Album Review: Bewusstlosigkeit by Walkboy (2011)
Alright, let’s talk about Bewusstlosigkeit by Walkboy. This Polish electro house gem from 2011 might not have set the world on fire, but it’s got enough energy to light up a decent party—or at least your headphones on a late-night commute. Released under the Soundwaves label, this album is one of those hidden treasures that fans of electronic music might stumble upon and go, “Wait, why haven’t I heard this before?”
The title track, Bewusstlosigkeit (Original Mix), is where the magic happens. It’s punchy, raw, and kinda hypnotic in that way only electro house can be. The beat hits you right away—no slow build-up or fluff, just straight-up vibes. What makes it stick in my head is the way the synths swirl around like they’re trying to escape but keep getting pulled back into the groove. It’s chaotic in a good way, like when you’re dancing so hard you forget where you are for a sec.
Another standout is… well, honestly, I’m still exploring the rest of the album, but this one track feels like the heart of it. Maybe it’s because the vibe reminds me of those early 2010s underground raves that felt illegal even if they weren’t. You know what I mean? Like, there’s no fancy production tricks here—just solid beats and a whole lot of attitude.
What’s wild is how Walkboy managed to make something so gritty yet polished enough to feel intentional. Poland’s electronic scene doesn’t always get the shine it deserves, but albums like this prove there’s talent lurking in every corner of the globe.
So yeah, Bewusstlosigkeit isn’t perfect, and maybe that’s why I like it. It’s unapologetically itself, warts and all. Listening to it feels like finding an old mixtape in the back of your closet—you don’t remember putting it there, but once you press play, you can’t stop smiling.
Final thought: If Walkboy ever drops another album, I hope they name it something equally mysterious-sounding. Maybe Unterwasserträume? Just saying, it’d look cool on a vinyl sleeve.
