Album Review: I'll Go On Enough For Me by Robert Cray
Alright, let’s talk about I’ll Go On Enough For Me, the 1995 blues rock gem from Robert Cray. Released under Mercury Records, this album is pure soul-soaked grit with a side of raw energy. If you’re into that sweet spot where rock meets blues, this one’s for you.
Now, let me break it down for ya. There are two tracks that really stuck with me—“Enough For Me (Edit)” and “I’ll Go On (Live).” First up, “Enough For Me.” The edited version hits hard right outta the gate. It’s tight, punchy, and just makes you wanna nod your head like, “Yeah, I get it.” Cray’s voice has this raspy smoothness to it, like he’s lived every word he’s singing. You can feel the emotion without him having to overdo it. It’s kinda like when someone tells you a story, and you just know they’ve been through it. That’s this track.
Then there’s “I’ll Go On (Live).” Whoa. This one’s a whole different beast. There’s something magical about live recordings—they capture that raw vibe you just can’t fake in a studio. The guitar work here? Insane. Like, I had to pause and rewind because it felt like my ears were being treated to a masterclass in blues shredding. And the crowd? You can hear ‘em cheering, clapping—it’s like you’re there in the room soaking it all up. It’s messy in the best way possible, and honestly, it feels alive.
One thing I dig about this album is how it doesn’t try too hard. Robert Cray isn’t reinventing the wheel here—he’s just reminding us why the wheel is awesome. Blues rock fans will eat this up, but even if you’re new to the genre, there’s something undeniably cool about the way these songs flow.
Here’s the kicker though—listening to this album made me think about how music back then wasn’t afraid to be real. These days, everything feels so polished, like it’s been scrubbed clean of any flaws. But I’ll Go On Enough For Me? Nah, it’s got dirt under its nails, and I love that about it.
So yeah, give it a spin. Whether you’re vibing to the studio cuts or losing yourself in the live versions, this album’s got enough heart to keep you coming back. Oh, and hey—if you ever see Robert Cray live, drop me a line. I’d love to hear what it’s like to experience those riffs in person.
