thing hits hard. It starts with this eerie, almost ceremonial vibe—like you’re walking into some secret society meeting where everyone’s wearing trench coats and smoking unfiltered cigarettes. Then BAM, out of nowhere, the horns explode into this chaotic free-for-all. It’s messy but intentional, like they’re daring you to keep up. By the time Heiner Reinhardt’s tenor sax comes screaming in, you’re either hooked or running for the door. I’m still not sure which side I’m on, but damn if I can stop thinking about it. Then there’s “Quintett No. 1.” This one feels like a boxing match between jazz and classical music—with neither side throwing in the towel. The piece lurches forward in fits and starts, constantly changing direction like a drunk driver on an empty highway. But somehow, it works. Those moments when the brass section locks in with the saxes? Pure fire. It’s unpredictable as hell, but that’s what makes it stick in your brain long after the needle lifts off the vinyl. The production quality is gritty, no doubt thanks to Jonas Bergler mixing and mastering this beast. It’s not polished; it doesn’t want to be. Every squeak, breath, and scrape is right there in your face, reminding you these guys aren’t playing for perfection—they’re playing for guts. Jost Gebers’ photography and layout add to the DIY aesthetic, making the whole package feel like a manifesto rather than just another album. Here’s the kicker: listening to Konzertino isn’t always fun. Sometimes it’s downright uncomfortable. But maybe that’s the point. In a world full of background noise designed to fade into oblivion, this album demands attention—even if it pisses you off along the way. So yeah, if you’re looking for easy listening, go stream whatever TikTok trend is currently ruining Spotify playlists. But if you crave something real, something that kicks you in the teeth and then asks why you didn’t fight back harder, Konzertino might just be your new favorite hate-love relationship. And hey, here’s a thought: maybe we need more albums that don’t care whether we like them or not. Food for thought—or maybe just indigestion.

Table of Contents

Download

Filename: manfred-schulze-blserquintett-konzertino.zip
  • MP3 size: 24.8 mb
  • FLAC size: 219.6 mb

Tracks

TrackDurationPreview
Hymne12:28
Quintet No. 1235:28
Konzertino11:36
Quintett No. 114:51

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Catalog Numbers

FMP CD 70

Labels

FMP

Listen online

  • online anhören
  • escuchar en línea
  • lyssna på nätet
  • écouter en ligne
  • kuunnella verkossa
  • ouvir online
  • lytte på nettet
  • ascolta in linea
  • online luisteren

Formats

  • 4 × File
  • FLAC
  • Album
  • Reissue
  • CD

Companies

RoleCompany
Phonographic Copyright (p)FMP
Copyright (c)FMP
Recorded AtTownhall Charlottenburg

Credits

RoleCredit
Alto SaxophoneManfred Hering
Soprano SaxophoneManfred Hering
ClarinetManfred Hering
Baritone SaxophoneGert Anklam
Composed ByManfred Schulze
ArtworkManfred Schulze
Mixed ByJonas Bergler
Mastered ByJonas Bergler
Photography ByDagmar Gebers
ProducerJost Gebers
LayoutJost Gebers
Recorded ByJonas Bergler, Jost Gebers
Tenor SaxophoneHeiner Reinhardt
TromboneJohannes Bauer
TrumpetPaul Schwingenschlögl
Liner NotesBert Noglik

Notes

Recorded live on September 9, 1994 at Townhall Charlottenburg in Berlin

Barcodes

  • Barcode: 4014704000705
  • Mastering SID Code: IFPI L357
  • Mould SID Code: IFPI 5204
  • Matrix / Runout: BOD FMP 70
  • Rights Society: GEMA
  • Label Code: LC 4557

About Manfred Schulze Bläserquintett

Name Vars

  • Manfred Schulze Bläser Quintett

Members

  • Dietmar Diesner
  • Konrad Körner
  • Manfred Hering
  • Johannes Bauer
  • Manfred Schulze
  • Gert Anklam
  • Heiner Reinhardt
  • Paul Schwingenschlögl

Interesting fact about Album

Did you know? The album *Konzertino* by Manfred Schulze Bläserquintett is a hidden gem blending jazz and classical music. Released in 1995 in Germany, it features avant-garde jazz with a unique twist—Manfred Hering plays three types of saxophones *and* the clarinet! The album was recorded, mixed, and mastered by Jonas Bergler, who clearly had his hands full. And here’s the fun part: Manfred Schulze not only composed the music but also designed the artwork himself. It’s like a one-man creative powerhouse! Tracks like *Hymne* and *Quintett No. 1* showcase this seamless mix of styles, making it a must-listen for fans of experimental sounds.