Roy Shirley With Caltone Studio Orchestra - Get On The Ball Do Me Good

Review by Carlos Bello Marengo

Get On The Ball Do Me Good by Roy Shirley with Caltone Studio Orchestra – A Raw Slice of 1967 Rocksteady Magic Alright, let’s get into it. This album ain’t perfect, but damn does it slap in all the right ways. Released back in ‘67, Get On The Ball Do Me Good is one of those records that reminds you why Jamaica was—and still is—the heartbeat of reggae and rocksteady. Produced by Blondel Calnek under the Caltone label, this thing hits hard where it counts: raw vibes, killer grooves, and lyrics so smooth they stick to your brain like syrup on pancakes. First up, “Do Me Good.” Man, this track? It’s fire. Like, straight-up lit. Roy Shirley’s voice slides over the beat like butter on hot toast. You can tell he wasn’t tryin’ to be fancy here—he just lays it down, no frills, no gimmicks. The horn section from the Caltone Studio Orchestra punches through at just the right moments, adding this gritty edge that makes you wanna move. And yeah, maybe the mix sounds a little off balance if you’re some audiophile snob, but who cares? This song grabs you by the collar and doesn’t let go. It's not about perfection; it’s about feelin’ it deep in your chest. That bassline? Chef’s kiss. Then there’s “Get On The Ball.” If “Do Me Good” is the soulful lover, this one’s the rebel yellin’ in the streets. It’s got this driving rhythm that feels like someone took a vintage car engine and turned it into music. The drums hit so damn tight, and when the guitar chimes in, you know exactly what year it is—‘67 baby, no doubt about it. What sticks with me most is how simple yet effective everything is. No crazy solos or overproduced nonsense. Just pure, unfiltered energy. When I hear this track, I don’t think—I react. My feet start tappin’, my head starts bobbin’, and suddenly I’m transported to some smoky dancehall in Kingston. Now, sure, the production might sound dated compared to today’s slick stuff, but that’s kinda the point. This album doesn’t need modern polish. It thrives on its rough edges, its imperfections. It’s real. Like, REAL real. Not that fake Instagram-filtered crap we get now. Listening to these tracks feels like hearing stories from an old friend—authentic, unapologetic, and full of life. And here’s the kicker: after spinning this record for hours (yeah, I went there), I realized something wild. These songs aren’t just relics of the past—they’re blueprints for what music could’ve been. Imagine if more artists today had the guts to strip things down instead of layering on endless effects. Maybe then we’d have more albums that punch you in the gut instead of lulling you to sleep. So yeah, Get On The Ball Do Me Good isn’t flawless, but neither am I. And honestly? That’s what makes it unforgettable. Now excuse me while I crank this up again…loud enough to piss off the neighbors.

Download Roy Shirley With Caltone Studio Orchestra - Get On The Ball Do Me Good

Artist: Roy Shirley With Caltone Studio Orchestra
Album: Get On The Ball Do Me Good

Jamaica

Reggae

Rocksteady

1967

Rating: 5.0

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Filename: roy-shirley-with-caltone-studio-orchestra-get-on-the-ball-do.zip

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FLAC size: 98.8 mb

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Tracks

Track	Duration	Preview
Get On The Ball
Do Me Good

Video

rare - Roy Shirley - Do Me Good - Caltone records jamaica soul

Roy Shirley - Get On The Ball

Do Me Good/Roy Shirley

Images

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Labels

Caltone

Listen online

ascolta in linea
kuunnella verkossa
online anhören
online luisteren
lytte på nettet
escuchar en línea
lyssna på nätet
ouvir online
écouter en ligne

Formats

Vinyl
7"
45 RPM
Single
White Label
Black label
Red label

Credits

Role	Credit
Producer	Blondel Calnek

Notes

Black label with silver printing.
Red label with black printing.

Barcodes

Matrix / Runout: (Side A): BC 2030-1
Matrix / Runout: (Side B): BC 1333-1
Matrix / Runout: (Side B): WIRL BC 1333-1

About Roy Shirley With Caltone Studio Orchestra

Ainsworth Roy Rushton Shirley (18 July 1944 July 2008), better known simply as Roy Shirley, and also known as King Roy Shirley and The High Priest, was a Jamaican singer whose career spanned the ska, rocksteady and reggae eras, and whose "Hold Them" is regarded by some as the first ever rocksteady song. He was also one of the original members of The Uniques

Real Name

Ainsworth Roy Rushton Shirley

Name Vars

High Priest Roy Shirley
R S
R. Shirley
RS
Roy
Roy Sherley
Roy Sherly
Roy Shirey
Roy Shirly
Shirley
Shirley, Roy
The Great Roy Shirley

Aliases

Astley Bennett

en.wikipedia.org

Interesting fact about Album

Here’s something cool: The album *Get On The Ball Do Me Good* by Roy Shirley, backed by the Caltone Studio Orchestra, is a hidden gem from Jamaica's rocksteady era. Released in 1967, it came out during a time when reggae was still evolving. The producer, Blondel Calnek, helped shape its smooth sound. Fun fact—this album includes just two tracks: "Do Me Good" and "Get On The Ball." It’s a snapshot of a genre in transition, capturing that laid-back vibe Jamaica is famous for.