Album Review: Run Like Hell Young Lust by Pink Floyd
Alright, so let’s talk about Run Like Hell Young Lust by Pink Floyd. Released in 1979, this thing is kinda like a weird little cousin to their bigger albums like The Wall. It’s not technically an official full-length album but more of a compilation or promo release—still, it's got some serious vibes that’ll stick with you. The genres floating around here are Psychedelic Rock, Arena Rock, and Alternative Rock, which means you’re getting all the moody guitar solos, big theatrical feels, and trippy undertones Pink Floyd fans love.
Now, I gotta say, two tracks really stand out for me: “Corre Como Loco” (aka Run Like Hell) and the stage version of Young Lust. Let’s break ‘em down real quick.
First up, Run Like Hell. Man, this track hits hard. Whether it’s in Spanish as “Corre Como Loco” or just straight-up English, it’s got this driving rhythm that makes you wanna move—even if moving just means nodding your head while sitting on the couch eating chips. David Gilmour’s guitar work? Absolutely killer. Those sharp riffs feel like they’re slicing through the air, and Roger Waters’ lyrics? Dark AF but oddly catchy. You can’t help but imagine yourself running from something… maybe zombies? Or your ex? Either way, it sticks with ya.
Then there’s the stage version of Young Lust. This one feels rawer, grittier than the studio cut. It’s almost like hearing the band sweat and breathe live onstage. There’s this swagger to it—a sleazy rock-and-roll confidence—that pulls you right into the moment. When Gilmour sings, “I need a dirty woman,” it doesn’t sound desperate; it sounds like he knows what he wants, and damn, he’s gonna get it. Plus, the crowd noise adds this electric energy. Feels less polished, sure, but sometimes messy is exactly what you need.
This record came out in Argentina and Europe under labels Columbia and ICM, which honestly feels kinda random now. But hey, props to engineer James Guthrie and producers Bob Ezrin, David Gilmour, James Guthrie, and Roger Waters for keeping things tight. These dudes knew how to craft a vibe, even when piecing together stuff for different markets.
So yeah, Run Like Hell Young Lust might not be everyone’s go-to Pink Floyd album, but it’s got its own charm. It’s like finding an old mixtape at the bottom of a drawer—imperfect, maybe a bit forgotten, but still packed with moments that remind you why you fell in love with the band in the first place.
Oh, and here’s the kicker: listening to this album today kinda feels like eavesdropping on history. Like, these songs were made before memes existed, yet they’ve got that same chaotic energy we scroll through every day. Weird, right?
