Album Review: Read You My Soul / Got To Move by Thirdface
Alright, let’s talk about this little gem from 2002—Read You My Soul / Got To Move by Thirdface. It’s one of those albums that sneaks up on you, kinda like finding an old mixtape in your car and realizing it’s way better than you remembered. Released under Full Cycle Records (a label known for pushing boundaries), this downtempo blend of electronic and jazz vibes feels like a warm hug for your ears but with enough edge to keep things interesting.
The two tracks here are short but pack a punch. First up is “Read You My Soul.” Man, this track sticks with me because of Audrey Okyere Fosu’s vocals—they’re smooth as butter, gliding over the beat without trying too hard. The production has this chill, almost hypnotic vibe, thanks to Mark Young pulling triple duty as writer, producer, and mixer. There’s something dreamy yet grounded about how the synths swirl around her voice, making it feel like late-night thoughts turned into sound. Honestly, I could loop this forever and not get tired of it.
Then there’s “Got To Move,” which flips the mood slightly. If “Read You My Soul” is introspective, this one’s more like a nudge to get off the couch and do… well, something. The groove is infectious, leaning heavier into the jazz side of things while still keeping that downtempo chill. It’s the kind of song that makes you nod your head even if you weren’t planning to. Again, props to Mark Young for crafting beats that feel both effortless and meticulously put together.
What really ties everything together is the mastering job by Stu—he nailed the lacquer cut, giving the whole thing a crispness that doesn’t sacrifice warmth. It’s rare to find music from the early 2000s that hasn’t aged awkwardly, but this album? Still bangin’.
So yeah, Read You My Soul / Got To Move might be brief, but it leaves a mark. Listening to it feels like stepping into a cozy café where everyone knows what they’re doing behind the counter. And honestly? That’s kinda refreshing in today’s world of endless playlists and algorithm-curated noise.
Oh, fun fact: apparently, Audrey Okyere Fosu didn’t do much else after this project. Like, at all. Makes me wonder what happened to her—it’s such a shame when talent just vanishes like that. But hey, maybe she’s out there somewhere, sipping tea and smiling every time someone rediscovers this slice of UK magic.
