Victor Pozas - Duas Caras Instrumental

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Review by Delia Gomez

Duas Caras Instrumental: A Sonic Love Letter to Brazilian Cinema and Jazz Victor Pozas’ Duas Caras Instrumental isn’t just an album; it’s like a warm hug from Brazil’s musical soul. Released in 2008 under the Som Livre label, this soundtrack-heavy gem dances between genres—Stage & Screen, Jazz, Latin—with the kind of effortless cool only a Brazilian artist could pull off. If you’re into moody instrumentals that feel like they were written for life’s quiet moments or dramatic crescendos, this one’s for you. Let’s cut to the chase: two tracks stood out so much they’ve been stuck in my head for days. First up is “Tema de Hermógenes.” It’s got this velvety saxophone line that feels like sipping cafézinho on a rainy afternoon. The melody lingers, almost teasing you with its bittersweet vibe. You don’t even need lyrics—it tells a whole story without saying a word. Like, who needs Netflix when you’ve got this? Then there’s “Pot-Pourri: Sambas Da Portelinha.” Oh man, this track bursts into the room like your fun uncle at a family gathering. It’s lively, unapologetically rhythmic, and makes you wanna grab someone (anyone!) to dance. The way it blends traditional samba vibes with jazzy undertones shows Pozas knows how to keep things interesting. One second you’re tapping your foot, the next you’re air-drumming like nobody’s watching. The rest of the album flows beautifully too, weaving through moods and styles like a well-edited movie montage. Tracks like “Oração Ao Tempo” and “Geraldinos E Arquibaldos” feel cinematic, as if they’re scoring scenes in some forgotten classic film. And honestly? Listening to this album feels like rediscovering an old photo album—you remember why these moments mattered. Here’s the kicker though: while Duas Caras Instrumental might fly under the radar compared to flashier releases, it’s exactly what makes it special. In a world obsessed with loud beats and TikTok trends, Pozas reminds us that subtlety still has power. This album doesn’t scream for attention—it whispers, and somehow, that whisper echoes louder than most shouts. So yeah, give it a spin. Whether you’re cooking dinner, driving around town, or just vibing solo, let this record take you somewhere. Just don’t blame me if you start daydreaming about black-and-white films and bossa nova beach parties.

Download Victor Pozas - Duas Caras Instrumental
Artist: Victor Pozas
Album: Duas Caras Instrumental

Table of Contents

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Tracks

TrackDurationPreview
Pot-Pourri: Sambas Da Portelinha
Oração Ao Tempo
O Trem Parte
Tema de Maria Paula
E Vamos À Luta
Tema de Hermógenes, Adalberto E Marconi
Coisas Que Eu Sei
Geraldinos E Arquibaldos
A Espera
Folhetim
A Obra
Delírio Dos Mortais
A Descoberta
Vida Alegre
Tá Perdoado
Tema de Claudius

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Catalog Numbers

1054 2

Labels

Som Livre

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Formats

  • CD
  • Album

About Victor Pozas

Born and raised in Rio de Janeiro, started in music through the guitar with 12 years. Studied guitar for 8 years, with several teachers such as Oren Perlin, Isidoro Kutno and Alexandre Carvalho, plays various instruments such as guitar, guitar, bass, drums and piano. At age 20, he directed his first play as a music director: Perfume de Madonna, with great success. This was followed by Eugene O'Neill's Desire Under The Elms and Radio Stars, another blockbuster. After 3 years as music director of several pieces, he was hired as a music producer at Rede Globo, where he is responsible for several series, soap operas and shows. Between 1998 and 2002, he was a producer of the series Sandy and Junior. In 2003 he was responsible, in partnership with João Paulo Mendonça, for the original music of the film Acquaria, by Flávia Moraes, starring the duo. The science-fiction movie reached nearly 1,000,000 viewers. It was in 2004 one of the music producers of the program Fama 3.

Interesting fact about Album

Here’s a cool fact: The album *Duas Caras Instrumental* by Victor Pozas is like a musical journey through Brazilian culture. Released in 2008, it blends jazz, Latin, and soundtrack vibes, creating a unique mix that feels cinematic and alive. One standout track, *"Tema de Hermógenes,"* sets the tone with its rich, emotional melody. What makes this album special is how it captures the essence of Brazil’s storytelling tradition, almost like a film without pictures. It’s not just music—it’s a mood, a story, and a little slice of Brazilian soul.