Album Review: Far Beyond The Sun by Metallifonia
Released in 2008, Far Beyond The Sun by Finnish ensemble Metallifonia is an intriguing blend of classical music with a contemporary twist. Backed by Jase Records and crafted with meticulous attention to detail, this album feels like both a nod to tradition and a leap into uncharted territory. It’s not your typical orchestral affair—it’s got teeth, soul, and just enough edge to keep you hooked.
The opening track, “Far Beyond The Sun,” sets the tone perfectly. With Risto-Matti Marin’s piano weaving through layers of intricate composition, it feels cinematic yet intimate. You can almost picture the sun dipping below the horizon as the melody swells and fades. What makes this piece unforgettable is its ability to balance grandeur with subtlety. The transitions are seamless, almost dreamlike, pulling you deeper without ever feeling overdone. Hats off to Pekka Ritaluoto for engineering magic here—this one stays with you long after the final note.
Another standout is “Hats Off To J. Holmes.” If you’re expecting something somber or overly serious, think again. This track has a playful energy that sneaks up on you. Olli-Pekka Tuomisalo’s saxophone work adds a jazzy flair, giving the song a quirky personality that contrasts beautifully with the otherwise polished arrangements. It’s the kind of tune that makes you smile unexpectedly—a little burst of joy wrapped in sophistication.
Credit where it’s due: Harri Timonen’s mastering gives the album a crisp, clean sound, while Mari Järvinen’s photography captures the essence of the project visually. And let’s not forget Jyri Taipale’s design work; the cover art ties everything together nicely. Even Matti Heinonen deserves a shoutout for his contribution to track eight—it’s clear everyone involved poured their heart into this release.
What strikes me most about Far Beyond The Sun is how accessible it feels despite its complexity. It doesn’t alienate listeners who aren’t fluent in classical music lingo but still offers plenty for seasoned fans to appreciate. Tracks like “Carmina Burana; O Fortuna” showcase bold ambition, while others, like “Get Stoned,” bring a sense of humor to the table (seriously, what’s up with that title?).
In the end, Far Beyond The Sun isn’t just an album—it’s an experience. Listening to it feels like stepping into another world, one where rules bend but never break. Finland might be known for its metal scene, but Metallifonia proves there’s room for innovation even within the confines of classical music. Who knew a saxophone could sound so…metal?
