Wes Nivens - Fiddlin Wes

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Review by Matthew Crawford

Album Review: Fiddlin’ Wes by Wes Nivens – A Timeless Western Swing Gem Released in 1976 on Goldust Records, Fiddlin’ Wes by Wes Nivens is a masterclass in the art of Western Swing. This album doesn’t just sit in the Folk, World, & Country genre—it dances through it with fiddle-driven flair and a down-home charm that feels like a warm handshake from an old friend. Backed by a tight-knit crew of musicians—Emmit Brooks on bass, Jake Brooks keeping time on drums, Junior Daugherty strumming guitar, and Calvin Turbeville adding twangy steel guitar magic—Nivens delivers a sound that’s as authentic as it gets. The tracklist reads like a love letter to classic tunes, but two songs stand out for different reasons. First up, “Maiden’s Prayer.” It’s one of those tracks that sneaks up on you. The melody starts simple enough, but then Nivens’ fiddle takes center stage, weaving intricate lines that feel both effortless and deeply emotional. You can almost picture him leaning into his instrument, eyes closed, letting the music flow straight from his soul. If this song doesn’t make you want to slow-dance under string lights or at least tap your foot uncontrollably, something might be wrong with ya. Then there’s “San Antonio Rose,” a tune so iconic it feels like coming home. What makes this version unforgettable is how Nivens honors its roots while still putting his own spin on it. Calvin Turbeville’s steel guitar slides are buttery smooth, and the rhythm section lays down a groove that’s impossible not to move to. By the time the final note fades away, you’re left wondering why more modern country artists don’t take notes from this kind of timeless craftsmanship. One thing about Fiddlin’ Wes is how unpretentious it feels. There’s no overproduced gloss here—just raw talent and genuine passion pouring out of every track. From the jaunty bounce of “Lone Star Rag 2” to the dreamy sway of “Over The Waves,” each song invites listeners into a world where life moves slower and music means more. In a way, this album reminds me of those quiet Sunday afternoons spent flipping through vinyl crates in search of hidden treasures. And isn’t that what great music’s all about? Not trying too hard, just being real. So if you’ve got ears for Western Swing or even just good ol’ heartfelt tunes, give Fiddlin’ Wes a spin. Who knows? You might find yourself humming “Maiden’s Prayer” long after the record stops spinning—or realizing you’ve worn out your turntable playing “San Antonio Rose.” Funny thing is, listening to this album feels like stepping back in time—but also like peeking forward. Maybe Wes Nivens knew he was making music that would stick around longer than any of us expected. Or maybe he just wanted folks to have a good time. Either way, mission accomplished.

Table of Contents

Download

Filename: wes-nivens-fiddlin-wes.zip
  • MP3 size: 107.8 mb
  • FLAC size: 658 mb

Tracks

TrackDurationPreview
Rubber Dollie1:51
Faded Love2:13
Kelley Waltz2:34
Land Of Jubalo1:46
Spanish Two-Step2:08
Beaumont Rag1:34
Brown Skin Gal2:12
Goodnight Waltz2:25
Lone Star Rag #21:54
Over The Waves2:21
Rangers Waltz2:04
Ragtime Annie1:44
Maiden's Prayer2:15
San Antonio Rose2:18

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Catalog Numbers

LPS-170

Labels

Goldust Records

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Formats

  • Vinyl
  • LP
  • Stereo

Credits

RoleCredit
BassEmmit Brooks
DrumsJake Brooks
FiddleWes Nivens
GuitarJunior Daugherty
Steel GuitarCalvin Turbeville

Barcodes

  • Matrix / Runout (Side A Etched): LPS-170-1 28137
  • Matrix / Runout (Side B Etched): LPS-170-2 28137
  • Matrix / Runout (Both Sides Label): 28137

About Wes Nivens

U.S. fiddler born February 6, 1917 in Parnell, Texas. Married to .

Name Vars

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  • Nivens
  • Fiddlin' Wes Nivens

Interesting fact about Album

Did you know? The album *Fiddlin Wes* by Wes Nivens is a hidden gem in the world of Western Swing. Released in 1976 on Goldust Records, it features a mix of lively fiddle tunes and heartfelt waltzes. Tracks like "Maiden's Prayer" and "San Antonio Rose" showcase Wes Nivens' incredible talent on the fiddle. Backed by a solid crew, including Calvin Turbeville on steel guitar and Emmit Brooks on bass, this album feels like a time capsule of classic American sounds. If you're into folk or country music, it’s worth a listen!