The New Designers by Toulouse: A Hidden Gem of UK Rock
Released in 1998 under the label Tinseltones, The New Designers is one of those albums that sneaks up on you. It’s easy to overlook at first glance—it doesn’t scream for attention—but once it sinks its teeth in, you’re hooked. This UK-based band blends post-rock, indie rock, and alternative vibes into a sound that feels both nostalgic and refreshingly raw.
Let’s talk about two tracks that stand out: “Checks And Credit” and “Plastichrome Suitcase.” These songs are like musical siblings—different personalities but cut from the same cloth. “Checks And Credit” kicks things off with an infectious groove. The bassline, courtesy of Miss Aden Kumler, bounces along while Mr. Jamison Neville Duffield’s vocals layer grit and soul over the mix. You can tell this track was built for late-night drives or moments when you need something punchy yet reflective. It’s got bite without being overly aggressive—a sweet spot many bands miss.
Then there’s “Plastichrome Suitcase,” which takes things down a notch but still packs a punch. Here, Mr. Christopher Moisan shines on keyboards and electric piano, weaving textures that feel cinematic. There’s a dreamy quality to this song that makes it stick in your head long after the last note fades. It reminds me of staring out a rain-speckled window while life buzzes around outside. If you’re into music that tells a story without needing words to do all the heavy lifting, this one’s for you.
What really ties the whole album together is Michael Hagler’s production work. He lets the instruments breathe, giving each element room to shine. From Miss Sarah Rentz’s tight drumming to Duffield’s dual roles as guitarist and vocalist, every piece fits snugly. Nothing feels forced or overproduced, which is rare for a debut effort.
Looking back, The New Designers came out during a time when rock was evolving rapidly. Bands were experimenting left and right, trying to find their footing between grunge hangovers and Britpop highs. Toulouse managed to carve out their own little corner of the scene, blending genres effortlessly. Honestly, it’s kinda wild how well this album holds up today. Sure, some parts might feel dated if you’re nitpicky, but isn’t that part of the charm?
Final thought? Listening to The New Designers feels like rediscovering an old photograph tucked away in a drawer. It’s familiar yet surprising, comforting yet challenging. And hey, who knew a plastichrome suitcase could inspire such vivid imagery?
