Hot Tin Roof: The Cat That Wore A Fedora – A Soundtrack That’s Cooler Than Its Title
Let’s get one thing straight: this isn’t just another soundtrack. Hot Tin Roof: The Cat That Wore A Fedora by Nathan Madsen and Michael Nielsen is a quirky, jazzy little gem that sneaks up on you like Dijon the cat prowling through your living room. Released in 2018 under Yetee Records, it’s got all the swagger of a noir flick but with enough sass to make you forget it was born for the stage.
First off, kudos to Mike Mancuso for the design (clean and sharp) and props to Dijon the cat for… well, being a photog? Yeah, I didn’t see that coming either. But let’s dive into the music because THAT’S where the magic happens.
Tracks That Stick Like Glue
I gotta shout out two tracks here—“Going Somewhere V.4” and “Saxxy Oh My God.” These aren’t just songs; they’re vibes wrapped in velvet suits.
- “Going Somewhere V.4”: This tune feels like walking down a foggy street at midnight while wearing sunglasses indoors. It starts slow, almost teasing you, then BAM—it drops this bassline so smooth it could butter toast. Every time I hear it, I imagine myself as some slick detective lighting a cigarette, even though I don’t smoke. That’s how immersive it is.
- “Saxxy Oh My God”: Okay, seriously, what kind of name is that? But holy smokes, does it deliver. The saxophone wails like it has something to prove, and honestly, I’m not mad about it. There’s this moment halfway through when everything drops out except for the keys—it’s like the music takes a breath before diving back in. Pure chaos, pure brilliance.
Why This Album Stands Out
What makes Hot Tin Roof special isn’t just its genre-bending style or its cinematic flair—it’s the personality dripping from every note. You can tell these guys weren’t phoning it in. They poured their souls into this project, and it shows.
But here’s the kicker: despite all the polish, there’s an undercurrent of playfulness. Maybe it’s the fact that a literal cat took the promo photos. Or maybe it’s the way each version of “Going Somewhere” feels like revisiting an old friend who’s slightly different every time. Whatever it is, it works.
Final Thoughts
If you’re looking for background noise, keep scrolling. But if you want something that grabs you by the collar and demands attention, give this album a spin. Just don’t blame me if you start picturing yourself in a fedora solving mysteries—or worse, trying to learn saxophone.
Oh, and one last thing: whoever thought letting a cat take album photos was a good idea? Absolute genius.
