Things I’ve Said: A Sonic Journey That Sticks With You
Matt Springfield’s Things I’ve Said isn’t just an album—it’s a vibe. Released back in 2010 under the French label Akamusic, this genre-blending gem dances between Electronic, Pop, and Rock with ease. It’s got that Pop Rock punch mixed with Electro grooves, making it one of those records you can vibe to whether you’re chilling on your couch or stuck in traffic wishing everyone would just disappear.
Now, let’s talk about the tracks that made me hit replay like a broken record (pun intended). First up is the title track, “Things I’ve Said.” Man, this song has legs. From the moment Matt’s voice kicks in, there’s this raw honesty that feels like he’s spilling his soul right into your ears. The production? Tight as hell. Credit goes to Greg Haver for pulling together such a slick yet heartfelt sound. And can we take a second to appreciate Andy Taylor’s guitar work? Dude knows how to make six strings sing. Paired with Beth Gibson’s dreamy keyboard layers, it all comes together like peanut butter and jelly—smooth but with enough bite to keep things interesting.
Then there’s “Haunted,” which is honestly more like being pleasantly stalked by a melody. This track leans harder into the electro side of things, thanks to Peter Rainman’s programming wizardry. It’s moody without being over-the-top dramatic, kinda like when you’re scrolling through old texts and wondering if you should reply or ghost forever. There’s something hauntingly addictive about the way the beat builds and drops—it pulls you in, and before you know it, you’re humming along even though you swore you wouldn’t.
What makes this album stand out is its balance. Yes, it’s polished, but not so much that it loses its personality. Clint Murphy’s engineering and Ryan Smith’s mastering give it a professional sheen, but you can still hear the grit and heart behind every note. Plus, having a team of talented collaborators like Andy Taylor and Beth Gibson elevates the whole thing to another level.
Reflecting on Things I’ve Said, it’s wild to think this came out over a decade ago. Listening to it now feels like bumping into an old friend who hasn’t aged a day. If anything, it reminds me that good music doesn’t need gimmicks—it just needs truth, talent, and maybe a little bit of French je ne sais quoi. Oh, and here’s the kicker: after hearing this album, I now wonder if Matt Springfield ever said anything he regrets. Guess we’ll never know… unless he writes a sequel.
