Chopin, Süddeutsche Philharmonie, Ernesto Delgado, Peter Schmallfuss, Dieter Goldmann - Piano Concerto No 1 Polonaise No 1 Etudes Op 25 No 7 Grande Valse Brilliante

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Review by Margo Johnson

Chopin’s Piano Concerto No. 1 & More: A Romantic Ride Through Emotion Alright, let’s talk about this gem of an album—Piano Concerto No. 1, Polonaise No. 1, Etudes Op. 25 No. 7, Grande Valse Brilliante. It’s one of those records that doesn’t just sit in the background; it grabs you by the soul and shakes you awake. Released in 1990 on Elap Music (yep, outta Sweden), this is Chopin at his most raw and passionate, performed by some seriously talented folks like Dieter Goldmann on piano, Ernesto Delgado conducting, and the Süddeutsche Philharmonie bringing the orchestral thunder. Now, I gotta say, there are two tracks here that really stuck with me: “Grande Valse Brilliante” and “Romanze; Larghetto.” Let me break it down for ya. First up, “Grande Valse Brilliante.” Man, oh man, this thing feels like stepping into a glittering ballroom where everyone’s dressed to kill but secretly heartbroken. The way Dieter Goldmann plays—it’s not just notes, it’s emotion. Every little flourish of the keys makes you feel like you’re spinning around the floor, caught between joy and longing. You know how sometimes music can make your chest ache in the best way? That’s what happens here. It’s elegant, playful, but also kinda bittersweet. Like remembering a love affair that ended too soon. Then there’s “Romanze; Larghetto,” which is basically liquid melancholy poured straight into your ears. This track slows everything down, giving you space to breathe and feel. Peter Schmallfuss takes over on piano for this one, and wow, does he nail it. There’s something almost unbearable about how tender it feels—he plays as if every note could shatter at any moment. It’s the kind of piece that makes you wanna stare out a rainy window and think about all the things you’ve lost—or maybe found. Either way, it’s heavy stuff. What strikes me about this whole album is how alive it feels. These musicians aren’t just playing—they’re storytelling. They bring out the drama, the romance, the sheer humanity in Chopin’s work. And yeah, sure, we’re talking classical music here, so it might not be everyone’s cuppa tea. But if you give it half a chance, it’ll sneak up on you when you least expect it. Maybe while you’re folding laundry or zoning out during a commute—you’ll suddenly realize you’re holding back tears because these melodies hit deep. Here’s the kicker though: listening to this record made me wonder why more people don’t lose their minds over classical music anymore. Don’t get me wrong, I’m no snob—I dig my share of modern tunes—but albums like this remind me what music was invented for in the first place: to make us feel more. And honestly? We could all use a bit more of that these days. So yeah, check this out if you’re looking for something real. Just don’t blame me if you end up crying in the shower afterward.

Download Chopin, Süddeutsche Philharmonie, Ernesto Delgado, Peter Schmallfuss, Dieter Goldmann - Piano Concerto No 1 Polonaise No 1 Etudes Op 25 No 7 Grande Valse Brilliante
Artist: Chopin, Süddeutsche Philharmonie, Ernesto Delgado, Peter Schmallfuss, Dieter Goldmann
Album: Piano Concerto No 1 Polonaise No 1 Etudes Op 25 No 7 Grande Valse Brilliante

Table of Contents

Download

Filename: chopin-sddeutsche-philharmonie-ernesto-delgado-peter.zip
  • MP3 size: 52 mb
  • FLAC size: 571 mb

Tracks

TrackDurationPreview
Allegro Maestoso19:55
Op. 18 In E Flat Major5:08
Polonaise Op. 26
No. 1 In C Sharp Minor7:48
Romanze; Larghetto10:22
No. 7 In C Sharp Minor5:15
Piano Concerto No. 1 In E Minor Op. 11(39:55)
Rondo: Vivace9:33
Grande Valse Brilliante
No. 11 In A Minor3:43

Images

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Catalog Numbers

3216MC

Labels

Elap Music

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Formats

Cassette

Credits

RoleCredit
Composed ByChopin
ConductorErnesto Delgado (tracks: A1 to A3)
OrchestraSüddeutsche Philharmonie (tracks: A1 to B3)
PianoDieter Goldmann (tracks: A1 to B3), Peter Schmallfuss (tracks: B4)

About Chopin, Süddeutsche Philharmonie, Ernesto Delgado, Peter Schmallfuss, Dieter Goldmann

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Born: 1810-03-01 (Duchy of Warsaw) at present Żelazowa Wola, Poland. Died: 1849-10-17 (Paris, France). Fryderyk Franciszek Chopin (1 March 1810  17 October 1849) was a Polish composer and virtuoso pianist of the Romantic era who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose "poetic genius was based on a professional technique that was without equal in his generation." Chopin was born in the Duchy of Warsaw in a small town called Żelazowa Wola (eng. Steel Will), within months of his birth the Chopin family moved to Warsaw the capital of the Duchy, where Fryderyk grew up and learned to play; in 1815 the Duchy became the Kingdom of Poland. A child prodigy, he completed his musical education and composed his earlier works in Warsaw before leaving Poland at the age of 20, less than a month before the outbreak of the November 1830 Uprising. At the age of 21, he settled in Paris. Thereafterin the last 18 years of his lifehe gave only 30 public performances, preferring the more intimate atmosphere of the salon. He supported himself by selling his compositions and by giving piano lessons, for which he was in high demand. Chopin formed a friendship with Franz Liszt and was admired by many of his other musical contemporaries (including Robert Schumann). In 1835, when Chopin obtained French citizenship he became . After a failed engagement to Maria Wodzińska from 1836 to 1837, he maintained an often troubled relationship with the French writer Amantine Dupin (known by her pen name, George Sand). A brief and unhappy visit to Majorca with Sand in 183839 would prove one of his most productive periods of composition. In his final years, he was supported financially by his admirer Jane Stirling, who also arranged for him to visit Scotland in 1848. For most of his life, Chopin was in poor health. He died in Paris in 1849 at the age of 39, probably of pericarditis aggravated by tuberculosis. All of Chopin's compositions include the piano. Most are for solo piano, though he also wrote two piano concertos, a few chamber pieces, and some 19 songs set to Polish lyrics. His piano writing was technically demanding and expanded the limits of the instrument: his own performances were noted for their nuance and sensitivity. Chopin invented the concept of the instrumental ballade. His major piano works also include mazurkas, waltzes, nocturnes, polonaises, études, impromptus, scherzos, preludes and sonatas, some published only posthumously. Among the influences on his style of composition were Polish folk music, the classical tradition of J.S. Bach, Mozart, and Schubert, and the atmosphere of the Paris salons of which he was a frequent guest. His innovations in style, harmony, and musical form, and his association of music with nationalism, were influential throughout and after the late Romantic period. Chopin's music, his status as one of music's earliest superstars, his (indirect) association with political insurrection, his high-profile love-life, and his early death have made him a leading symbol of the Romantic era. His works remain popular, and he has been the subject of numerous films and biographies of varying historical fidelity.

Real Name

    • Fryderyk Franciszek Chopin

Name Vars

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  • Chopin F.
  • Chopin Frederic
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  • Chopin Frédéric
  • Chopin, F.
  • Chopin, Fryderyk
  • Chopin, Frédéric
  • Chopina
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  • F. F. Chopin
  • F. Schopin
  • F. Shopen
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  • Federic Chopin
  • Federico Chopin
  • Fr. Chopin
  • Fr. Copin
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  • Fr. Šopenas
  • Fr.Chopin
  • Francois Frederic Chopin
  • Franz Chopin
  • François Frédéric Chopin
  • François-Frédéric Chopin
  • Frayderyk Chopin
  • Freddy Chopin
  • Frederic Chopin
  • Frederic Choppin
  • Frederic F. Chopin
  • Frederic Francois Chopin
  • Frederic François Chopin
  • Frederich Chopin
  • Frederich Chopin (R.I.P.)
  • Frederick Chopin
  • Frederick Chópin
  • Frederico Chopin
  • Frederik Chopin
  • Frederik Šopen
  • Frederin Chopin
  • Frederique Chopin
  • Frederyk Chopin
  • Frederyk Franciszek Chopin
  • Fredic Chopin
  • Fredric Chopin
  • Fredryk Chopin
  • Fredédéric Chopin
  • Fredéric Chopin
  • Freyderyk Chopin
  • Frideryk Chopin
  • Friederic Chopin
  • Friederyk Chopin
  • Friedric Chopin
  • Friedrich Chopin
  • FryDeryk Chopin
  • Fryderic Chopin
  • Fryderick Choopin
  • Fryderick Chopin
  • Fryderik Chopin
  • Fryderika Chopina
  • Fryderyc Chopin
  • Fryderyck Chopin
  • Fryderyk CHopin
  • Fryderyk Chopin
  • Fryderyk F. Chopin
  • Fryderyk F.Chopin
  • Fryderyk Franciszek Chopin
  • Fryderyk chopin
  • Fryderyka Chopina
  • Frydéric Chopin
  • Frydérik Chopin
  • Frydéryc Chopin
  • Frydéryk Chopin
  • Fryederyk Chopin
  • Frèdèric Chopin
  • Fréderic Chopin
  • Frédèric Chopin
  • Frédéeric Chopin
  • Frédéric
  • Frédéric Chopin
  • Frédéric F. Chopin
  • Frédéric Francais Chopin
  • Frédéric Franciszek Chopin
  • Frédéric Francois Chopin
  • Frédéric François Chopin
  • Frédéric Frànçois Chopin
  • Frédéric-François Chopin
  • Frédérich Chopin
  • Frédérick Chopin
  • Frédéryk Chopin
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Interesting fact about Album

Did you know? The album *Piano Concerto No. 1, Polonaise No. 1, Etudes Op. 25, Grande Valse Brilliante* brings together a stunning collaboration of talents. While Chopin composed these timeless Romantic pieces, the recording features not one but two pianists: Dieter Goldmann and Peter Schmallfuss. Each lent their unique touch to different tracks. It’s like getting two interpretations of Chopin’s genius in one album. Pretty cool, right? Released in Sweden in 1990, it’s a gem for classical music lovers.