Pat Lewis - No One To Love Look What I Almost Missed

jm7070

Review by John Michael

Album Review: No One To Love / Look What I Almost Missed by Pat Lewis Let’s cut to the chase—Pat Lewis’ 2011 double-sider, No One To Love / Look What I Almost Missed, is a soulful gem that deserves more than just a passing nod. Released under Outta Sight Records in the UK, this record serves up a slice of raw, heartfelt funk and soul vibes that feel like they’ve been pulled straight from the golden era of vinyl. The title track, No One To Love, hits hard right out the gate. It’s got that classic soul groove—smooth basslines, tight drums, and Lewis’ vocals dripping with emotion. The kind of song where you can almost picture dim lights, smoky rooms, and people swaying without even trying. There’s something about how Lewis delivers the chorus—it sticks to your ribs. You don’t just hear it; you feel it. This isn’t background music—it demands your attention. Then there’s Look What I Almost Missed. If the first track punches you in the gut, this one sneaks up on you with its understated charm. The melody feels warmer, more reflective. It’s like Lewis is sitting across from you, sharing a story over coffee. The horn section adds just enough sparkle without stealing the spotlight, and the backing vocals? Pure honey. This tune has replay value for days—it’s one of those tracks that grows on you after each listen, kinda like an old friend. What makes this release stand out isn’t just the music itself but the authenticity behind it. In an age where everything feels polished to death, these songs remind us what soul music is all about: real feelings, real voices, no gimmicks. Sure, it might not have blown up the charts back in 2011, but maybe that’s part of its charm. Sometimes, the best stuff flies under the radar. Here’s the kicker though—listening to this album made me realize how rare it is to find records like this anymore. It’s not just nostalgia bait; it’s genuine. And honestly? I kinda wish Pat Lewis dropped new material because if this two-track wonder is anything to go by, we’re missing out big time. Soul fans, do yourself a favor and grab a copy before it disappears into obscurity. Trust me—you won’t regret it.

Download Pat Lewis - No One To Love Look What I Almost Missed
Artist: Pat Lewis
Album: No One To Love Look What I Almost Missed
Rating: 4.89

Table of Contents

Download

Filename: pat-lewis-no-one-to-love-look-what-i-almost-missed.zip
  • MP3 size: 10.6 mb
  • FLAC size: 95.8 mb

Tracks

TrackDurationPreview
No One To Love2:40
Look What I Almost Missed2:42

Video

Pat Lewis - No One To Love
Pat Lewis - Look At What I Almost Missed

Images

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Catalog Numbers

OSV-037

Labels

Outta Sight

Listen online

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Formats

  • Vinyl
  • 7"
  • 45 RPM
  • Single
  • Promo

Companies

RoleCompany
Copyright (c)Outta Sight Ltd.

Notes

small centre promo

Barcodes

  • Matrix / Runout (Label, A): OSV-037-A
  • Matrix / Runout (Label, B): OSV-037-B

About Pat Lewis

Soul - gospel singer Sister of . Very popular in the northern soul scene. Patsy Lewis was born on October 23, 1947 in Johnstown, Pennsylvania.In 1951 her family moved to Detroit, Michigan in where she attended Central High School, it was here that her dream of a singing career began.Patsy performed where ever she could in Glee clubs, talent shows and with the school band, throughout her school years and like most singers, sang in the church choir. In the early sixties, Pat along with her sister Diane Lewis, formed a group called , along with two other sisters Betty and Jackie Winston. They signed with , owned by Ed Wingate, who along with Joanne Bratton managed the group. Whilst with Golden World the girls recorded, Deep Freeze, Daddy Please, Ooh Boy, Be and Schools All Over. as well as recording Romeo and Juliet with The Reflections. To fulfill her dream Patsy decided to venture out on her own as a single artist. With a small name change, she dropped the sy, becoming Pat Lewis, she recorded her first single at , Cant Shake It Loose. She also began singing background vocals for various other artists. The Andantes, the main backing group for Motown Records, were frequently hired by Golden World. One day a member of the band couldn't make the session, so Pat was brought as replacement. She did such a good job that and she was asked to sing background at Motown and numerous other recording studios, most notably she recorded at Brunswick Records in Chicago on Jackie Wilsons album, Your Love Keeps Lifting Me Higher. In 1966, was sold to Motown. Pat then signed with Solid Hit Bound Records, owned by Don Davis and LaBaron Taylor. Here she recorded several singles, Look At What I Almost Missed, Warning, No One To Love, No Baby No, The Loser. During this period in the mid-sixties she was making personal appearances, doing background arrangements for various artist and vocals along with her sister Diane and Rose Williams In 1967, Aretha Franklin asked her to become one of her background singers on the road. She remained with Aretha off and on for a few years traveling and recording in the studio. During this time she continued to arrange and sing background along with Diane and Rose for many writers, producers and recording companies. They were simply known as . In 1969, Don Davis owner of United Sound Recording Studio (writer/producer for ) booked The Group for a session for Isaac Hayes album Hot Buttered Soul. Pat was hired to arrange and record background vocals. When the album was released it was a hit. Isaac called The Group and asked if they wanted to tour with him. Pat gave Aretha Franklin her notice and The Group was renamed . While working with Don Davis and Isaac Hayes, recorded background vocals for many of the artists.They also remained Isaac Hayes's opening act and studio group from 1969-1982. They went on world tours and appeared on TV shows nationally and abroad. Pat continued to arrange all background vocals but was not given credit until a later date. During Isaacs off time, traveled with Aretha Franklin and Rick Dees Disco Duck.. In 1972, moved to Memphis. In 1974 they added a fourth group member, Barbara McCoy, a former member of the , and became the . Pat also worked for Shoe Productions where she did commercials for several products. Singing became scarce due to Isaacs career difficulties, so Pat and Diane moved back to Detroit, but still worked with Isaac off and on. After returning to Detroit, Pat formed a band Thrust and began making personal appearances in clubs in Detroit and Canada. There was not much work during this time. In 1984, Pat began performing in musicals at dinner theaters, In The Lawyers Club, and The English Room at the Book Cadillac Hotel... . In 1985, she reunited with her long time friend and producer, George Clinton, arranging and singing for such artist as Funkadelic, Prince, Red Hot Chili Peppers, Bootsy Collins,Tracy Ullman, Paul Simon, and the theme song for The Junkyard Dog. Pat still continues to work with George Clinton to this day. In 1986, Pat was contacted by the late Edwin Starr, who resided in England to perform her hit singles from the sixties for the RicTic Review. The performers included Al Kent, J.J. Barnes, Lou Ragland and Edwin Starr. This opened up a whole new world, the world of Northern Soul. Pat toured the U.K. Northern Soul scene over the next few years. During that time she met Ian Levine, a friend of Kim Weston, who wanted to come over to Detroit and record many of the Motown Artist and their old hits, plus some original songs that he and some of the artists had written. Ian hired Pat as the coordinator, background vocal arranger, lead and background singer for the Detroit and Los Angeles family. In 1999, Pat was employed through Ian by K-Tel Records, to do a Gospel Album. Pat had three weeks to complete the project, recording seventy-six songs, in all. This included sixty gospels, sixteen Christian songs, fifteen tracks as a quartet, forty tracks in a choir and one as a duet. She, of course, made the deadline. Later that year reunited in Memphis, Tennessee, and performed at the New Daisy Theater, along with the Masqueraders. In 2002, Pats health began to fail. She acquired a rare blood disorder which resulted in both knees being replaced (2003) and the removal of her spleen (2004), which seemed to take care of the problem. In 2005, Pat received a call from T.J. Lubinski to sing backup for The Four Tops, Brenda Hollaway, Kim Weston and Francis Nero for the Motown - The Old Days PBS Special .As the Industry learned that Pat was back, the phone started to ring. In December 2005 the world of Northern Soul called for the sixties group,, to perform what they called a Northern Soul Weekender in Northampton, England. Pat and the girls returned to the U.K. in 2006 and performed her sixties hits. In 2006, Hitsville Legends was founded, an organization involving legendary artists from the Motor City. Pat became a member. She co-produced and arranged the voices on an album called Motown Smooth Jazz. Another album released by the Hitsville Legends is a compilation album featuring the legendary artists. One such legendary Motown group, featured is The Original Vandellas (Annette Helton and Rosalind Holmes), long time friends of Pats. Annette and Rosalind asked Pat if she would like to be their lead singer. Pat jumped at the chance and so became The Original Vandellas featuring Pat Lewis".

Real Name

    • Patsy Lewis

Name Vars

  • Lewis
  • P. Lewis
  • Pat \
  • Pat Lewis Orchestra
  • Patavian Lewis
  • Patricia Lewis
  • Patsy Lewis
  • Patty Lewis
  • Пет Левис

Interesting fact about Album

Here’s something cool: Pat Lewis, a UK-based artist, released an album in 2011 called *No One To Love Look What I Almost Missed*. It’s a soulful gem under the Funk/Soul genre. The album features just two tracks—*No One To Love* and *Look What I Almost Missed*. Both songs are smooth, heartfelt, and perfect for fans of classic soul vibes. Released on the Outta Sight label, it’s one of those hidden treasures that reminds you how powerful simplicity can be.

Comments

disturbiagirl
2025-03-15
Love love this song, Pat you did that shizz?
pori27
2025-03-14
This song should have been a hit. It's that good.
madeintheisland
2025-03-14
Love this sweet soul sound thanks to our senator of Northern soul sound's bless you brico keep them coming ?ୀ౧ୀౢୀ౥ୀ౮ୀ౧ୀ౿???ୀ౧ୀౢୀ౥ୀ౮ୀ౧ୀ౿??????????????♦️♦️??✊?✊✊?✊✊?✊✊?✊✊?✊?
kenjidash115
2025-03-13
I'm writing from Wigan and I'm so moved my soul is flying out the window
losingfaith26
2025-03-12
Another Wigan Casino spin ??
kavishapillay
2025-03-12
A northern soul classic and a great weeper on the dance floor
djpkaplc
2025-03-11
Enyone got £4000
samueltobaaiye
2025-03-10
100 club magic. Remember 1st time I heard this?
kazoualor34
2025-03-09
OH YES BRICO first heard this little gem on a tape ? many moons ago kTF SQUIRE ! ! !
paulamartingonzalez
2025-03-08
Nice
leepayne83
2025-03-07
This is the single version I remember.