Relic Radiation - At The Stake

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Review by Paul Wright

Album Review: At The Stake by Relic Radiation – A Haunting Exploration of Sound Released in 2017, At The Stake by Relic Radiation is an electronic odyssey that dives deep into the realms of drone, dark ambient, techno, and industrial music. Born out of a collaboration between artists from Russia and Spain, this album feels like a shadowy bridge connecting two distinct cultural landscapes. Released under the labels La Notte di Architetto and Psychoskunk Recordings, it’s a record that doesn’t just play—it lingers, unsettling yet captivating. The album opens with "Ascesis," a track that immediately sets the tone for what’s to come. It’s heavy, almost suffocating, with layers of drones that feel like they’re pressing against your chest. The minimalistic beats creep in slowly, creating a sense of unease that sticks with you long after the track ends. There’s something ritualistic about it, as if you’ve stumbled upon a forbidden ceremony. It’s not just music; it’s an experience—one that forces introspection whether you’re ready for it or not. Another standout is "Glance." This one caught me off guard because it starts deceptively calm, almost meditative. But don’t let that fool ya—it quickly spirals into chaos. Industrial clangs and distorted synths clash violently, evoking imagery of machinery devouring itself. It’s abrasive but oddly mesmerizing, like watching flames consume wood. Tracks like these remind me why I love albums that take risks—they make you feel something visceral, even if it’s uncomfortable. Tracks such as "To The Pure All Things Are Pure" and its counterpart "To The Corrupt And Unbelieving Nothing Is Pure" (yes, there are two versions) delve further into the thematic duality hinted at in their titles. These pieces oscillate between purity and corruption sonically, using sparse arrangements punctuated by jarring sounds. They’re less memorable than "Ascesis" or "Glance," but they contribute to the overall mood of tension and foreboding. What makes At The Stake so intriguing isn’t just its sound design—it’s how it challenges the listener. You can’t passively consume this album; it demands attention. It’s imperfect, raw, and unpolished in ways that feel intentional. Some transitions between tracks might seem abrupt, but maybe that’s part of the point. Life itself isn’t smooth sailing, right? Reflecting on At The Stake, I’m reminded of how rare it is to find music that truly transports you somewhere else. Listening to this album feels like wandering through an abandoned factory at night—creepy, yes, but also strangely beautiful. And here’s the kicker: while most people would call this “background noise,” I dare say it’s anything but. If anything, it’s foreground noise—the kind that grabs you by the collar and refuses to let go. So, if you’re looking for easy listening, steer clear. But if you want something that digs deep and leaves scars, give At The Stake a spin. Just don’t blame me if you lose sleep over it. Rating: 8/10

Table of Contents

Download

Filename: relic-radiation-at-the-stake.zip
  • MP3 size: 28.7 mb
  • FLAC size: 275.8 mb

Tracks

TrackDurationPreview
Pace5:20
Grace4:57
To The Corrupt And Unbelieving Nothing Is Pure3:12
To The Corrupt And Unbelieving Nothing Is Pure3:12
Glance4:47
To The Pure All Things Are Pure4:28
Ascesis4:49

Images

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Catalog Numbers

  • PSKDS 008
  • LNxH

Labels

  • Psychoskunk Recordings
  • La Notte di Architetto

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Formats

  • 6 × File
  • FLAC
  • Mini-Album
  • Cassette
  • Limited Edition
  • Stereo
  • C30
  • MP3
  • 320 kbps

About Relic Radiation

Real Name

    • Константин Сомов

Interesting fact about Album

Did you know? The album *At The Stake* by Relic Radiation is a wild mix of dark vibes and heavy beats. It came out in 2017, blending genres like Drone, Dark Ambient, Techno, and Industrial. What’s cool is that it’s a cross-country project, with roots in both Russia and Spain. Tracks like "Ascesis" and "Grace" take listeners on a moody journey, while the album's intense themes echo through its tracklist. Plus, it was released under two labels: La Notte di Architetto and Psychoskunk Recordings. Pretty unique, right?