Kinky Japanese EP by Sota S: A Timeless Electronic Escape
Alright, let’s talk about Kinky Japanese EP by Sota S. Released back in 2009 under the label 19box Recordings, this little gem is a slice of pure electronic goodness. It’s got that perfect mix of Progressive House and Trance vibes, making it one of those albums you can’t help but vibe to even years later. And hey, it’s from Japan—land of all things quirky and cool—which kinda makes sense when you listen to it.
Now, I gotta say, there are two tracks here that really stuck with me. First up is "You Are Gone (Original Mix)." Man, this track hits different. The way it builds up slowly, layering synths like whispers before exploding into this euphoric drop—it’s like falling in love for the first time. You know what I mean? That bittersweet feeling where your chest feels tight but also full at the same time. The melody loops around your brain long after the song ends, and honestly, I’m not mad about it.
Then there’s "I Like It (Original Mix)." This one’s just straight-up fun. It’s playful, flirty even, with these bubbly beats that make you wanna move. There’s something cheeky about how simple yet addictive it is. Every time I hear it, I imagine neon lights flashing and people dancing like nobody’s watching. It’s not trying too hard, which is probably why it works so well. Sometimes less really is more, right?
Oh, and shoutout to Matt Rowan for his remix of "You Are Gone." His version adds this darker edge to the original, giving it a whole new mood. It’s like hearing the same story told by two completely different people. Both versions are great, but they take you on totally separate journeys.
Reflecting on this EP now, it’s wild how music can transport you back to certain moments in life. Listening to Kinky Japanese EP, I don’t just hear sounds—I feel memories. Memories of late-night drives, festival vibes, and random dance-offs in my living room. Honestly, if aliens ever landed and asked me to explain human emotions through music, I’d hand them this album.
But here’s the kicker—what if Sota S didn’t realize he was creating something timeless? What if he just made it for kicks, without overthinking it? Kinda makes you wonder, doesn’t it?
